DOCSLIB.ORG

Gyögy Ligeti - the 18 Études Danny Driver Hyperion, 2020, CDA68286

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Gyögy Ligeti - the 18 Études Danny Driver Hyperion, 2020, CDA68286 Gyögy Ligeti - The 18 Études Danny Driver Hyperion, 2020, CDA68286 Désordre (Etudes pour Piano; Trio for v iolin, h orn & piano) Eric Huebner ( piano ); Yuki Numata Resnick ( v iolin); Adam Unsworth ( h orn) New focus Recordings, fcr 269, 2020 Kodály & Ligeti: Cello Works Hellen Weiß (Violin); Gabriel Schwabe (Violoncello) Naxos, NX 4202, 2020 Ligeti – Concertos (Concerto for piano and orchestra, Concerto for cello and orchestra, Chamber Concerto f or 13 i nstrumentalist s , Melodien) Joonas Ahonen (piano); Christian Poltéra (violoncello); BIT20 Ensemble; Baldur Brönnimann (conductor) BIS - 2209 SACD, 2016 LIGETI – Les Siècles Live : Six Bagatelles, Kammerkonzert, Dix pièces pour quintette à vent Les Siècles ; François - Xavier Roth (conductor) Musicales Actes Sud, 2016 musica viva vol. 22: Ligeti · Murail · Benjamin (Lontano) Pierre - Laurent Aimard (piano); Bavarian Radio Symphony Orchestra; George Benjamin, (conductor) NEOS, 11422, 2016 Shai Wosner: Haydn · Ligeti, Concertos & Capriccios (Capriccios Nos. 1 and 2) Shai Wosner (piano); Danish National Symphony Orchestra; Nicolas Collon (conductor) Onyx Classics, ONYX4174, 2016 Bartók | Ligeti, Concerto for piano and orchestra, Concerto for cello and orchestra, Concerto for violin and orchestra Hidéki Nagano ( piano ); Pierre Strauch (violoncello); Jeanne - Marie Conquer (violin ); Ensemble intercontemporain ; Matthias Pintscher (conductor) Alpha, 217, 2015 Chorwerk (Négy Lakodalmi Tánc; Nonsense Madrigals; Lux æterna) Noël Akchoté (electric guitar) Noël Akchoté Downloads, GLC - 2, 2015 Rameau | Ligeti (Musica Ricercata) Cathy Krier (piano) Avi - Music – 8553308, 2014 Zürcher Bläserquintett: Ligeti, Mozart, Nielsen, Villa - Lobos & Milhaud ( Six Bagatelles for wind quintet ) Zürcher Bläserquintett Jecklin, Jec 0723 - 2, 2014 Byrd, Bach and Ligeti (Passacaglia ungherese; Conti nuum; Hungarian Rock; Chaconne) Mahan Esfahani (harpsichord) Wigmore Hall Live, WHLIVE0066, 2014 György Ligeti – Cello Concerto, Mysteries of the Macabre, Piano Concerto Marco Blaauw (t rumpet); Nicolas Altstaedt (violoncello); Alberto Rosado (piano); PluralEnsemble ; Fabián Panisello (conductor) NEOS BBVA, 11013, 2014 Schauspiel | Ensemble CARION (Six Bagatelles) CARION Ars Produktion, 38 143, 2013 György Ligeti – Métamorphoses nocturnes (String Quartet s Nos. 1 + 2; Sonata for Cello ) Quatuor Béla æon, AECD 1332, 2013 Armida Quartett – Bartók · Kurtág · Ligeti (String Quartet No. 1) Armida Quartett Avi - Music, 8553298, 2013 György Ligeti – Violin Concerto, Lontano, Atmosphères, San Francisco Polyphony Benjamin Schmid (violin); Finnish Radio Symphony Orchestra; Hannu Lintu (conductor) Ondine, ODE 1213 - 2, 2013 Bach · Ligeti · Armstrong (Musica r icercata) Kit Armstrong (piano) Sony Classical, 88883747752, 2013 JACK Quartet | Ligeti · Pintscher · Cage · Xenakis (String Quartet No. 2) JACK Quartet Wigmore Hall Live, WHLVE 0053, 2012 György Ligeti – É tude s pour piano (Premier, deuxième + troisième livres) Thomas Hell ( piano ) W ergo, WER - 6763 2, 2012 Bartók / Eötvös / Ligeti (Violin Concerto) Patricia Kopatchinskaja (violin); Ensemble Modern; Frankfurt Radio Symphony Orchestra; Peter Eötvös (conductor) NAÏVE, 822186052853, 2012 1948 - 2001: A Ligeti Odyssey (Invention; Six Bagatelles for wind quintet; Volumina, Lux aeterna; Ten Pieces for wind quintet; Sonata for Solo Viola; extracts from Études pour piano [1er + 3ième livres]) Nobuko Imai (viola); Fredrik Ullén (piano); Hans - Ola Ericsson (organ); Schola Heidelberg; Berl in Philharmonic Wind Quintet; Walter Nußbaum (conductor) BIS Records, Bis 1503, 