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Le Grand Macabre
JUNE 27–29, 2013 Thursday, June 27, 2013, 7:30 P.M. 15579Th
The Social and Cultural Implications of Hungarian Modern Classical
Passacaglia and Lament in Ligeti's Recent Music
Characteristics of Choral Writing in György Ligeti's Late Works*
Boston Symphony Orchestra Concert Programs, Season 121, 2001-2002
Alan Gilbert Conducts World Premiere of William Bolcom's
Ramifications of Surrealism in the Music of György Ligeti
London's Symphony Orchestra
Life in the Archives: a Magellan Experience Danielle Wood Introduction
Ligeti Forward
Stephen Downes
Tempo LIGETI's 'LE GRAND MACABRE'
Formák És Kifejezésmódok Ligeti György Vokális Művészetében
“Neither Tonal Nor Atonal”?: Harmony and Harmonic Syntax in György Ligeti’S Late Triadic Works
Carl Nielsen Alan Gilbert
Tempo Ligeti the Postmodernist?
György Ligeti: of Foreign Lands and Strange Sounds
Carl Nielsen Alan Gilbert the Symphonies & Concertos CD 1 Carl Nielsen (1865–1931) Symphony No
Top View
Retrospektiven Die Inszenierung Von Tradition in Den Letzten Kompositionen György Ligetis
Le Grand Macabre Ligeti’S Le Grand Macabre Introduces Us to the Mythical Realm of Breughelland on the Eve of Its Destruction
György Ligeti Sonatos „Hora Lungă “Mikrotoninio Atlikimo Dėsningumai
BEETHOVEN Symphonies Nos
Janácˇ Ek: the Cunning Little Vixen
1 Parody, Allusion and Desire in Ligeti's Le Grande
Preliminary Observations of an Overview of the Music in Le Grand
War and the Musical Grotesque in Crumb's
Hungarian Echoes3:Layout 1 3/7/11 11:22 AM Page 23
Gyögy Ligeti - the 18 Études Danny Driver Hyperion, 2020, CDA68286
An Interview with György Ligeti in Hamburg Stephen Satory
Season 2012-2013
Program Oct 08.Indd
2019-2020 Season of Events
Ligeti: Violin Concerto
The Influence of East European Folk Music on the Music of György Ligeti
Troubled Beginnings
Third Coast Percussion Rachel Calloway