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Product Owner's Manual Commercial Products Treadmills: • 946I •956I
Product Owner's Manual Commercial Products Treadmills: • 946i •956i • 966i CALORIES HEART RATE 123 Ellipticals: SmartRate •EFX546i WARMUP FATBURN CARDIO PEAK HIGH 456 •EFX556i 789 PROGRAMS HEART CLEAR 0 ENTER • EFX576i MANUAL RATE Before beginning any fitness program, see your physician for a thorough physical INTERVAL WEIGHT LOSS examination. Seek advice from your physician to learn the target heart rate appropriate for your fitness level. Do not allow children or those unfamiliar with its operation on or Cycle: near this equipment. Read the product owner's manual or consult a qualified instructor before operating this VARIETY PERFORMANCE equipment. Improper use of this equipment can result in serious injury. If you feel pain, faintness, or dizziness, • 846i stop exercising immediately. Climber: BACK OPTIONS OK •776i TIME PAUSE/ RESET QUICK START Important Safety Instructions Important: Save these instructions for future reference. Safety Precautions Read all instructions in the documentation provided with your exercise equipment, including all assembly guides, user guides, Always follow basic safety precautions when using this equipment and owner’s manuals, before installation of this device. to reduce the chance of injury, fire, or damage. Other sections in this manual provide more details of safety features. Be sure to read Note: This product is intended for commercial use. these sections and observe all safety notices. These precautions The display apparatus (hereinafter referred to as the console) is include the following: intended to be shipped with new Precor exercise equipment Read all instructions in this guide before installing and using the (hereinafter referred to as the base unit). It is not packaged for equipment and follow any labels on the equipment. -
Digital Television Systems
This page intentionally left blank Digital Television Systems Digital television is a multibillion-dollar industry with commercial systems now being deployed worldwide. In this concise yet detailed guide, you will learn about the standards that apply to fixed-line and mobile digital television, as well as the underlying principles involved, such as signal analysis, modulation techniques, and source and channel coding. The digital television standards, including the MPEG family, ATSC, DVB, ISDTV, DTMB, and ISDB, are presented toaid understanding ofnew systems in the market and reveal the variations between different systems used throughout the world. Discussions of source and channel coding then provide the essential knowledge needed for designing reliable new systems.Throughout the book the theory is supported by over 200 figures and tables, whilst an extensive glossary defines practical terminology.Additional background features, including Fourier analysis, probability and stochastic processes, tables of Fourier and Hilbert transforms, and radiofrequency tables, are presented in the book’s useful appendices. This is an ideal reference for practitioners in the field of digital television. It will alsoappeal tograduate students and researchers in electrical engineering and computer science, and can be used as a textbook for graduate courses on digital television systems. Marcelo S. Alencar is Chair Professor in the Department of Electrical Engineering, Federal University of Campina Grande, Brazil. With over 29 years of teaching and research experience, he has published eight technical books and more than 200 scientific papers. He is Founder and President of the Institute for Advanced Studies in Communications (Iecom) and has consulted for several companies and R&D agencies. -
60 Inch Smart Tvs & 60 Inch 1080P Tvs from Sharp
LC-60C6500U 60" CLASS 1080P LED SMART TV 6 SERIES LED SMART TV AQUOS 1080p LED DISPLAY Breathtaking HD images, greater brightness and contrast SMART TV With Dual-Core Processor and built-in Wi-Fi 120Hz REFRESH RATE Precision clarity during fast-motion scenes SLIM DESIGN Ultra Slim Design POWERFUL 20W AUDIO High fidelity with clear voice Big, bold and brainy - the LC-60C6500U is an LED Smart TV that delivers legendary AQUOS picture quality and unlimited content choices, seamless control, and instant connectivity through SmartCentral™. The AQUOS 1080p LED Display dazzles with advanced pixel structure for the most breathtaking HD images, a 4 million: 1 dynamic contrast ratio, and a 120Hz refresh