2012 Kurtág/Ligeti – Music for Viola (Sonata for Viola Solo) Kim Kashkashian (viola) ECM New Series, 2240, 2012 Münchner Horntrio | Johannes Brahms, György Ligeti, Charle s Koechlin (Trio for Horn, Violin and Piano "Hommage à Brahms") Münchner Horntrio Farao Classics, B 108037, 2012 Horn Trios | Brahms, Ligeti (Trio for Horn, Violin and Piano "Hommage à Brahms") Antje Weithaas (violin); Marie - Luise Neunecker (horn ); Silke Avenhaus (piano) BIS SACD 1859, 2012 Mei Yi Foo | Musical Toys (Musica r icercata) Mei Yi Foo (piano) Odradek Records, ODRCD302, 2012 Mobilis Saxophone Quartet | Ligeti, Desenclos, Bozza, Nagao (Six Bagatelles from “Musica r icercata ” ) Mobilis Saxophone Quartet Gramola Vienna, 98937, 2011 Atmosphères – Symphony No. 10 Gustav Mahler Jugendorchester; David Afkham (conductor) Orfeo, 2011 György Ligeti – Sonata for viola Geneviève Strosser ( viola ) æon , AECD 1100 , 2011 Le Grand Macabre Ana Puche (soprano); Inés Moraleda (mezzo - soprano); Chris Merritt (tenor); Gran Teatre del Liceu Symphony Orchestra and Choir; Michael Boder (conductor) ARTHAUS MUSIK, DVD, 101643, 2011 Streichquartette Nr. 1 & 2 Arditti Quartet Wergo, Wer 60079 - 50, 2011 Sonic.Art Saxophonquartett | Works by Ligeti, Tüür, Katzer, Lévy, Neuwirth, Xenakis (Six Bagatelles) Sonic.Art Saxophonquartett GENUIN, 10164, 2010 Fabián Panisello – György Ligeti | Piano Etudes (from Études pour piano [ Premier , deuxième + trois ième livres]) Dmitri Vassilakis (piano) Neos, NEOS 10946, 2010 String Quartets 1 & 2 · Lux aeterna · Ramifications · Choral Works · Six Bagatelles Artemis Quartet; Groupe Vocal de France; Orchestre de Chambre de Toulouse; Barry Tuckwell Wind Quintet; Louis Auriacombe, Guy Reibel (conductors) EMI Classics, 50999 6 27905 2 9, 2010 Metamorphosis | Ba rtók · Kurtág · Ligeti (String Quartet No. 1) Cuarteto Casals Harmonia Mundi, HMC 902062, 2010 Ligeti and Kurtág at Carnegie Hall (Melodien; Cello Concerto) Natalia Zagorinskaya (soprano); Miklós Perény (violoncello); Umze Ensemble; Peter Eötvös (conductor) Budapest Music Center Records, BMC CD 162, 2010 Player Piano 10 | Original Compositions And Transcriptions In The Tradition Of Nancarrow (Études pour piano; Continuum; Drei Stücke für zwei Pianos [Monument · Selbstpor trait · Bewegung]) Kyoshy Furukawa (piano) Musikproduktion Dabringhaus Und Grimm, MDG 645 1410 - 2, 2010 Ligeti – String Quartets Nos. 1 & 2 · Andante and Allegretto Parker Quartet NAXOS, 8.570781, 2009 Yuja Wang | Sonatas & Etudes (Étude No. 4: Fanfares; Étude No. 10: The Sorcerer's Apprentice) Yuja Wang (piano) Deutsche Grammophon, 477 8140, 2009 Pieter Wispelwey | Walton · Bloch · Ligeti · Britten (Sonata for Violoncello Solo) Pieter Wispelwey (violoncello) Onyx Classics, ONYX 4042, 2009 Ligeti – Lux aeterna · Heppener – im Gestein (Sonata f or Solo Viola ; Lux Aeterna; Drei Phantasien n ach Friedrich Hölderlin) Susanne van Els (viola); Cappella Amsterdam; musikFabrik; Daniel Reuss (conductor) Harmonia Mundi, HMC 901985, 2008 Niklas Eppin ger | Kodály, Ligeti, Rósza (Sonata for Violoncello Solo) Niklas Eppinger (violoncello) Aulos, AUL 66158, 2007 HOT | Marco Blaauw, trumpet solo (Mysteries of the Macabre) Marco Blaauw (trumpet); Banjamin Kobler (piano) BVHAAST CD 0406, 2007 Horn Trios by Brahms & Ligeti (Trio for Horn, Violin and Piano "Hommage à Brahms") Rolf Schulte (violin); William Purvis (horn); Alan Feinberg (piano) Bridge Records, Inc., Bridge 9012, 2006 Ligeti String Quartets 1 & 2 Artemis Quartet Virgin, 7095371, 2005 György Ligeti – Etudes (from Études pour piano [Premi er, deuxième + trois ième livres]) Toros Can (piano) L'empreinte digitale, ED 13125, 2005 Arditti Quartet | Nancarrow · Ligeti · Dutilleux (String Quartet No. 2) Arditti Quartet Wigmore Hall Live, WHLive 0003, 2005 Živilė Karkauskaitė | Adams · Ligeti · Messiaen (Études) Živilė Karkauskaitė (piano) Lithuanian Music Performers Information Centre – LMPIC CD 001, 2005 Schubert · Vacchi · Ligeti - Quartetti Per Archi (String Quartet No. 1) Meta4 Quartet Amadeus – SMF 001 - 2, 2004 Ligeti Project Vol.5 Balad ǎ Şi Joc / Cello Sonata / Artikulation / Aventures, Nouvelles Aventures / Musica Ricercata / Big Turtle Fanfare / Régi Magyar Társas Táncok Sarah Leonard (soprano); Linda Hirst (mezzo - soprano); Omar Ebrahim (baritone); Max Bonnay (accordion); David Geringas (violoncello); Peter Masseurs (trumpet); Asko Ensemble; Schönberg Ensemble; Reinbert de Leeuw (conductor) Teldec Classics, 8573 - 88262 - 2, 2 004 Wind Quintets | Nielsen · Ligeti · Barber · Françaix – Galliard Ensemble (Six Bagatelles) Galliard Ensemble BBC Music Magazine, BBC MM243, 2004 Harmonies / Orgel Modern (Zwei Etüden) Martin Haselböck (organ) NCA, 7412930 , 2003 Ligeti Project Vol.4 Hamburg Concerto / Double Concerto / Ramifications / Requiem Marie Luise Neunecker (horn); Jacques Zoon (flute); Heinz Holliger (oboe); Caroline Stein (soprano); Margriet van Reisen (mezzo - soprano); London Voices; Asko Ensemble; Schönberg Ens emble; Berliner Philharmoniker; Reinbert de Leeuw, Jonathan Nott, Terry Edwards (conductors) Teldec Classics, 8573 - 88263 - 2, 2003 Levinas | Ligeti – Études pour piano (Premier livre) Michaël Levinas (piano) Accord, 472 915 - 2, 2003 György Ligeti – Etudes, Books I and II (1 - 14a) Idil Biret (piano) Naxos, 8.555777, 2003 Ligeti/Reich – African Rhythms (Études) Pierre - Laurent Aimard (piano); Aka Pygmies Teldec Classics, 8573 - 86584 - 2, 2003 Ligeti Project Vol. 3 Cello Concerto / Clocks and Clouds / Violin Concerto / Síppal, Dobbal, Nádihegedüvel Siegfried Palm (violoncello); Katalin Károly (mezzo - soprano); Frank Peter Zimmermann; Schönberg Ensemble; Asko Ensemble; Amadinda Percussion Group; Capella Amsterdam; Re inbert de Leeuw, Daniel Reuss (conductors) Teldec Classics, 8573 - 87631 - 2, 2002 J. S. Bach und das 20. Jahrhundert | Zimmermann · Penderecki · Ligeti · Bartók (Sonata fo r Viola solo) Vidor Nagy (viola) Note, CAD 800 913, 2002 Daniel Fuchs Plays Fabienne Wyler & György Ligeti (Capriccio I · Invention ·
Load more

Recommended publications
  • Chloë Hanslip, Violin Royal Philharmonic
    559302 bk Adams US 7/14/06 12:41 PM Page 5 Charles Owen Royal Philharmonic Orchestra AMERICAN CLASSICS Charles Owen began his musical studies at the Yehudi Menuhin The Royal Philharmonic Orchestra was established in 1946 by Sir Thomas Beecham, who set about creating a world- School with Seta Tanyel and continued at the Royal College of class ensemble from the finest musicians in Britain. Since his death in 1961 the orchestra has continued under a Music under the guidance of Irina Zaritskaya. There he won all the number of very distinguished conductors, including Rudolf Kempe, Antal Doráti, André Previn and Vladimir major piano prizes before completing his studies with Imogen Ashkenazy, followed in 1996 by their present Music Director, Daniele Gatti. Based in London, with a resident series Cooper. He received the Silver Medal at the Scottish International at both the Royal Albert Hall and Cadogan Hall, the orchestra also has a comprehensive United Kingdom and JOHN ADAMS Piano Competition (1995) and was a finalist in the 1996 London overseas touring programme. Recent highlights have included playing for the late Pope John Paul II in the Vatican, Philharmonic/Pioneer Young Soloist of the year competition. In for the President of China in Tiananmen Square and at the tenth anniversary celebration of Kazakhstan’s 1997 he won the prestigious Parkhouse award in partnership with independence, in addition to touring regularly throughout Europe and the United States. The orchestra has made the violinist Katharine Gowers. His concert activities are diverse many recordings and has a commitment to community and education projects, as well as to contemporary composers.
