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Piano Sonata (Berg)
The Role of Neoclassicism in Generalizing Tradition: Integrating Textural, Tonal and Topical Elements at the Keyboard
Defining Musical Americanism: a Reductive Style Study of the Piano Sonatas of Samuel Barber, Elliott Carter, Aaron Copland, and Charles Ives
Enharmonic Paradoxes in Classical, Neoclassical, and Popular Music By
Daniel Saidenberg Faculty Recital Series
Formal Mixture in the Sonata-Form Movements of Middle- and Late-Period Beethoven James S
The Piano Sonatas by Harold Shapero: a Stylistic Synthesis
THE STRUCTURE and SYNTAX of STRAVINSKY's NEOCLASSICAL CADENTIAL LANGUAGE by Aaron Templin Copyright
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List of Compositions
The Annotated Mozart Sonatas: Score, Harmony, and Cadence
PROGRAM NOTES by Phillip Huscher
Alban Berg's Three Pieces for Orchestra, Opus 6: Form and Thematic Structure, and Their Relationship to Wozzeck
“Violin Concerto” Alban Berg, Along with Anton Webern, Was One of the Three Composers of the Second
Cyclic Elements in Schubert's Last Three Piano Sonatas
The Allegro Misterioso of Berg's "Lyric Suite"
Historical Tradition in the Pre-Serial Atonal Music of Alban Berg. William Glenn Walden Louisiana State University and Agricultural & Mechanical College
Tonal Shift, Cadence and Transition in the Brass Sonatas of Paul Hindemith
Michael Tippett's Piano Sonata No. 1: a Study of His
Top View
The Theory and Practice of Integrating Invertible Counterpoint Into Classical Theme-Types Peter Franck
A Study of Neoclassical Elements in Ernst Krenek's George Washington
Program Notes
Selecting Dots, Connecting Dots: the Score Anthology As History
University of Cincinnati
Stravinsky's Sideward Glance: Neoclassicism, Dialogised Structures and the Reflected Discourse of Bach Dr Nicholas P. Mcka
Counterpoint of Lines Or Voices Mart Humal
Beethoven & Berg
A Guide to Alban Berg's Opera Wozzeck
Performance Approach in the Recorded History of Alban Berg's
Sonata No.1 for Violin and Piano, Op. 80,By Sergei Prokofiev
The Development of Expressionism in Alexander Scriabin's Piano Sonatas
Wozzeck” (Oxford University Press, 2011) Dave Headlam