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Peter Schat
The “Work” of Simeon Ten Holt's Canto Ostinato Through the Van Veen
BENELUX and SWISS SYMPHONIES from the 19Th Century to the Present
The Disturbance of the Dutch Premiere of Stockhausen's "Stimmung" Author(S): Robert Adlington Source: Music & Letters, Vol
Boston Symphony Orchestra Concert Programs, Summer, 1989
Laboratoire Instrumental Européen European Instrumental Laboratory Lieu Laboratoire Instrumental Européen European Instrumental Laboratory
Peter Schat's Tone Clock: the Steering Function and Pitch- Class
Fonds Maurice Fleuret 2
Contemporary New Zealand Piano Music
Avant-Garde Music in 1960S Amsterdam
Music, Activism and Tradition: Louis Andriessen's Nine Symphonies of Beethoven* Stephen
Letters to the Editor
AMS Philadelphia 2009 Abstracts
The Contact Microphone: a Cultural Object Daniela Fantechi
Serialism 1 Serialism
(2017). Robert Adlington, Composing Dissent. Avant-Garde Music in 1960S Amsterdam
New Juilliard Ensemble Behind Every Juilliard Artist Is All of Juilliard —Including You
On the Threshold of Beauty Philips and the Origins Of
Boekje Gedichten A6 4
Top View
The Preservation of Subjectivity Through Form: the Radical Restructuring of Disintegrated Material in the Music of Gerald Barry, Kevin Volans and Raymond Deane
High-Fidelity-1966-0
The Tone Clock Peter Schat
The Minimal Kaleidoscope
AMS Newsletter August 2009
Peter Schat En Rudolf Escher