    [Show full text]
  • Piano; Trio for Violin, Horn & Piano) Eric Huebner (Piano); Yuki Numata Resnick (Violin); Adam Unsworth (Horn) New Focus Recordings, Fcr 269, 2020
    Désordre (Etudes pour Piano; Trio for violin, horn & piano) Eric Huebner (piano); Yuki Numata Resnick (violin); Adam Unsworth (horn) New focus Recordings, fcr 269, 2020 Kodály & Ligeti: Cello Works Hellen Weiß (Violin); Gabriel Schwabe (Violoncello) Naxos, NX 4202, 2020 Ligeti – Concertos (Concerto for piano and orchestra, Concerto for cello and orchestra, Chamber Concerto for 13 instrumentalists, Melodien) Joonas Ahonen (piano); Christian Poltéra (violoncello); BIT20 Ensemble; Baldur Brönnimann (conductor) BIS-2209 SACD, 2016 LIGETI – Les Siècles Live : Six Bagatelles, Kammerkonzert, Dix pièces pour quintette à vent Les Siècles; François-Xavier Roth (conductor) Musicales Actes Sud, 2016 musica viva vol. 22: Ligeti · Murail · Benjamin (Lontano) Pierre-Laurent Aimard (piano); Bavarian Radio Symphony Orchestra; George Benjamin, (conductor) NEOS, 11422, 2016 Shai Wosner: Haydn · Ligeti, Concertos & Capriccios (Capriccios Nos. 1 and 2) Shai Wosner (piano); Danish National Symphony Orchestra; Nicolas Collon (conductor) Onyx Classics, ONYX4174, 2016 Bartók | Ligeti, Concerto for piano and orchestra, Concerto for cello and orchestra, Concerto for violin and orchestra Hidéki Nagano (piano); Pierre Strauch (violoncello); Jeanne-Marie Conquer (violin); Ensemble intercontemporain; Matthias Pintscher (conductor) Alpha, 217, 2015 Chorwerk (Négy Lakodalmi Tánc; Nonsense Madrigals; Lux æterna) Noël Akchoté (electric guitar) Noël Akchoté Downloads, GLC-2, 2015 Rameau | Ligeti (Musica Ricercata) Cathy Krier (piano) Avi-Music – 8553308, 2014 Zürcher Bläserquintett:
    [Show full text]
  • Pianist MARINO FORMENTI to Perform Solo Recital LISZT INSPECTIONS Music by Franz Liszt Juxtaposed with Works by Modern and Contemporary Masters
    Contact: Katherine E. Johnson (212) 875-5718; [email protected] National Press Representative: Julia Kirchhausen (917) 453-8386; [email protected] Lincoln Center Contact: Eileen McMahon (212) 875 -5391; [email protected] JUNE 4, 2014, AT LINCOLN CENTER FOR THE PERFORMING ARTS IN THE STANLEY H. KAPLAN PENTHOUSE: Pianist MARINO FORMENTI To Perform Solo Recital LISZT INSPECTIONS Music by Franz Liszt Juxtaposed with Works by Modern and Contemporary Masters As part of the NY PHIL BIENNIAL, Lincoln Center for the Performing Arts will present an intimate concert featuring Italian pianist Marino Formenti, June 4, 2014, at Lincoln Center’s Stanley H. Kaplan Penthouse, on its Great Performers series. The solo recital, Liszt Inspections, will provide a fresh look at the work of Franz Liszt (Hungary, 1811–86) and his sonic legacy by juxtaposing performances of his compositions with those of modern and contemporary masters. Complimentary wine will be served. Marino Formenti said: “This program explores the astonishing and prophetic aspects in the music of Liszt, who foresaw not only atonality, but also dodecaphony, spatial music, music without development, concept music, and minimalist music. By joining works of the 19th-century Hungarian Liszt with 20th-century mavericks, I have attempted to inspect, examine, and reveal multifarious and enlightening relationships and show how beautiful and timeless modern music can be. I am honored to contribute to the first-ever NY PHIL BIENNIAL.” The program will feature Liszt’s Hungarian Folksong No. 5, Piano Piece No. 2 in A-flat major, Bagatelle without tonality, Michael Mosonyi, Funérailles, Au lac de Wallenstadt, Lullaby, and Resignation.