rate for precision clarity during fast-motion scenes. A Smart TV with Dual-Core processor and built in WiFi, the LC-60C6500U lets you quickly access apps streaming movies, music, games, and websites. Using photo-alignment technology that’s precision Unlimited content, control, and instant See sharper, more electrifying action with the most crafted to let more light through in bright scenes and connectivity. AQUOS® TVs with advanced panel refresh rates available today. The shut more light out in dark scenes, the AQUOS SmartCentral™ give you more of what you 120Hz technology delivers crystal-clear images 1080p LED Display with a 4 million: 1 contrast ratio crave. From the best streaming apps, to the even during fast-motion scenes. creates a picture so real you can see the difference. easiest way to channel surf and connect your devices, it’s that easy. -
Analog, the Sequel: an Analysis of Current Film Archiving Practice and Hesitance to Embrace Digital Preservation by Suzanna Conrad
ANALOG, THE SEQUEL: AN ANALYSIS OF CURRENT FILM ARCHIVING PRACTICE AND HESITANCE TO EMBRACE DIGITAL PRESERVATION BY SUZANNA CONRAD ABSTRACT: Film archives preserve materials of significant cultural heritage. While current practice helps ensure 35mm film will last for at least one hundred years, digi- tal technology is creating new challenges for the traditional means of preservation. Digitally produced films can be preserved via film stock; however, digital ancillary materials and assets in many cases cannot be preserved using traditional analog means. Strategy and action for preserving this content needs to be addressed before further content is lost. To understand the current perspective of the film archives, especially in regards to the film industry’s marked hesitation to embrace digital preservation, the Academy of Motion Picture Arts and Sciences’ paper “The Digital Dilemma: Strategic Issues in Archiving and Accessing Digital Motion Picture Materials” was closely evaluated. To supplement this analysis, an interview was conducted with the collections curator at the Academy Film Archive, who explained the archives’ current approach to curation and its hesitation to move to digital technologies for preservation. Introduction Moving images are a vital part of our cultural heritage. The music, film, and broadcasting industries, as well as academic and cultural institutions, have amassed a “legacy of primary source materials” of immense value. These sources make the last one hundred years understandable as an era of the “media of the modernity.”1 Motion pictures and films were established as vital archival records as early as the 1930s with the National Archives Act, which included motion pictures in the definition of “objects of archival interest.”2 As cultural artifacts, moving images deserve archival care and preservation.3 However, the art of preserving moving images and film can at times be daunting. -
42PF5421/10 Philips Widescreen Flat TV
Philips widescreen flat TV 107cm (42") LCD HD Ready 42PF5421 Turn up your viewing experience with Digital Crystal Clear Experience the superior picture quality of this excellent Flat TV with the latest LCD technology. It's packed into a stunning design that will complement your interior. Vivid, natural and razor sharp images • HD LCD WXGA display, with a 1366 x 768p resolution • HD Ready for the highest quality display of HD signals • Digital Crystal Clear provides vivid cinema-like images • Progressive Scan component video for optimized image quality • Active Control with Light Sensor optimizes picture quality Superb sound reproduction • Virtual Dolby Surround for a cinema-like audio experience Slim, stylish design to complement your interior • Matching stand with elegant design included For advanced performance • HDMI input for full digital HD connection in one cable Widescreen flat TV 42PF5421/10 107cm (42") LCD HD Ready Highlights LCD WXGA display, 1366 x 768p Digital Crystal Clear Virtual Dolby Surround This WXGA display with state-of-the-art LCD Digital Crystal Clear is a package of picture Virtual Dolby Surround is a processing screen technology gives you widescreen HD innovations that digitally adjusts and optimizes technology for enhancing surround sound resolution of 1366 x 768p pixels. It produces picture quality to optimal contrast, color and effects. It will create the sensation of Dolby brilliant flicker-free progressive scan pictures sharpness levels. It's like watching vivid cinema- Pro Logic without the necessity of additional with optimum brightness and superb colors. like images. rear speakers. You become totally immersed This vibrant and sharp image will provide you in your television experience. -
