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Noble Johnson

  • Copyright by Yuri Andrew Campbell 2014

    Copyright by Yuri Andrew Campbell 2014

  • Glorious Technicolor: from George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 the G

    Glorious Technicolor: from George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 the G

  • George P. Johnson Negro Film Collection LSC.1042

    George P. Johnson Negro Film Collection LSC.1042

  • For More Than Seventy Years the Horror Film Has

    For More Than Seventy Years the Horror Film Has

  • Red and White on the Silver Screen: the Shifting Meaning and Use of American Indians in Hollywood Films from the 1930S to the 1970S

    Red and White on the Silver Screen: the Shifting Meaning and Use of American Indians in Hollywood Films from the 1930S to the 1970S

  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress

    Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress

  • Cinema Studies: the Key Concepts

    Cinema Studies: the Key Concepts

  • An Interactive Study Guide to Toms, Coons, Mulattos, Mammies, and Bucks: an Interpretive History of Blacks in American Film by Donald Bogle Dominique M

    An Interactive Study Guide to Toms, Coons, Mulattos, Mammies, and Bucks: an Interpretive History of Blacks in American Film by Donald Bogle Dominique M

  • Lincoln Motion Picture Company Is the First Black-Owned Film Production Company, Founded in 1916 by Brothers, Noble and George Johnson, in Omaha, Nebraska

    Lincoln Motion Picture Company Is the First Black-Owned Film Production Company, Founded in 1916 by Brothers, Noble and George Johnson, in Omaha, Nebraska

  • KING KONG (1933) 104 Min

    KING KONG (1933) 104 Min

  • In Some Sense, the Succession of Chapters in Any Critical Work Should

    In Some Sense, the Succession of Chapters in Any Critical Work Should

  • PRODUCING the AMERICAN ZOMBIE FILM: a SOCIOLOGICAL UNDERSTANDING of the GENESIS and EVOLUTION of a GENRE a Dissertation Presente

    PRODUCING the AMERICAN ZOMBIE FILM: a SOCIOLOGICAL UNDERSTANDING of the GENESIS and EVOLUTION of a GENRE a Dissertation Presente

  • African-Americans and Silent Films

    African-Americans and Silent Films

  • A SHORT HISTORY of FILM 00 Dixon FM I-Xxxviii 1/15/08 9:26 AM Page Ii 00 Dixon FM I-Xxxviii 1/15/08 9:26 AM Page Iii

    A SHORT HISTORY of FILM 00 Dixon FM I-Xxxviii 1/15/08 9:26 AM Page Ii 00 Dixon FM I-Xxxviii 1/15/08 9:26 AM Page Iii

  • 29 August 2006 XIII:1 the THIEF of BAGDAD (1924) 155 Min. Douglas

    29 August 2006 XIII:1 the THIEF of BAGDAD (1924) 155 Min. Douglas

  • January 31, 2012 (XXIV:3) Merian C

    January 31, 2012 (XXIV:3) Merian C

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