    [Show full text]
  • Ning Fengviolin Virtuosismo
    CHANNEL CLASSICS CCS 40719 NING FENG VIOLIN PAGANINI&VIEUXTEMPS VIRTUOSISMO ORQUESTA SINFÓNICA DEL PRINCIPADO DE ASTURIAS ROSSEN MILANOV CONDUCTOR Ning Feng (photo: Lawrence Tsang) 2 NING FENG returns to the Shanghai Symphony Orchestra under the baton of Yu Long. “Ning Feng’s total mastery could be seen in the In recital and chamber music Ning Feng precision and sweep of his bow, and heard in the regularly performs with Igor Levit and Daniel effortless tonal range, from sweet to sumptuous.” Müller-Schott, amongst others, and in 2012 New Zealand Herald - founded the Dragon Quartet. He appears at major venues and festivals such as the Wigmore Hall in Ning Feng is recognised internationally as an artist London, the Concertgebouw Amsterdam, National of great lyricism, innate musicality and stunning Centre for Performing Arts (Beijing) as well as the virtuosity. Blessed with an impeccable technique Schubertiade, Mecklenburg-Vorpommern and Hong and a silken tone, his palette of colours ranges from Kong International Chamber Music Festivals. intimate delicacy to a ferocious intensity. The Berlin Born in Chengdu, China, Ning Feng studied at based Chinese violinist performs across the globe the Sichuan Conservatory of Music, the Hanns Eisler with major orchestras and conductors, in recital School of Music (Berlin) with Antje Weithaas and and chamber concerts. the Royal Academy of Music (London) with Hu Kun Recent successes have included a return to where he was the first student ever to be awarded the Budapest Festival Orchestra with Iván Fischer
    [Show full text]
  • An Analysis of Honegger's Cello Concerto
    AN ANALYSIS OF HONEGGER’S CELLO CONCERTO (1929): A RETURN TO SIMPLICITY? Denika Lam Kleinmann, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2014 APPROVED: Eugene Osadchy, Major Professor Clay Couturiaux, Minor Professor David Schwarz, Committee Member Daniel Arthurs, Committee Member John Holt, Chair of the Division of Instrumental Studies James Scott, Dean of the School of Music Mark Wardell, Dean of the Toulouse Graduate School Kleinmann, Denika Lam. An Analysis of Honegger’s Cello Concerto (1929): A Return to Simplicity? Doctor of Musical Arts (Performance), May 2014, 58 pp., 3 tables, 28 examples, 33 references, 15 titles. Literature available on Honegger’s Cello Concerto suggests this concerto is often considered as a composition that resonates with Les Six traditions. While reflecting currents of Les Six, the Cello Concerto also features departures from Erik Satie’s and Jean Cocteau’s ideal for French composers to return to simplicity. Both characteristics of and departures from Les Six examined in this concerto include metric organization, thematic and rhythmic development, melodic wedge shapes, contrapuntal techniques, simplicity in orchestration, diatonicism, the use of humor, jazz influences, and other unique performance techniques. Copyright 2014 by Denika Lam Kleinmann ii TABLE OF CONTENTS Page LIST OF TABLES………………………………………………………………………………..iv LIST OF MUSICAL EXAMPLES………………………………………………………………..v CHAPTER I: INTRODUCTION………..………………………………………………………...1 CHAPTER II: HONEGGER’S
    [Show full text]
