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Linear progression
Science Fiction in Argentina: Technologies of the Text in A
Further Considerations of the Continuous ^5 with an Introduction and Explanation of Schenker's Five Interruption Models
MTO 15.2: Samarotto, Plays of Opposing Motion
To Be Or Not to Be: Schenker's Versus Schenkerian Attitudes Towards
Concept of Tonality"
Froebe, Folker (2015): on Synergies of Schema Theory and Theory of Levels
Composition, Perception, and Schenkerian Theory David Temperley
Introduction to Schenkerian Analysis Techniques
A Probabilistic Model of Hierarchical Music Analysis
The Affective Role of Melodic Ascent and Other Linear Devices in Selected Song Verses of Irving Berlin
Schenker's Conception of Musical Structure Author(S): Allen Forte Source: Journal of Music Theory , Apr., 1959, Vol
Why I Am Not a Schenkerian
The Cognitive Reality of Prolongational Structures in Tonal Music
Basic Concepts and Principles in Modern Musical Analysis
Schenker's Leading Linear Progressions
Shifted Downbeats in Classic and Romantic Music Norman L. Wick
Frank Lehman Schubert's Slides: Tonal (Non-)Integration of A
MTO 2.7: Willner, Reply to Schulenberg
Top View
MTO 21.4: Yust, Voice-Leading Transformation and Generative
Linear Progressions and Prolongations Melody and Harmony Melody and Harmony
The Problem of Prolongation in Post-Tonal Music Author(S): Joseph N
The Prolongational Function of Secondary-Key Variations in Brahms’S Variations for Four Hands on a Theme of Robert Schumann, Op
Schenker's Versus Schenkerian Attitudes Towards Sequences
W. A. Mozart's Treatment of the Tonic Triad in the First Movement of the Violin Concerto in a Major, K. 219 by Ji-Woon Jung S
Prolongation in Post-Tonal Music: a Survey of Analytical
INFORMATION to USERS This Manuscript Has Been Reproduced
Ideas of Time in Music
Schenker's Leading Linear Progressions