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Nat Towles
Phases of the Moon. RBA Asks If There Wasn't Someone in DA's [Cf
MONEY JOHNSON: Duke's New Trumpet by Stanley Dance Book to Study
Nebraska Traditional Music and Dance Forms
BENNY GOLSON NEA Jazz Master (1996)
Count Basie and His Bands
Atkins (A Veteran of [World War I?],[See Notes on His
The Life and Legacy of Frank Terry Greer and His Influences on Historically Black College and University Bands
Download the Tenor Saxophone of Buddy Tate
N O R Th 24Th Str Eet W a Lk in G to Ur
Jimmy Heathvisit With
"The Texas Shuffle": Lone Star Underpinnings of the Kansas City
Finding Aid to the Historymakers ® Video Oral History with Jimmy Heath
Jazz Jazz Is a Uniquely American Music Genre That Began in New Orleans Around 1900, and Is Characterized by Improvisation, Stron
Guide to the Duncan P. Schiedt Photograph Collection
Charlie Parker Lester Leaps in Transcription
North Omaha History Timeline by Adam Fletcher Sasse
Vandoren Mouthpiece and a I Andoren Reed—These Are Nn Idea of the Perfect Sid Dawson's Combination.”—BUDDY DE FRANCO RIVERBOAT RAMBLERS Dixieland at Its Test"
Kansas City Jazz: from Ragtime to Bebop—A History
Top View
Newsletternewsletter October 2013
Jazz Review, That They Believed They Eddie Durham, of San Marcos, Texas, Who Would Write and Necessarily Could Escape Racism by Playing in Northern Venues
I. Jazz: a Historical Perspective II. Duke Ellington III. Charles Mingus
Page | 1 Funding for the Smithsonian Jazz Oral History Program NEA
Paul Thaddeus King
F U S I O N Buddy Tate Biography by Scott Yanow
Consequential Saints: a Preliminary Study of Jazz and Religion in New Orleans
Paul Quinichette “Vice Prez”