PT-VMZ50 Spec File (English) (PDF)
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20Mf605t/17 Magnavox
20MF605T 20" LCD TV Memorable performance, super sound! With a sharper, brighter picture, smart features for hassle-free fun and virtual surround high performance audio, the 20MF605T brings new heights to home entertainment and even doubles as a PC monitor. • EDTV and SDTV-compatible • Crisp, clear, ultra-sharp picture • Fast response time panel technology • Multiple Audio/Video inputs (480i/p, 720p, 1080i) • VGA input for use as a PC monitor • Smart picture and sound presets • Virtual Surround Sound for enhanced sound • High-performace audio 20MF605T/17 EDTV and SDTV ready An enhanced definition TV (EDTV) receives any 20" LCD TV digital signal and displays it at 480p. Standard definition TV (SDTV) is a digital television format that includes 480-line resolution in both interlaced and Product specifications progressively scanned formats. Picture/Display • VESA Mount: 100 x 100 mm High quality display • Aspect ratio: 4:3 • Child Protection: Child Lock+Parental Control High quality display delivers the very best in high • Brightness: 450 cd/m² • Picture in Picture: Picture in graphics resolution display through the use of outstanding • Contrast ratio (typical): 500:1 components including a high-end scaler and state-of- • Display screen type: LCD SVGA Active Matrix TFT Tuner/Reception/Transmission the-art 2D combfilter. • Picture enhancement: 2D Combfilter, Automatic • Tuner bands: Hyperband, S-Channel, UHF, VHF skin tone correction, Black stretch, Blue stretch, • TV system: NTSC Fast response time Green enhancement, Motion adaptive de- • Video Playback: Multi-system Faster response time delivers improved display of interlacing, Progressive Scan, White stretch • Aerial Input: 75 ohm F-type video action with faster transitions that dramatically • Screen enhancement: Anti-Reflection coated • Number of channels (cable): 125 reduce visible image artifacts in the display of fast- screen • Number of channels (off-air): 69 moving images. -
Product Owner's Manual Commercial Products Treadmills: • 946I •956I
Product Owner's Manual Commercial Products Treadmills: • 946i •956i • 966i CALORIES HEART RATE 123 Ellipticals: SmartRate •EFX546i WARMUP FATBURN CARDIO PEAK HIGH 456 •EFX556i 789 PROGRAMS HEART CLEAR 0 ENTER • EFX576i MANUAL RATE Before beginning any fitness program, see your physician for a thorough physical INTERVAL WEIGHT LOSS examination. Seek advice from your physician to learn the target heart rate appropriate for your fitness level. Do not allow children or those unfamiliar with its operation on or Cycle: near this equipment. Read the product owner's manual or consult a qualified instructor before operating this VARIETY PERFORMANCE equipment. Improper use of this equipment can result in serious injury. If you feel pain, faintness, or dizziness, • 846i stop exercising immediately. Climber: BACK OPTIONS OK •776i TIME PAUSE/ RESET QUICK START Important Safety Instructions Important: Save these instructions for future reference. Safety Precautions Read all instructions in the documentation provided with your exercise equipment, including all assembly guides, user guides, Always follow basic safety precautions when using this equipment and owner’s manuals, before installation of this device. to reduce the chance of injury, fire, or damage. Other sections in this manual provide more details of safety features. Be sure to read Note: This product is intended for commercial use. these sections and observe all safety notices. These precautions The display apparatus (hereinafter referred to as the console) is include the following: intended to be shipped with new Precor exercise equipment Read all instructions in this guide before installing and using the (hereinafter referred to as the base unit). It is not packaged for equipment and follow any labels on the equipment. -
Digital Television Systems
This page intentionally left blank Digital Television Systems Digital television is a multibillion-dollar industry with commercial systems now being deployed worldwide. In this concise yet detailed guide, you will learn about the standards that apply to fixed-line and mobile digital television, as well as the underlying principles involved, such as signal analysis, modulation techniques, and source and channel coding. The digital television standards, including the MPEG family, ATSC, DVB, ISDTV, DTMB, and ISDB, are presented toaid understanding ofnew systems in the market and reveal the variations between different systems used throughout the world. Discussions of source and channel coding then provide the essential knowledge needed for designing reliable new systems.Throughout the book the theory is supported by over 200 figures and tables, whilst an extensive glossary defines practical terminology.Additional background features, including Fourier analysis, probability and stochastic processes, tables of Fourier and Hilbert transforms, and radiofrequency tables, are presented in the book’s useful appendices. This is an ideal reference for practitioners in the field of digital television. It will alsoappeal tograduate students and researchers in electrical engineering and computer science, and can be used as a textbook for graduate courses on digital television systems. Marcelo S. Alencar is Chair Professor in the Department of Electrical Engineering, Federal University of Campina Grande, Brazil. With over 29 years of teaching and research experience, he has published eight technical books and more than 200 scientific papers. He is Founder and President of the Institute for Advanced Studies in Communications (Iecom) and has consulted for several companies and R&D agencies. -
