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Return to order
Redalyc.Giorgio Morandi and the “Return to Order”: from Pittura
UC Berkeley
Italian Painting in Between the Wars at MAC USP
From Miró to Barceló
Uncannily Real Italian Painting of the 1920S 28 September 2018 – 13 January 2019 Opening: 27 September, 7 P.M
Fore, Realism After Modernism, Chapter 4.Pdf
Impressionist & Modern
Solomon R. Guggenheim Museum Teacher Resource Unit
The Legacy of Antonio Sant'elia: an Analysis of Sant'elia's Posthumous Role in the Development of Italian Futurism During the Fascist Era
Cubism's Break with Space
1 Mildred Lane Kemper Art Museum March 2009 Spotlight Series Essay
Neoclassicism and Surrealism in Pablo Picasso‟S Paintings
Tamara De Lempicka's Strategic Conservatism
Severini – from Divisionism and Futurism Carelli F* EURACT Council, Professor GP University of Milan, Italy
Architecture and the Novel Under the Italian Fascist Regime
METAPHYSICAL MASTERPIECES STUDY DAYS Friday, April 26 & Saturday, April 27, 2019
Picasso: the Artist and His Models November 5, 2016–February 19, 2017
20TH CENTURY ITALIAN ART Spring Semester VIP 2020
Top View
Cubism's Break with Space
A Conversation Between Giuseppe Iannaccone and Alberto Salvadori Alberto Salvadori
De Chirico in Milan 1919-1920 163
MODERN ART and IDEAS 6 ART BETWEEN the WARS a Guide for Educators
Giorgio Morandi and Italian Fascism an Honors Thesis
(1897-1976) in Italy in the Interwar Period
Giorgio Morandi and the “Return to Order”: from Pittura Metafisica to Regionalism, 1917-1928
“Return to Craft” the Importance of Artistic Training Between Athens and Munich
Opening at the Museo Del Novecento in Milan and The
Picasso Quotations
Curating an International Avant-Garde: Revista De Avance and the Visual Arts
Futurism Celebrated Advanced Technology and Urban Modernity
The New Figuration Between Classicism and Superrealism