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Nancy Storace
The Rise of the Tenor Voice in the Late Eighteenth Century: Mozart’S Opera and Concert Arias Joshua M
A Passion for Opera the DUCHESS and the GEORGIAN STAGE
Diplomats As Musical Agents in the Age of Haydn
Sarti's Fra I Due Litiganti and Opera in Vienna
Mozart Society of America
Program Notes and Translations
The Lawsuits of Storace V. Longman & Broderip
Nancy Storace War Gebürtige Engländerin, Ging Aber Be- Reits Mit 13 Jahren Nach Italien, Wo Sie Ihre Ersten Gro- ßen Erfolge Feierte
Stephen Storace (4 April 1762 – 19 March 1796) Was an English Composer
Migrating Mozart, Or Life As a Substitute Aria in the Eighteenth Century
Symphony No. 96, Miracle
The Piano Trio in London from 1791 to 1800
Le Nozze Di Figaro&Quo
Vocal Materiality and Expression in Intentionally Compromised Vocal Physiology: the Cause and Effect of the Castrato Superstar Luigi Marchesi
Mozart's Operas
Dorothea Link Anna Morichelli, Vicente Martín Y Soler's Champion Singer
1 Storace's Collection of Original Harpsichord Music As a Harbinger
Sarti's Fra I Due Litiganti and Opera in Vienna
Top View
Cedille Records CDR 90000
Teuscher Sings Mozart
Schedule of Papers and Events Friday 11 September Saturday 12
AYRES, MICHELLE ELIZABETH, D.M.A. Crossover Genres, Syncretic Form: Understanding Mozart's Concert Aria “Ch'io Mi Scordi D
Abstract Wolfgang Amadeus Mozart's Opera Buffa, Le Nozze Di Figaro
Luigi Marchesi: Life and Voice
Eisen Biography
Review-Essay: a New History for Martin's Una Cosa Rara
Newslet T Er
Le Nozze Di Figaro Author(S): Dorothea Link Source: Journal of the Royal Musical Association, Vol
AMS Newsletter August 2014