Analog, the Sequel: an Analysis of Current Film Archiving Practice and Hesitance to Embrace Digital Preservation by Suzanna Conrad
ANALOG, THE SEQUEL: AN ANALYSIS OF CURRENT FILM ARCHIVING PRACTICE AND HESITANCE TO EMBRACE DIGITAL PRESERVATION BY SUZANNA CONRAD ABSTRACT: Film archives preserve materials of significant cultural heritage. While current practice helps ensure 35mm film will last for at least one hundred years, digi- tal technology is creating new challenges for the traditional means of preservation. Digitally produced films can be preserved via film stock; however, digital ancillary materials and assets in many cases cannot be preserved using traditional analog means. Strategy and action for preserving this content needs to be addressed before further content is lost. To understand the current perspective of the film archives, especially in regards to the film industry’s marked hesitation to embrace digital preservation, the Academy of Motion Picture Arts and Sciences’ paper “The Digital Dilemma: Strategic Issues in Archiving and Accessing Digital Motion Picture Materials” was closely evaluated. To supplement this analysis, an interview was conducted with the collections curator at the Academy Film Archive, who explained the archives’ current approach to curation and its hesitation to move to digital technologies for preservation. Introduction Moving images are a vital part of our cultural heritage. The music, film, and broadcasting industries, as well as academic and cultural institutions, have amassed a “legacy of primary source materials” of immense value. These sources make the last one hundred years understandable as an era of the “media of the modernity.”1 Motion pictures and films were established as vital archival records as early as the 1930s with the National Archives Act, which included motion pictures in the definition of “objects of archival interest.”2 As cultural artifacts, moving images deserve archival care and preservation.3 However, the art of preserving moving images and film can at times be daunting. -
232-ATSC 4K HDTV Tuner Contemporaryresearch.Com DATASHEET T: 888-972-2728
232-ATSC 4K HDTV Tuner contemporaryresearch.com DATASHEET t: 888-972-2728 The 232-ATSC 4K HDTV Tuner, our 5th-generation ATSC HDTV tuner, adds new capabilities to the industry-standard 232- ATSC series. New features include tuning H.264 programs up to 1080p and output scaling up to 4K. The new tuner is fully compatible with control commands for previous models. The integrator-friendly HDTV tuner is controllable with 2-way RS-232, IP Telnet and UDP, as well as wireless and wired IR commands. An onboard Web page enables remote Web control. A new menu-driven display simplifies setup. A full-featured, commercial grade HDTV tuner, the 232-ATSC 4K can receive both analog and digital MPEG-2/H.264 chan- nels, in ATSC, NTSC, and clear QAM formats. Using an optional RF-AB switch, the tuner can switch between antenna and cable feeds. • Tunes analog and digital channels in ATSC, NTSC, and clear QAM formats • Decodes MPEG2 and H.264 digital channels up to 1080p 60Hz • HDMI selectable video output resolutions: 480i, 480p, 720p, 1080i, 1080p, and 4K or Auto • Analog HD RGBHV and Component video output resolutions: 480i, 480p, 720p, 1080i, and 1080p, or Auto • Analog HD outputs can operate simultaneously with HDMI depending on colorspace setting • RGBHV or Component output selection from front-panel settings, Web page, or control commands • 1080p and 2160p set to 60Hz for more universal applications, 1080i and 720p can be set to 60 or 59.94Hz • AC-3, PCM, or Variable PCM audio formats for digital audio ports and HDMI • Simultaneous HDMI, SPDIF, and Analog -
Video Archiving Technology
We’re going to be dealing here mainly with reformatting of tape media Figures may be based on worldwide sales of blank media, may or may not include rental video market. Not – born-digital, Film scanning Silvatone home recording apparatus – recorded TV from radio, somewhere in Ealing, west London. Ealiest known broadcast TV recording, of earliest known TV Revue. 11:10pm on 21st April 1933. 768 x 576 indistinguishable from HD from the back of the room! Pixels = picture cells or picture elements All systems scan in a sequence from top left to bottom right, though not always quite like this. Note that Rows of pixels are discrete and defined from each other, but in an analogue system, horizontal pixels do not actually exist – it’s a continuous ‘stream’ signal, similar to analogue audio. 768 figure not quite right for digital video, but more later Mentioned at start – newer systems coming along all the time. Always need to preserve frame size as is. Mains interference = ‘hum’ on audio, light and dark bands across image on video This slide includes rates in previous frame rate slide. Always need to preserve frame rate as is. Until recently, displays were cathode ray tubes, with very particular characteristics Try taking a still picture off a CRT! See here for example and details: http://www.drhdmi.eu/dictionary/refresh-rate.html Lots of problems for modern systems: Temporal order of fields is important, but differs in different systems. Interlace is a big nuisance for digital systems. Fields must be compressed separately, and need to be ‘doubled’ up to progressive for display on modern flat screens. -
