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Ottaviano Petrucci
Italian Renaissance Music and Sound in the Newberry Collection
Stile Antico Josquin
Music History Lecture Notes Renaissance & Reformation 1450 AD – 1600 AD
The Dating and Provenance of Bologna, Civico Museo Bibliografico Musicale, MS Q 19
Spring 2021 PROGRAM #: EMN 20-42 RELEASE
ECCE ANCILLA DOMINI 8 PM Saturday, October 15, 2016 First Church in Cambridge, Congregational 4 PM Sunday, October 16, 2016 S
Ockeghem's Missa Mi-Mi As Hypophrygian Exemplar In
The Methods and Business of Petrucci Vs. Attaingnant
PETRUCCI B-04 BOORMAN 6-04-2005 11:15 Pagina 125
Cleveland Museum of Art: Fretwork and Michelangelo by Jarrett Hoffman
The French Connection
The Printed Lute Song: a Textual and Paratextual Study of Early Modern English Song Books
University of Cincinnati
Josquin Des Prez's Motet Qui Velatus Facie and the Canonization of St
Shared Ideas Between Visual and Musical Arts 1450-‐1750
Print Culture, Music, and Early Modern Catholicism in Rome
Lute Intabulation & Performance
MARBRIANUS DE ORTO the Sound and the Fury Paradise Regained
Top View
2.1 Lamentation Texts 39 2.2 Textual Content in Pre-1506 Sources 41 2.3 Laude and Miscellaneous Texts 46 2.4 Conclusion 56
In the Shadow of Petrucci: Why Attaingnant and His Methods Are Lost in History Sean A
PETRUCCI B-02 WELKER 6-04-2005 11:14 Pagina 107
Vera Kochanowsky, Artistic Director Hubert Beckwith, Director
CRITICAL EDITION and COMMENTARY Presented to The
The-Stanley-Boorman-Collection.Pdf
How Venice Dominated the Early Music Printing World Elizabeth M
Luther's Polyphony: Petreius's Liber Quindecim Missarum in Protestant
Front Matter
Vocal Facsimiles (Medieval-Renaissance)