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Multi (To Heart)
Anime's Apocalypse: Neon Genesis Evangelion As Millennarian Mecha
The Otaku Phenomenon : Pop Culture, Fandom, and Religiosity in Contemporary Japan
The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
Japanese Business Concepts You Should Know
Negotiating Otaku: a Social Group, Its Social Representations and the Changing Cultural Context
The Problematic Internationalization Strategy of the Japanese Manga
The Cyborg-Other: Japan's Animated Images of Sex, Gender, and Race
Conventional Protections for Commercial Fan Art Under the U.S. Copyright Act
(Not): an Eco-Phenomenological Reading of Neon Genesis Evangelion1
Aesthetics of Destruction: Music and the Worldview of Shinji Ikari in Neon Genesis Evangelion
Otakuology: a Dialogue Patrick W
Anime/Manga/Otaku (32280) Spring 2020
"I Am Not a Machine": Remapping Political Discourse in Postmodem Japanese Media Presented for Distinction in the Field
Otaku: Japan's Database Animals
Otaku: Images and Identity in Flux
Producing Transnational Cult Media: Neon Genesis Evangelion and Ghost in the Shell in Circulation Brian Ruh Comics and Animation
Time Schedule
Japanese Anime and Manga Copyright Reform
Top View
The Popularisation of Geek Culture, and the Marginalisation of Otaku Culture
