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Live electronic music

  • PDF Transition

    PDF Transition

  • Live Performance

    Live Performance

  • Discographie

    Discographie

  • THE SOCIAL CONSTRUCTION of the EARLY ELECTRONIC MUSIC SYNTHESIZER Author(S): Trevor Pinch and Frank Trocco Source: Icon, Vol

    THE SOCIAL CONSTRUCTION of the EARLY ELECTRONIC MUSIC SYNTHESIZER Author(S): Trevor Pinch and Frank Trocco Source: Icon, Vol

  • Dossier Pédagogique Musiques Électroniques

    Dossier Pédagogique Musiques Électroniques

  • Nycemf 2021 Program Book

    Nycemf 2021 Program Book

  • Music with Context: Audiovisual Scores For

    Music with Context: Audiovisual Scores For

  • A History of Electronic Music Pioneers David Dunn

    A History of Electronic Music Pioneers David Dunn

  • Deadmau5, Derek Bailey, and the Laptop Instrument – Improvisation, Composition, and Liveness in Live Coding

    Deadmau5, Derek Bailey, and the Laptop Instrument – Improvisation, Composition, and Liveness in Live Coding

  • Live ELECTRONIC Music

    Live ELECTRONIC Music

  • Musica Elettronica

    Musica Elettronica

  • Music, Electronic Media and Culture About the Volume

    Music, Electronic Media and Culture About the Volume

  • “Live Electronic Music Performance: Innovations and Opportunities” Tav+, Music, Arts, Society (Haifa, Israel, Published in Hebrew), Fall 2007

    “Live Electronic Music Performance: Innovations and Opportunities” Tav+, Music, Arts, Society (Haifa, Israel, Published in Hebrew), Fall 2007

  • 3 Live Electronic Music

    3 Live Electronic Music

  • The Agony and the Ecstasy: Preserving First Amendment Freedoms in the Government’S War on Raves

    The Agony and the Ecstasy: Preserving First Amendment Freedoms in the Government’S War on Raves

  • The Evaluation and Assessment of Electronically-Composed and Performed Music

    The Evaluation and Assessment of Electronically-Composed and Performed Music

  • An Excerpt of Ghosts Before Breakfast and a History of the Electronic

    An Excerpt of Ghosts Before Breakfast and a History of the Electronic

  • Scary Monsters and Pervasive Slights: Genre Construction, Mainstreaming, and Processes of Authentication and Gendered Discourse in Dubstep

    Scary Monsters and Pervasive Slights: Genre Construction, Mainstreaming, and Processes of Authentication and Gendered Discourse in Dubstep

Top View
  • The Social Mediation of Electronic Music Production
  • Rethinking Live Electronic Music: a DJ Perspective
  • Hiromi Ishii " Japanese Electronic Music Denshi-Ongaku (電子音楽): Its
  • Towards a Design of a Versatile Instrument for Live Electronic Music
  • Electro-Acoustic Music in Oxford Music Online
  • Electronic Music Midwest 11Th Annual Festival Providing Access to New
  • "New Sounds in Electronic Music"—Steve Reich, Richard Maxfield
  • Sound Diffusion Systems for the Live Performance of Electroacoustic Music
  • Site Specific Live Electronic Music: a Sound-Artist's Perspective
  • Forum: Improvisation Author(S): Barney Childs, Christopher Hobbs
  • From Interactive Live Electronic Music to New Media Art
  • Bass in Your Face: a Case-Study Exploration of Networked Culture
  • Electronic Music Midwest 15Th Annual Festival Providing Access to New
  • Multimodal Performance Approaches in Electronic Music
  • Alternative Histories of Electronic Music 14-16 April 2016 International Conference Staged As Part of the AHRC Funded Project Hugh Davies: Electronic Music Innovator
  • Electronic Music Midwest 12Th Annual Festival Providing Access to New
  • A History of Electronic Music Pioneers : Eigenwelt Der
  • Panayiotis Kokoras, Phd Acoustic and Electronic Composition | [email protected]


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