The Strategic Impact of 4K on the Entertainment Value Chain
The Strategic Impact of 4K on the Entertainment Value Chain December 2012 © 2012 Futuresource Consulting Ltd, all rights reserved Reproduction, transfer, distribution or storage of part or all of the contents in this document in any form without the prior written permission of Futuresource Consulting is prohibited. Company Registration No: 2293034 For legal limitations, please refer to the rear cover of this report 2 © 2012 Futuresource Consulting Ltd Contents Section Page 1. Introduction: Defining 4K 4 2. Executive Summary 6 3. 4K in Digital Cinema 9 4. 4K in Broadcast 12 5. 4K Standards and Delivery to the Consumer 20 a) Pay TV 24 b) Blu-ray 25 c) OTT 26 6. Consumer Electronics: 4K Issues and Forecasts 27 a) USA 31 b) Western Europe 33 c) UK, Germany, France, Italy and Spain 35 7. 4K in Professional Displays Markets 37 8. Appendix – Company Overview 48 3 © 2012 Futuresource Consulting Ltd Introduction: Defining 4K 4K is the latest resolution to be hailed as the next standard for the video and displays industries. There are a variety of resolutions that are claimed to be 4K, but in general 4K offers four times the resolution of standard 1080p HD video. A number of names or acronyms for 4K are being used across the industry including Quad Full HD (QFHD), Ultra HD or UHD and 4K2K. For the purposes of this report, the term 4K will be used. ● These terms all refer to the same resolution: 3,840 by 2,160. ● The EBU has defined 3,840 by 2,160 as UHD-1. -
232-ATSC 4K HDTV Tuner Contemporaryresearch.Com DATASHEET T: 888-972-2728
232-ATSC 4K HDTV Tuner contemporaryresearch.com DATASHEET t: 888-972-2728 The 232-ATSC 4K HDTV Tuner, our 5th-generation ATSC HDTV tuner, adds new capabilities to the industry-standard 232- ATSC series. New features include tuning H.264 programs up to 1080p and output scaling up to 4K. The new tuner is fully compatible with control commands for previous models. The integrator-friendly HDTV tuner is controllable with 2-way RS-232, IP Telnet and UDP, as well as wireless and wired IR commands. An onboard Web page enables remote Web control. A new menu-driven display simplifies setup. A full-featured, commercial grade HDTV tuner, the 232-ATSC 4K can receive both analog and digital MPEG-2/H.264 chan- nels, in ATSC, NTSC, and clear QAM formats. Using an optional RF-AB switch, the tuner can switch between antenna and cable feeds. • Tunes analog and digital channels in ATSC, NTSC, and clear QAM formats • Decodes MPEG2 and H.264 digital channels up to 1080p 60Hz • HDMI selectable video output resolutions: 480i, 480p, 720p, 1080i, 1080p, and 4K or Auto • Analog HD RGBHV and Component video output resolutions: 480i, 480p, 720p, 1080i, and 1080p, or Auto • Analog HD outputs can operate simultaneously with HDMI depending on colorspace setting • RGBHV or Component output selection from front-panel settings, Web page, or control commands • 1080p and 2160p set to 60Hz for more universal applications, 1080i and 720p can be set to 60 or 59.94Hz • AC-3, PCM, or Variable PCM audio formats for digital audio ports and HDMI • Simultaneous HDMI, SPDIF, and Analog -
Video Archiving Technology
We’re going to be dealing here mainly with reformatting of tape media Figures may be based on worldwide sales of blank media, may or may not include rental video market. Not – born-digital, Film scanning Silvatone home recording apparatus – recorded TV from radio, somewhere in Ealing, west London. Ealiest known broadcast TV recording, of earliest known TV Revue. 11:10pm on 21st April 1933. 768 x 576 indistinguishable from HD from the back of the room! Pixels = picture cells or picture elements All systems scan in a sequence from top left to bottom right, though not always quite like this. Note that Rows of pixels are discrete and defined from each other, but in an analogue system, horizontal pixels do not actually exist – it’s a continuous ‘stream’ signal, similar to analogue audio. 768 figure not quite right for digital video, but more later Mentioned at start – newer systems coming along all the time. Always need to preserve frame size as is. Mains interference = ‘hum’ on audio, light and dark bands across image on video This slide includes rates in previous frame rate slide. Always need to preserve frame rate as is. Until recently, displays were cathode ray tubes, with very particular characteristics Try taking a still picture off a CRT! See here for example and details: http://www.drhdmi.eu/dictionary/refresh-rate.html Lots of problems for modern systems: Temporal order of fields is important, but differs in different systems. Interlace is a big nuisance for digital systems. Fields must be compressed separately, and need to be ‘doubled’ up to progressive for display on modern flat screens. -
