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Not I

  • What Are They Doing There? : William Geoffrey Gehman Lehigh University

    What Are They Doing There? : William Geoffrey Gehman Lehigh University

  • Transcript of Samuel Beckett: a Conversation, with Ian Rickson, and Mark Taylor-Batty, at the Minghella Building, University of Reading, October 3Rd 2013, 7.30Pm

    Transcript of Samuel Beckett: a Conversation, with Ian Rickson, and Mark Taylor-Batty, at the Minghella Building, University of Reading, October 3Rd 2013, 7.30Pm

  • Le Memorie Di Un Film Notfilm Di Ross Lipman

    Le Memorie Di Un Film Notfilm Di Ross Lipman

  • “Certain Vowel Sounds”: Beckett's Not I and Lacanian Phonemics Mark Webster Hall Structuralist Interpretations of Language

    “Certain Vowel Sounds”: Beckett's Not I and Lacanian Phonemics Mark Webster Hall Structuralist Interpretations of Language

  • Modes of Being and Time in the Theatre of Samuel Beckett

    Modes of Being and Time in the Theatre of Samuel Beckett

  • Absurdism in “Waiting for Godot” and “The Room”: Why One Is Widely

    Absurdism in “Waiting for Godot” and “The Room”: Why One Is Widely

  • Exploring Incapacity and Carceral Formations in Samuel Beckett's Endgame, Happy Days, Play, Not I, and Catastrophe

    Exploring Incapacity and Carceral Formations in Samuel Beckett's Endgame, Happy Days, Play, Not I, and Catastrophe

  • Collected Shorter Plays of Samuel Beckett Murphy

    Collected Shorter Plays of Samuel Beckett Murphy

  • The Performance of Beckett: an Essay for the Staging Beckett Website, 2015

    The Performance of Beckett: an Essay for the Staging Beckett Website, 2015

  • Beckett's Theater in the 1960S

    Beckett's Theater in the 1960S

  • Fall 1993 45

    Fall 1993 45

  • (1977), ... but the Clouds ... (1977), Quad (1980/81), Nacht Und Träume (1983), and What Where (1985) Is Characterized by the Technique of Reduction

    (1977), ... but the Clouds ... (1977), Quad (1980/81), Nacht Und Träume (1983), and What Where (1985) Is Characterized by the Technique of Reduction

  • Footfalls

    Footfalls" Shahla Simin and Reihane Karbasi English Department, University of Isfahan

  • California State University, Northridge Underneath

    California State University, Northridge Underneath

  • MÁSTERES DE LA UAM 2017 - 2018 Facultad De Filosofía Y Letras

    MÁSTERES DE LA UAM 2017 - 2018 Facultad De Filosofía Y Letras

  • 3 NOT I: an Existentialist Statement on the Human Condition

    3 NOT I: an Existentialist Statement on the Human Condition

  • Krapp's Last Tape and the Beckettian Mimesis of Regret

    Krapp's Last Tape and the Beckettian Mimesis of Regret

  • Krapp's Last Tape and the Beckettian Mimesis of Regret

    Krapp's Last Tape and the Beckettian Mimesis of Regret

Top View
  • LISA DWAN: BECKETT TRILOGY Friday, April 8, 2016 The Broad Stage, Santa Monica
  • Beckett and Nothing Reduction
  • Stage Directions and Presence in Samuel Beckett's Happy Days
  • Samuel Beckett's Waiting for Godot: a Postmodernist Study
  • Beckett and Sonic Art
  • Paternal Spaces in Samuel Beckett's Embers
  • Waiting for Godot: a Casebook
  • The Genesis of the Self in Samuel Beckett's Krapp's Last Tape (1958
  • Samuel Beckett's Quad: Pacing to Byzantium
  • Matters of Memory in Krapp's Last Tape and Not I Jeanette R. Malkin
  • Krapp's Last Tape, Not I, That Time, a Piece of Monologue (Naxos) Online
  • Move for Student Union Started by Congress
  • Download Download
  • Samuel Beckett Related Audio Material
  • Waiting for Godot the Articles in This Study Guide Are Not Meant to Mirror Or Interpret Any Productions at the Utah Shakespeare Festival
  • Happy Days: from Stage to Screen. a Way to Approach Samuel Beckett and His Absurdity to a Public That Is Not Traditionally Close to His Type of Art
  • Footfalls, Rockaby
  • Neil Jordan, Not I an Adaptation for Film of the Play Not I, 1972 By


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