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Paolo Rolli
Handel, Rolli, and Italian Opera in London in the Eighteenth
NEWSLETTER of the American Handel Society
The Italian Verse of Milton May 2018
Ambition and Moderation in Handel's Bilingual Revival of L'allegro, Il Penseroso, Ed Il Moderato
The Reception of the Castrati in Early Eighteenth-Century London
The Chamber Duets of Agostino Steffani (1654-1728), with Transcriptions and Catalogue
Venice Baroque Orchestra with Philippe Jaroussky
Giuseppina Bridelli in London Le Concert De L’Hostel Dieu Duel Franck-Emmanuel Comte
Handel's Ariostan Heroines: with Particular Reference to Ginevra
Unknown Senesino: Francesco Bernardi's Vocal Profile and Dramatic Portrayal, 1700-1740 Randall Scotting Submitted in Fulfilmen
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Handel's Orientalist Operas the Royal Academy Of
Niccolò Porpora, His Operas and Disciples
A Lyric Soprano in Handel's London: a Vocal Portrait of Francesca Cuzzoni Lisabeth M
Farinelli's Venetian Debut in 1728-1729
Handel Opera Aria Transcriptions: a Comprehensive List 164
The Eighteenth-Century Reception of Milton's Poems
Poetical Mottos in Tartini's Concertos – the Latest Concordances and Questions
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