ATSC Standard: 3D-TV Terrestrial Broadcasting, Part 3 – Frame Compatible Stereo Coding Using Real-Time Delivery
ATSC A/104 Part 3:2014 3D-TV Broadcasting, Part 3 27 June 2014 ATSC Standard: 3D-TV Terrestrial Broadcasting, Part 3 – Frame Compatible Stereo Coding Using Real-Time Delivery Doc. A/104 Part 3 27 June 2014 Advanced Television Systems Committee 1776 K Street, N.W. Washington, D.C. 20006 ATSC A/104 Part 3:2014 3D-TV Broadcasting, Part 3 27 June 2014 The Advanced Television Systems Committee, Inc., is an international, non-profit organization developing voluntary standards for digital television. The ATSC member organizations represent the broadcast, broadcast equipment, motion picture, consumer electronics, computer, cable, satellite, and semiconductor industries. Specifically, ATSC is working to coordinate television standards among different communications media focusing on digital television, interactive systems, and broadband multimedia communications. ATSC is also developing digital television implementation strategies and presenting educational seminars on the ATSC standards. ATSC was formed in 1982 by the member organizations of the Joint Committee on InterSociety Coordination (JCIC): the Electronic Industries Association (EIA), the Institute of Electrical and Electronic Engineers (IEEE), the National Association of Broadcasters (NAB), the National Cable and Telecommunications Association (NCTA), and the Society of Motion Picture and Television Engineers (SMPTE). Currently, there are approximately 120 members representing the broadcast, broadcast equipment, motion picture, consumer electronics, computer, cable, satellite, and semiconductor industries. ATSC Digital TV Standards include digital high definition television (HDTV), standard definition television (SDTV), data broadcasting, multichannel surround-sound audio, and satellite direct-to-home broadcasting. Note: The user's attention is called to the possibility that compliance with this standard may require use of an invention covered by patent rights. -
MXF Application Specification for Archiving and Preservation
AS-AP MXF Archive and Preservation DRAFT FADGI Application Specification AS-AP MXF Archive and Preservation August 15, 2011 (rev 1h) Document Status This document-in-progress is being drafted by the Audio-Visual Working Group of the Federal Agencies Digitization Guidelines Initiative (FADGI; http://www.digitizationguidelines.gov/audio-visual/). The Working Group will transmit a refined version of this MXF Application Specification for Archive and Preservation (AS-AP) for finalization and publication by the Advanced Media Workflow Association (AMWA). Finalization will also depend upon the resolution of some technical matters that are dependencies for this specification. These dependencies are highlighted in the explanatory notes within this specification and in the accompanying document Preservation Video File Format Issues and Considerations (http://www.digitizationguidelines.gov/audio-visual/documents/FADGI_MXF_ASAP_Issues_20110815.pdf). This document has been drafted in the style of other AMWA application specifications (http://www.amwa.tv/projects/application_specifications.shtml), has borrowed a number of features from AS- 03, and refers to AS-02. Since AS-02 has not been published at this writing, this document (especially Annex B) includes wording copied from draft versions of that specification. Executive Summary This document describes a vendor-neutral subset of the MXF file format to use for long-term archiving and preservation of moving image content and associated materials including audio, captions and metadata. Archive and Preservation and files (AS-AP files) may contain a single item, or an entire series of items. Various configurations of sets of AS-AP files are discussed in the Overview. AS-AP files are intended to be used in combination with external finding aids or catalog records. -
What the Heck Is HDTV?
