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National Gugak Center
1. Introduction 2. Studies on Jeju and Efforts to Preserve It
No. 22 How Did North Korean Dance Notation Make Its Way to South
World Bank Document
Playing on Gender in Korea's 21St Century Traditional Performing Arts
Korean National Gugak Center Creative Traditional Orchestra in Two Concerts on Saturday, October 28
Traditional Music and the Work Concept: the Kayagŭm Sanjo of Hwang Byungki
Coexistence of Classical Music and Gugak in Korean Culture1
Diversity of K-Pop: a Focus on Race, Language, and Musical Genre
PCI Newsletter Summer
Improving Archival Records of Traditional Korean Performing Arts in a Semantic Web Environment
Czechoslovakia and the Neutral Nations Supervisory Commission in the 1950S
Handbook for Korean Studies Librarianship Outside of Korea Published by the National Library of Korea
Changjak Gugak Music in the Twenty First Century: an Overview with Focus on Three Western Trained Korean Composers: Unsuk Chin, Il Ryun Chung, and June Hee Lim
Thesis, Defining a Stage Manager
Uniquely Korea
Percussion Music Rituals)
Gender in Fusion Kugak: an Examination of Women’S Fusion Kugak Groups and Their Music Practices
The Music Trend in the 15Th Century Korea Shown in the Written Materials of Seong Hyeon
Top View
National Gugak Center of Korea Creative Traditional Orchestra
The Treatment of Korean Traditional Musical Elements in Western Musical Composition: a Brief Analysis of Folksong Revisited for Solo Piano by Jean Ahn
CKS Newsletter Summer 2019
Dr. Ju-Yong Ha
Sanjo and Pansori
BEYOND the COMFORT ZONE: FEMALE GUGAK MUSICIANS RESPONDING to 21ST CENTURY KOREA a Thesis by JEONGIN LEE Submitted to the Office
Information Booklet
Halla Huhm Collection Addendum
22195.Pdf (5.88
Program Cover