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Mehboob Khan
Clare M. Wilkinson-Weber
Sync Sound and Indian Cinema | Upperstall.Com 29/02/12 2:30 PM
Historical Disjunctures and Bollywood Audiences in Trinidad: Negotiations of Gender and Ethnic Relations in Cinema Going1
Woman Becomes Goddess in Bollywood: Justice, Violence, and the Feminine in Popular Hindi Film Kathleen M
The Changing Role of Women in Hindi Cinema
Realism and Fantasy in Hindi Cinema
S# Name Fathername Domicile Institute 1 Hamid Rafi Rafi Ullah
100 Essential Indian Films, by Rohit K. Dasgupta and Sangeeta Datta
The Making of the Man's Man: Stardom and the Cultural Politics of Neoliberalism in Hindutva India
RÉTROSPECTIVE DU CINÉMA INDIEN POPULAIRE Et
Visual Parallels Between Two Auteur Directors in Hindi Cinema: Vishal Bhardwaj & Sanjay Leela Bhansali
The Anti-Colonial Revolutionary in Contemporary Bollywood Cinema
Study of Portrayal of Male Lead Characters in Anurag Kashyap Films
IP Eng Jan-Mar 09.Indd
An Indian Journey
History of Indian Cinema.Pdf
1St Filmfare Awards 1953
Shah Rukh Khan
Top View
Hollywood Marathi Cinema Tollywood Bollywood Industry? Malayalam Marathi Cinema Industry's History Is As Old As? Telugu Cinema Hindi Cinema Orissa Cinema Cinema
Bollywood Cinema: a Critical Genealogy
SYLLABUS Class – B.A. (HONS.) MASS COMMUNICATION VI Semester Subject – Film Journalism UNIT – I the Birth of Cinema Lumie
Bibliography
History of Indian Cinema 12-15
'Do Bigha Zameen' (1953) Dr. Pallav Mukhop
Cultural Dynamics
International Journal of Multidisciplinary Approach And
Indische Filme
Speaker Biographies
Romance and the Family in the Early Films of Raj Kapoor
Mother India'
PIFF Announces Marathi Feature Films Selected in the Competition
Research Scholar
From Bombay to Bollywood
100 Essential Indian Films, by Rohit K. Dasgupta And
ST-Chinese Cinemas Contemporary Arts 337 Section
An Overview of Indian Film *Prof
Constructions of Masculinity in Bollywood Promotional Content
Bombay Before Bollywood Film City Fantasies
Marketing Films Through Social Realities: Shyam Benegal's
Martin Henderson, Aishwarya Rai, Nadira Babbar. Jane Austen's Pride
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Redalyc.More Than an Indian Teen Shrew: Postcolonialism And
Dr. Mrs. Mehrunnisa Mehboob Khan Designation : Reader & Head Qualification : M.A
Social Impact of Indian Cinema – an Odyssey from Reel to Real
Can Pleasure Be Serious? Appropriately Opening on April
Indi@Logs Vol 5 2018, Pp 9-27, ISSN: 2339-8523 DOI
UAT-PNS(Physical and Numerical Sciences)
Teaching India's History and Contemporary Society Through Film
Information to Users
ICC JULY 2008.Cdr
Film Dance, Female Stardom, and the Production of Gender in Popular Hindi Cinema
Crossovers and Makeovers: Contested Authenticity in New Indian Cinema Ranjit Keval Kumar University of Wollongong