05_096734 ch01.qxp 12/4/06 10:58 PM Page 9 Chapter 1 What the Heck Is HDTV? In This Chapter ᮣ Understanding the acronyms ᮣ Transmitting from ATSC to the world ᮣ Going wide ᮣ Avoiding the pitfalls ince the transition to color TV in the 1950s and ’60s, nothing — nothing!! — Shas had as much impact on the TV world as HDTV (high-definition TV) and digital TV. That’s right. TV is going digital, following in the footsteps of, well, everything. We’re in the early days of this transition to a digital TV world (a lot of TV programming is still all-analog, for example), and this stage of the game can be confusing. In this chapter, we alleviate HDTV anxiety by telling you what you need to know about HDTV, ATSC, DTV, and a bunch of other acronyms and tech terms. We also tell you why you’d want to know these terms and concepts, how great HDTV is, and what an improvement it is over today’s analog TV (as you can see when you tune in to HDTV). Finally, we guide you through the confusing back alleys of HDTV and digital TV, making sure you know what’s HDTV and what’s not. Almost everyone involved with HDTV has noticed that consumer interest is incredibly high with all things HDTV! As a result, a lot of device makers and other manufacturers are trying to cash in on the action by saying their products are “HDTV” (whenCOPYRIGHTED they are not) or talking about MATERIAL such things as “HDTV-compatible” when it might be meaningless (like on a surge protector/electrical plug strip). -
DIGITAL PROJECTOR Features Specifications Native 1080P (1920X1080) Resolution 4000 ANSI Lumens; 3000:1 Contrast Ratio LAN Contro
DIGITAL PROJECTOR SH910 F U L L H D 1080P Features Specifications Projection System DLP Native Resolution 1080P(1920 x 1080) Native 1080P (1920x1080) Resolution Brightness 4000 ANSI Lumens 4000 ANSI Lumens; 3000:1 Contrast Ratio Contrast Ratio 3000:1 Display Color 1.07 Billion Colors LAN Control/Display; USB Reader/Display Lens F=2.41-2.91, f=20.72-31mm 1.5x Big Zoom; Wireless Display (optional) Aspect Ratio Native 16:9 (5 aspect ratio selectable) Throw Ratio 1.4-2.1 (65”@ 6.65 ft) TM 20W Speaker; SRS WOW HD ; Mic Input Image Size Diagonal 24” ~ 300” Zoom Ratio 1.5:1 Lamp Type OSRAM 280W Lamp Life (Normal/Eco Mode) 2000/3000 hours Keystone Adjustment Manual Vertical +/- 20 degrees Projection Offset 167%±5% Resolution Support VGA (640x480) to WUXGA (1920x1200) Horizontal Frequency 31-90 kHz Vertical Scan Rate 48-85 Hz Compatibility HDTV Compatibility: 480i, 480p, 576i, 576p, 720p, 1080i, 1080p Video Compatibility: NTSC, PAL, SECAM Interface Computer In (D-Sub 15pin) x1 (shared with Component) Monitor Out (D-Sub 15 pin) x1 HDMI V1.3 x1 Composite Video In (RCA) x1 S-Video In (Mini DIN 4pin) x1 Component Video in (RCA) x1 Audio In (Mini Jack) x1 Audio L/R in (RCA) x1 Audio Out (Mini Jack) x1 Input and Output Terminals Microphone in (Mini Jack) x1 Speaker 10W x2 LAN (RJ-45) x1 (LAN Control & LAN Display) 1 2 3 4 5 6 7 8 9 10 USB (Type A) x1 (USB Reader & Keyboard/Mouse & Wireless Dongle) USB (Type B) x1 (Download & Page up/down) USB (Type Mini-B) x1 (USB Display) RS232 (DB-9Pin) x1 DC 12V Trigger (3.5mm Jack) x1 Dimensions (WxHxD) 13.35” x