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Moving image formats
Analog, the Sequel: an Analysis of Current Film Archiving Practice and Hesitance to Embrace Digital Preservation by Suzanna Conrad
Video Archiving Technology
The Digital Dilemma 2 Perspectives from Independent Filmmakers, Documentarians and Nonprofi T Audiovisual Archives
Complicated Views: Mainstream Cinema's Representation of Non
Library of Congress Collections Policy Statements: Moving Image Materials
Pragmatic Audiovisual Preservation
(CARLI): Guidelines for the Creation of Digital Collections
Home Entertainment Line-Up the Thrill
FINAL CHUNK PHD V18
PT-VMZ50 Spec File (English) (PDF)
AMIM Rule Revision Comments and Proposals (1995)
Fall 2016 Thursday 1-5Pm, Room 643, 665 Broadway Additional Lab and Class Sessions to Be Scheduled Thursdays 10-12 Or Alternate Times
Nhds-Digitization-Best-Practices-And-Recommendations-2019.Pdf
Motion Picture Film As a Government Record: Framing Films Within Archival Theory and Preparing for the Digital Future
Ebu Technical
The Digital Leap: 16Mm Film Content in Cultural Heritage Institutions Peter Sutton
A List of Obsolete Format Resources
MPEG Transcoders the Digital Video Job of the Decade
Top View
HREES Final Report
Scotland's Moving Image Archive at Kelvin Hall
Guidelines for the Preservation of Video Recordings IASA-TC 06
Motion Manual
Guidelines for the Creation of Digital Collections: Digitization Best
Media Formats, Identification Methods and Implementations for Multivalent Preservation
Toying with Obsolescence: Pixelvision Filmmakers and the Fisher Price PXL 2000 Camera by Andrea Nina Mccarty
Technews November 2008
Spec Sheet: DVPHD-GB