  • Direction 2. Ile Fantaisies
    CD I Josquin DESPREZ 1. Nymphes des bois Josquin Desprez 4’46 Vox Luminis Lionel Meunier: direction 2. Ile Fantaisies Josquin Desprez 2’49 Ensemble Leones Baptiste Romain: fiddle Elisabeth Rumsey: viola d’arco Uri Smilansky: viola d’arco Marc Lewon: direction 3. Illibata dei Virgo a 5 Josquin Desprez 8’48 Cappella Pratensis Rebecca Stewart: direction 4. Allégez moy a 6 Josquin Desprez 1’07 5. Faulte d’argent a 5 Josquin Desprez 2’06 Ensemble Clément Janequin Dominique Visse: direction 6. La Spagna Josquin Desprez 2’50 Syntagma Amici Elsa Frank & Jérémie Papasergio: shawms Simen Van Mechelen: trombone Patrick Denecker & Bernhard Stilz: crumhorns 7. El Grillo Josquin Desprez 1’36 Ensemble Clément Janequin Dominique Visse: direction Missa Lesse faire a mi: Josquin Desprez 8. Sanctus 7’22 9. Agnus Dei 4’39 Cappella Pratensis Rebecca Stewart: direction 10. Mille regretz Josquin Desprez 2’03 Vox Luminis Lionel Meunier: direction 11. Mille regretz Luys de Narvaez 2’20 Rolf Lislevand: vihuela 2: © CHRISTOPHORUS, CHR 77348 5 & 7: © HARMONIA MUNDI, HMC 901279 102 ITALY: Secular music (from the Frottole to the Madrigal) 12. Giù per la mala via (Lauda) Anonymous 6’53 EnsembleDaedalus Roberto Festa: direction 13. Spero haver felice (Frottola) Anonymous 2’24 Giovanne tutte siano (Frottola) Vincent Bouchot: baritone Frédéric Martin: lira da braccio 14. Fammi una gratia amore Heinrich Isaac 4’36 15. Donna di dentro Heinrich Isaac 1’49 16. Quis dabit capiti meo aquam? Heinrich Isaac 5’06 Capilla Flamenca Dirk Snellings: direction 17. Cor mio volunturioso (Strambotto) Anonymous 4’50 Ensemble Daedalus Roberto Festa: direction 18.
    [Show full text]
  • Repertoire List
    APPROVED REPERTOIRE FOR 2022 COMPETITION: Please choose your repertoire from the approved selections below. Repertoire substitution requests will be considered by the Charlotte Symphony on an individual case-by-case basis. The deadline for all repertoire approvals is September 15, 2021. Please email [email protected] with any questions. VIOLIN VIOLINCELLO J.S. BACH Violin Concerto No. 1 in A Minor BOCCHERINI All cello concerti Violin Concerto No. 2 in E Major DVORAK Cello Concerto in B Minor BEETHOVEN Romance No. 1 in G Major Romance No. 2 in F Major HAYDN Cello Concerto No. 1 in C Major Cello Concerto No. 2 in D Major BRUCH Violin Concerto No. 1 in G Minor LALO Cello Concerto in D Minor HAYDN Violin Concerto in C Major Violin Concerto in G Major SAINT-SAENS Cello Concerto No. 1 in A Minor Cello Concerto No. 2 in D Minor LALO Symphonie Espagnole for Violin SCHUMANN Cello Concerto in A Minor MENDELSSOHN Violin Concerto in E Minor DOUBLE BASS MONTI Czárdás BOTTESINI Double Bass Concerto No. 2in B Minor MOZART Violin Concerti Nos. 1 – 5 DITTERSDORF Double Bass Concerto in E Major PROKOFIEV Violin Concerto No. 2 in G Minor DRAGONETTI All double bass concerti SAINT-SAENS Introduction & Rondo Capriccioso KOUSSEVITSKY Double Bass Concerto in F# Minor Violin Concerto No. 3 in B Minor HARP SCHUBERT Rondo in A Major for Violin and Strings DEBUSSY Danses Sacrée et Profane (in entirety) SIBELIUS Violin Concerto in D Minor DITTERSDORF Harp Concerto in A Major VIVALDI The Four Seasons HANDEL Harp Concerto in Bb Major, Op.
