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Nikolai Evreinov
Introduction Commedia Dell’Arte: History, Myth, Reception Daniele Vianello
The Performative Nature of Dramatic Imagination
Translating Communism for Children: Fables and Posters of the Revolution
The Spectator and Dialogues of Power in Early Soviet Theater By
Evreinov and Questions of Theatricality
Theatrical Spectatorship in the United States and Soviet Union, 1921-1936: a Cognitive Approach to Comedy, Identity, and Nation
Of Theatre. 71
Russian Art of the Avant-Garde
Nikolai Evreinov and Edith Craig As Mediums of Modernist Sensibility', New Theatre Quarterly, Vol
The Theatre of Paradox and Transformation. by Spencer Golub
Russian Dada 1914–1924
The Socialist Construction of the Moscow Theater Festival 1933-1937
1. SPENCER GOLUB Professor of Theatre Arts and Performance Studies; of Comparative Literature; and of Slavic Studies
Culture and Legacy of the Russian Revolution
Theatres of War: Experimental Performance in London, 1914-18 and Beyond
Nikolai Evreinov and Boris Aronson
The Institute of Modern Russian Culture
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Pirandello, Evreinov, and Brecht ELISA SEGNINI
Smithmlr2017thetransgressiv
Collective Oc Tober 1920 Shu-Ha Chang / 2016
UC Berkeley UC Berkeley Electronic Theses and Dissertations
Theatricality
Roots and Rebellion: an Investigation of the Evolution and Implications of Legacy in Revolutionary Soviet Theatre Katelyn Elizabeth Murray James Madison University
The Influence of Nikolai Evreinov on the Early Theatrical Works of Samuel Beckett