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Octave species
The New Dictionary of Music and Musicians
MTO 20.2: Wild, Vicentino's 31-Tone Compositional Theory
THE UBIQUITY of the DIATONIC SCALE Leon Crickmore
Memory, Music, Epistemology, and the Emergence of Gregorian Chant As Corporate Knowledge
Key and Mode in Seventeenth- Century Music Theory Books
Octave-Species and Key| a Study in the Historiography of Greek Music Theory
Divisions of the Tetrachord Are Potentially Infinite in Number
Polytonal Non-Octave Complexes DMA Document Presented In
Information to Users
159 Athena Katsanevaki CHROMATICISM
Hughes, Richard Vaughan (1996) the Ritus Canendi Vetustissimus Et Novus of Johannes Legrense: a Critical Edition with Translation, Introduction and Notes on the Text
ORTHODOX LITURGICAL HYMNS in GREGORIAN CHANT – Volume 1
Religious Dorian. Five Authentic and Principal Modes and Ten Companion Or Collateral Modes Are Named by Martianus According to Aristoxenian Tradition
The Affective Properties of Keys in Instrumental Music from the Late Nineteenth and Early Twentieth Centuries
Studies in the History of the Cadence Caleb Michael Mutch Submitted In
New Oxford History of Music Volume I Ancient and Oriental Music
T Have Been Timotheus’ Pherecrates’ Twelve Strings, the Strobilos and the Harmonic Paranomia of the New Music
Greek Music the Music of the Ancient Greeks
Top View
Greek Music, See Music of Ancient Greece
Vicentino and the Greek Genera Author(S): Henry W
Signature-Systems and Tonal Types in the Fourteenth-Century French Chanson
An Exploration of Modes in Polyphonic Compositions of the Sixteenth Century
Chapter 3 "The Foundations Scale-Steps and Scales"
The Tone Intervals of the Seven Octave Species
Melodic Function and Modal Process in Gregorian Chant
DIAGRAMS, CYCLIC ORDERINGS and ARISTOXENIAN SYNTHESIS Definite Principle Governing the Synthesis of Every 1.1.2 Harmonicists Interval with Every Other’ [4, P
Classical Antiquity
"The Harmony of All Things": Music, Soul, and Cosmos in the Writings of John Scottus Eriugena
Pitch Frames As Melodic Archetypes
Theory, Theorists. file:///Home/Hugo/Material Didatico/New Grove/Entries
Twenty-Four in Auloi. Aristotle, Met.1093B, the Harmony of The
Modality and Chromaticism in the Madrigals of Don Carlo Gesualdo
Evolution of Tonal Organization in Music Optimizes Neural Mechanisms in Symbolic Encoding of Perceptual Reality
Nicola Vicentino and the Enharmonic Diesis: an Analytical and Empirical Study
(1) Western Culture Has Roots in Ancient