    [Show full text]
  • The Heavens and the Heart James Francis Brown
    THE HEAVENS AND THE HEART CHORAL AND ORCHESTRAL MUSIC BY JAMES FRANCIS BROWN BENJAMIN NABARRO VIOLIN RACHEL ROBERTS VIOLA GEMMA ROSEFIELD CELLO CATRIONA SCOTT CLARINET THE CHOIR OF ROYAL HOLLOWAY ORCHESTRA NOVA GEORGE VASS CONDUCTOR The Heavens and the Heart Choral and Orchestral Music by James Francis Brown (b. 1969) Benjamin Nabarro violin 1. Trio Concertante [20:46] Rachel Roberts viola for violin, viola, cello and string orchestra Gemma Rosefield cello Clarinet Concerto Catriona Sco clarinet (Lost Lanes – Shadow Groves) The Choir of Royal Holloway for clarinet and string orchestra Orchestra Nova 2. Broad Sky – Interlude I [7:03] 3. Dark Lane – Interlude II [5:28] George Vass conductor 4. Around the Church – Interlude III [5:52] 5. The Far Grove [5:20] The Heavens and the Heart Three Psalms for chorus and small orchestra 6. Caeli enarrant gloriam Dei (Psalm 19) [6:05] 7. Si vere utique justitiam loquimini (Psalm 58) [6:48] 8. Bonum est confiteri Domino (Psalm 92) [6:40] Total playing time [64:07] About Orchestra Nova & George Vass: ‘Playing and recorded sound are both excellent. It’s a fascinating achievement, beautifully done’ Gramophone ‘[...] an outstanding recording of a powerful and absorbing work’ MusicWeb International James Francis Brown has been a close friend the age.’ The music on this recording for over twenty years. I first heard his music abundantly proves the connuing when, as Arsc Director of the Deal Fesval, truth of Tippe’s words from eighty I programmed his String Trio in 1996 and years ago. immediately recognised in him a kindred spirit. James is commied to the renewal David Mahews of tonality, but not the simplisc sort one finds in minimalism, rather one that uses real voice leading, modulaon and lyrical The Heavens and the Heart: Orchestral melody.
    [Show full text]
  • Ligeti, Gyorgy Lux Aeterna
    T.C. DOKUZ EYLÜL ÜNİVERSİTESİ GÜZEL SANATLAR ENSTİTÜSÜ MÜZİK ANASANAT DALI YÜKSEK LİSANS TEZİ LIGETI, GYORGY LUX AETERNA Hazırlayan Elif Nur KARLIDAĞ Danışman Prof. Dr. Necati GEDİKLİ İZMİR-2007 ÖZGEÇMİŞ Ad, Soyad: Elif Nur KARLIDAĞ Doğum yeri ve yılı: Ankara, 03 Ekim 1982 Yabancı Dil: Fransızca, İngilizce (2006 sınavında TOEFL’dan 220), İtalyanca Eğitimi: Yüksek Lisans: Lisans : Dokuz Eylül Üniversitesi Devlet Konservatuarı Kompozisyon ve Orkestra Şefliği Anasanat Dalı Kompozisyon Sanat Dalı 2004 mezunu. Lise : İzmir Anadolu Güzel Sanatlar Lisesi Müzik Bölümü 2000 Mezunu. İş tecrübesi: - Mesleki Birlik/Dernek/Kuruluş Üyelikleri: - Alınan Burs ve Ödüller: Eğitim sürecinde Takdirname ve Teşekkürler Yayınları: Başlıca besteleri; Piyano için 3 Pieces, Piyano için 2 Poemes, Piyano için 5 Preludes, 2 Keman için 5 Pieces, Piyano için Variations, Arp ve Flüt için Variations, Piyano için 8 Preludes, Yaylı Çalgılar için‘’Larg Espressivo’’, Piyano için 12 Ton Parçaları, Piyano için 7 Preludes, Piyano için Sonat : 1. Allegro Appassionato 2. Andante 3.Quasi Lullaby 4. Presto, Yaylı Çalgılar Orkestrası için Senfoni ‘’Duvar’’, İki Si bemol Klarinet ve Flüt için ‘’Değişmeyen Eksende Ağır Giden Sezgiler’’, Orkestra ve Koro için Senfoni, Orkestra için Suit, Orkestra için Senfoni Classique, Piyano için Allegro Cantabile, Piyano için Intermezzo, 6 Flüt için Suit. Grafik Notasyon ile yazılmış olan eserler; - Vision (Kuartet için – 2 keman, viyola ve çello), - Değişmeyen Eksende Ağır Giden Önseziler II Soru : Soprano, Arp ve Kontrabas için Cevap : Flüt, Çelesta ve Viyolonsel için, - Koro için ‘’Meditation’’, - Orkestra için ‘’Tranquillo’’ Yüksek Lisans Tezi olarak sunduğum ‘’ LIGETI, GYORGY LUX AETERNA’’ adlı çalışmanın, tarafımdan, bilimsel ahlak ve geleneklere aykırı düşecek bir yardıma başvurmaksızın yazıldığını ve yararlandığım eserlerin bibliyografyada gösterilenlerden oluştuğunu, bunlara atıf yapılarak yararlanılmış olduğunu belirtir ve bunu onurumla doğrularım.