49 Inch Full HD 3.5Mm Ultra-Narrow Bezel 24/7 Tiling Support with Displayport Or DVI Video Wall Commercial Display CDX4952
49 inch Full HD 3.5mm Ultra-Narrow Bezel 24/7 Tiling Support with DisplayPort or DVI video wall Commercial Display CDX4952 With stunning brightness, vibrant images, and multi-screen tiling, the ViewSonic® CDX4952 49" (48.5" viewable) commercial display is your ideal tool for creating video walls that wow! With up to 10x10 tiling installation, and an ultra-narrow bezel that measures only 3.5mm between combined displays, the CDX4952 delivers nearly seamless, high-impact messaging that helps you to astonish, inspire, and inform. Featuring full metal construction and a scratch-resistant tempered glass screen, this durable commercial- grade display delivers reliable messaging 24 hours a day, 7 days a week. With Full HD 1080p resolution, 450-nit brightness, SuperClear® technology for wide viewing angles, and dual 10W stereo speakers, the CDX4952 delivers sharp, vivid images with incredible sound for superior multimedia performance. Ultra-narrow Bezel 10x10 Tiling Support with DisplayPort or DVI With a thin edge-to-edge bezel between combined displays, this commercial display creates stunning, With integrated DisplayPort and DVI outputs, this near-seamless images when used in large video display supports up to 10x10 tiling for stunning wall configurations. multi-display video wall installations. As only one of the displays needs to be connected to an image/content source, installation and maintenance costs are reduced. Control Multiple Devices Free Bundled vController Software HDMI CEC functionality offers local control of DVD Included vController software provides a simple players, sound systems, and other HDMI and intuitive interface for remote management, connected devices, directly with the display’s OSD-related settings, and scheduling on deployed remote controller. -
MXF Application Specification for Archiving and Preservation
AS-AP MXF Archive and Preservation DRAFT FADGI Application Specification AS-AP MXF Archive and Preservation August 15, 2011 (rev 1h) Document Status This document-in-progress is being drafted by the Audio-Visual Working Group of the Federal Agencies Digitization Guidelines Initiative (FADGI; http://www.digitizationguidelines.gov/audio-visual/). The Working Group will transmit a refined version of this MXF Application Specification for Archive and Preservation (AS-AP) for finalization and publication by the Advanced Media Workflow Association (AMWA). Finalization will also depend upon the resolution of some technical matters that are dependencies for this specification. These dependencies are highlighted in the explanatory notes within this specification and in the accompanying document Preservation Video File Format Issues and Considerations (http://www.digitizationguidelines.gov/audio-visual/documents/FADGI_MXF_ASAP_Issues_20110815.pdf). This document has been drafted in the style of other AMWA application specifications (http://www.amwa.tv/projects/application_specifications.shtml), has borrowed a number of features from AS- 03, and refers to AS-02. Since AS-02 has not been published at this writing, this document (especially Annex B) includes wording copied from draft versions of that specification. Executive Summary This document describes a vendor-neutral subset of the MXF file format to use for long-term archiving and preservation of moving image content and associated materials including audio, captions and metadata. Archive and Preservation and files (AS-AP files) may contain a single item, or an entire series of items. Various configurations of sets of AS-AP files are discussed in the Overview. AS-AP files are intended to be used in combination with external finding aids or catalog records. -
DIGITAL PROJECTOR Features Specifications Native 1080P (1920X1080) Resolution 4000 ANSI Lumens; 3000:1 Contrast Ratio LAN Contro
