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Polyrhythm

  • Superimposed Subdivisions (Polyrhythm Hell) [Sallan Tarkistama]

    Superimposed Subdivisions (Polyrhythm Hell) [Sallan Tarkistama]

  • UCLA Electronic Theses and Dissertations

    UCLA Electronic Theses and Dissertations

  • Understanding Music Past and Present

    Understanding Music Past and Present

  • The American Stravinsky

    The American Stravinsky

  • DEPARTMENTAL SYLLABUS COURSE TITLE: Music Theory IV

    DEPARTMENTAL SYLLABUS COURSE TITLE: Music Theory IV

  • Gershwin, Copland, Lecuoña, Chávez, and Revueltas

    Gershwin, Copland, Lecuoña, Chávez, and Revueltas

  • Information to Users

    Information to Users

  • Art Songs of Charles Ives Accessible to Beginning Singers By

    Art Songs of Charles Ives Accessible to Beginning Singers By

  • Scales, Modes, and Chord/Cluster Concepts for 20Th-Century Techniques Exam

    Scales, Modes, and Chord/Cluster Concepts for 20Th-Century Techniques Exam

  • Syncopation and the Score. Song, C; Simpson, AJ; Harte, CA; Pearce, MT; Sandler, MB

    Syncopation and the Score. Song, C; Simpson, AJ; Harte, CA; Pearce, MT; Sandler, MB

  • Theory of Music-Stravinsky

    Theory of Music-Stravinsky

  • Music of the Twentieth Century Table of Contents

    Music of the Twentieth Century Table of Contents

  • Introduction to Polyrhythm Background the Stratification of Music Into Constituent Temporal Layers Has Been Approached by Composers in a Myriad of Ways

    Introduction to Polyrhythm Background the Stratification of Music Into Constituent Temporal Layers Has Been Approached by Composers in a Myriad of Ways

  • DMA Vocabulary

    DMA Vocabulary

  • Darren Sigesmund Final Dissertation

    Darren Sigesmund Final Dissertation

  • Elements of Music

    Elements of Music

  • 1449 2014.06.11 Moy Programma

    1449 2014.06.11 Moy Programma

  • Temazcal (1984), Javier A￿lvarez, and Memory Palace (2012), Christopher Cerrone

    Temazcal (1984), Javier A￿lvarez, and Memory Palace (2012), Christopher Cerrone

Top View
  • The Study of Selected Twentieth-Century American Piano
  • A Wind Ensemble Adaptation and Conductor's Analysis of Selected Movements of Darius Milhaud's Saudades Do Brazil, with A
  • VMTA Theory 2013 New Terms Glossary
  • Boundaries of Perception and the Endless Struggle for Unity in the Music of Karlheinz Stockhausen
  • Syncopation: Unifying Music Theory and Perception
  • Rhythmic Techniques in a Selection of Olivier Messiaen’S Piano Works
  • Music: Its Language, History, and Culture
  • 2.1 Working in Polyrhythmic Space
  • Music Appreciation Curriculum
  • Metric Interplay: a Case Study in Polymeter, Polyrhythm, and Polytempo
  • An Examination of the French Sonatas for Violin And
  • Postminimalist Choral Music: a Pedagogical Perspective
  • College of San Mateo Official Course Outline COURSE ID: MUS. 134 TITLE: Harmony IV C-ID: MUS 150 Units: 3.0 Units Ho
  • UC San Diego Electronic Theses and Dissertations
  • Fugues in Four Twentieth-Century Multi-Movement Piano Sonatas: an Analytical Study from a Performer's Perspective
  • FOUR CASE STUDIES VOLUME 1 by SUN-JU SONG, Bmus, BA (Mus
  • Percussion Music of the Globe: Europe, America, and the African Diaspora
  • A Study of Coloristic Effects in Joan Tower's Works


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