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Race record
Seeing (For) Miles: Jazz, Race, and Objects of Performance
Jazz and the Cultural Transformation of America in the 1920S
Paper for B(&N
Grinning with the Devil: the Use of Humor in Race Record Advertisments
Race and Political Economy in Louis Armstrong's Career a Thesis Subm
Chapter Overview
Selling the Sounds of the South: the Visual and Verbal Rhetoric of Race Records and Old Time Records Marketing, 1920-1929
ARSC Journal XXVI Ii 1996
William Grant Still and the Balance of Popular Vs. Classical: Pace & Handy, Black Swan, and Shuffle Along Jacqueline Brellenthin University of Wisconsin-Milwaukee
The Romance of Lead Belly: Race and Activism in American Blues Music
Trouble Songs
Male Control and Female Resistance in American Roots Music Recordings of the Interwar Period
The Scholar As Human
Recorded Music in American Life: the Phonograph and Popular Memory, 1890–1945
Black Musical Traditions and Copyright Law: Historical Tensions
Lerone A. Martin Preaching on Wax: the Phonograph and the Shaping of Modern African American Religion
There Are Three Most Popular 'Blues' Singers That Used Jazz Bands. Many Other Blues Singers Are in Vaudeville, Too Many to Mention
Song Inventory
Top View
I'm Every (Black) Woman: Negotiating Intersectionality in the Music Industry
From Race Records to Rock 'N' Roll: Elvis, Sun
UNIVERSITY of CALIFORNIA Los Angeles Labor, Pleasure, And
Postmodern Blackness and the Legacy of Bessie Smith Phillip M
African-American Ownership of Record Labels in the Twentieth Century Stuart Lucas Tully Louisiana State University and Agricultural and Mechanical College
A Brief History of the Chitlin' Circuit, Mississippi, and Their Effects on America's Music
Blues, “Good Music,” and the Performance of Race on Record, 1920-1921