DIGITAL PROJECTOR SH910 F U L L H D 1080P Features Specifications Projection System DLP Native Resolution 1080P(1920 x 1080) Native 1080P (1920x1080) Resolution Brightness 4000 ANSI Lumens 4000 ANSI Lumens; 3000:1 Contrast Ratio Contrast Ratio 3000:1 Display Color 1.07 Billion Colors LAN Control/Display; USB Reader/Display Lens F=2.41-2.91, f=20.72-31mm 1.5x Big Zoom; Wireless Display (optional) Aspect Ratio Native 16:9 (5 aspect ratio selectable) Throw Ratio 1.4-2.1 (65”@ 6.65 ft) TM 20W Speaker; SRS WOW HD ; Mic Input Image Size Diagonal 24” ~ 300” Zoom Ratio 1.5:1 Lamp Type OSRAM 280W Lamp Life (Normal/Eco Mode) 2000/3000 hours Keystone Adjustment Manual Vertical +/- 20 degrees Projection Offset 167%±5% Resolution Support VGA (640x480) to WUXGA (1920x1200) Horizontal Frequency 31-90 kHz Vertical Scan Rate 48-85 Hz Compatibility HDTV Compatibility: 480i, 480p, 576i, 576p, 720p, 1080i, 1080p Video Compatibility: NTSC, PAL, SECAM Interface Computer In (D-Sub 15pin) x1 (shared with Component) Monitor Out (D-Sub 15 pin) x1 HDMI V1.3 x1 Composite Video In (RCA) x1 S-Video In (Mini DIN 4pin) x1 Component Video in (RCA) x1 Audio In (Mini Jack) x1 Audio L/R in (RCA) x1 Audio Out (Mini Jack) x1 Input and Output Terminals Microphone in (Mini Jack) x1 Speaker 10W x2 LAN (RJ-45) x1 (LAN Control & LAN Display) 1 2 3 4 5 6 7 8 9 10 USB (Type A) x1 (USB Reader & Keyboard/Mouse & Wireless Dongle) USB (Type B) x1 (Download & Page up/down) USB (Type Mini-B) x1 (USB Display) RS232 (DB-9Pin) x1 DC 12V Trigger (3.5mm Jack) x1 Dimensions (WxHxD) 13.35” x -
The Digital Dilemma 2 Perspectives from Independent Filmmakers, Documentarians and Nonprofi T Audiovisual Archives
Copyright ©2012 Academy of Motion Picture Arts and Sciences. “Oscar,” “Academy Award,” and the Oscar statuette are registered trademarks, and the Oscar statuette the copyrighted property, of the Academy of Motion Picture Arts and Sciences. The accuracy, completeness, and adequacy of the content herein are not guaranteed, and the Academy of Motion Picture Arts and Sciences expressly disclaims all warranties, including warranties of merchantability, fi tness for a particular purpose and non-infringement. Any legal information contained herein is not legal advice, and is not a substitute for advice of an attorney. All rights reserved under international copyright conventions. No part of this document may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system without permission in writing from the publisher. Published by the Academy of Motion Picture Arts and Sciences Inquiries should be addressed to: Science and Technology Council Academy of Motion Picture Arts and Sciences 1313 Vine Street, Hollywood, CA 90028 (310) 247-3000 http://www.oscars.org Printed in the United States of America Library of Congress Cataloging-in-Publication Data The Digital Dilemma 2 Perspectives from Independent Filmmakers, Documentarians and Nonprofi t Audiovisual Archives 1. Digital preservation – Case Studies. 2. Film Archives – Technological Innovations 3. Independent Filmmakers 4. Documentary Films 5. Audiovisual I. Academy of Motion Picture Arts and -
Complicated Views: Mainstream Cinema's Representation of Non
University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. Data: Author (Year) Title. URI [dataset] University of Southampton Faculty of Arts and Humanities Film Studies Complicated Views: Mainstream Cinema’s Representation of Non-Cinematic Audio/Visual Technologies after Television. DOI: by Eliot W. Blades Thesis for the degree of Doctor of Philosophy May 2020 University of Southampton Abstract Faculty of Arts and Humanities Department of Film Studies Thesis for the degree of Doctor of Philosophy Complicated Views: Mainstream Cinema’s Representation of Non-Cinematic Audio/Visual Technologies after Television. by Eliot W. Blades This thesis examines a number of mainstream fiction feature films which incorporate imagery from non-cinematic moving image technologies. The period examined ranges from the era of the widespread success of television (i.e. -
Setup Wizard User’S Guide
Explorer® HDTV Setup Wizard User’s Guide In This Guide Introducing the Setup Wizard ................................ 2 Picture Formats ....................................................... 3 Setting Up Your HDTV With the Setup Wizard ..... 7 Easy Setup Instructions ......................................... 11 Advanced Setup Instructions ................................ 12 Changing the Settings While Watching TV ........... 13 Closed Captioning .................................................. 16 1 Introducing the Setup Wizard Introducing the Setup Wizard What Is the Setup The Explorer HDTV Setup Wizard is an on-screen program that helps you set up Wizard? your high-definition TV (HDTV) to receive the best picture quality that the HDTV supports. The Setup Wizard is currently available on select Explorer® Digital Home Communications Terminal set-top models. Before You Begin Before you begin to set up your HDTV, you may want to have available the users guide that came with your HDTV for reference. Is It Necessary To It depends on how the HDTV is connected to the set-top. If the Y, Pb, Pr ports on Use the Setup the back of the set-top are connected to one of the video ports on the HDTV, you Wizard? should use the Setup Wizard to ensure that your HDTV receives the best picture quality that it supports. Note: Make a note of which video input port the set-top is connect to on the HDTV. For example: Video input port 6. If the HDTV is connected to the composite port on the back of the set-top, it is not necessary to use the Setup Wizard. Broadcasts coming in through the composite port automatically adjust to the picture size and formats supported by the HDTV.