    [Show full text]
  • Gran Teatre Del Liceu
    GRAN �r TEATRE DEL LICEU Temporada 1986/87 - I CONSORCI DEL GRAN TEATRE DEL LICEU Generalitat de Catalunya Ajuntament de Barcelona Ministerio de Cultura de . Diputació Barcelona i Societat del Gran Teatre del Liceu IBA LULU Òpera en 3 actes Llibret i Música d' Alban Berg CASA Llibret basat en les obres Erdgeist i Die Büchse der Pandora de Franz Wedekind Tercer acte completat per Friedrich Cerha SMIIA Estrena a en Espanya d'aquesta versió tres actes Buenas ideas en artículos para el hogar, la mujer y el recién nacido. Funció de Gala Dilluns, 6 d'abril, a les 20 h., funció núm. 50, torn A 8 a les 20 núm. EN BARCELONA DELEGACiÓN EN ZARAGOZA D!mecres, d'abril, h., funció 51, tom B 10 a les 20 funció GRAN VIA CORTS CATALANES, 640 Divendres, d'abril, h., núm. 52, torn C TELÉFONO 31S 24 9S c106pe DIUmenge, 12 d'abril, a les 17 h., funció núm. 53, torn T OS007 BARCELONA ZURITA, S TEL(976) 23 74 54 LULU Produccio: Wiener Staatsoper (adaptada per al Gran Teatre del Liceu) Patricia Wise (dies 6, 8 i 12) Lulu Suzanne Sonnenschein (dia 10) La Comtessa de Geschwitz Glenys Linos (pintora) L'operària de Sastreria El Mosso Stefania Kaluza L'estudiant I El Doctor El Professor Hans Christian El comissari de Policia El Pintor Don�ld George El Negre I Dr. Schon (editor) Franz Mazura Jack l'Esventrador Alwa Jean Van Ree (fill del Dr. Schon, compositor) Schigolch Hans Hotter (un home vell) El Domador Alfred Kuhn L'Atleta I El Príncep (un explorador de l'Àfrica) Ernst Dieter Suttheimer El Criat ROSL\ BISBE ART/DISSENY I El Marquès Wolfgang Mueller-Lorenz GANDUXER, 20 El Director de Teatre TELEFONO 201 6590 Ernst Gutstein El Banquer I RBLA.
    [Show full text]
  • 江昭穎大提琴演奏會chao-Ying Chiang
    國立交通大學 音樂研究所 演奏組 碩士論文 江昭穎大提琴演奏會 含輔助文件 李蓋悌《無伴奏大提琴奏鳴曲》 作品之樂曲分析與演奏詮釋探討 CHAO-YING CHIANG CELLO RECITAL WITH A SUPPORTING PAPER AN ANALYSIS AND INTERPRETATAION ON LIGETI’S SONATA FOR VIOLONCELLO SOLO 研究生：江昭穎 演奏指導教授：顧美瑜 輔助文件指導教授：顧美瑜 董昭民 中華民國 一百年 一月 江昭穎大提琴演奏會 含輔助文件 李蓋悌《無伴奏大提琴奏鳴曲》作品之樂曲分析 與演奏詮釋探討 CHAO-YING CHIANG CELLO RECITAL WITH A SUPPORTING PAPER AN ANALYSIS AND INTERPRETATAION ON LIGETI’S SONATA FOR VIOLONCELLO SOLO 研究生：江昭穎 STUDENT: CHAO-YING CHIANG 演奏指導教授：顧美瑜 PERFORMANCE ADVISOR：MEI-YU KU 輔助文件指導教授：顧美瑜 董昭民 SUPPORTING PAPER ADVISOR：MEI-YU KU, CHAO-MING TUNG 國立交通大學 音樂研究所 演奏組 碩士論文 A THESIS SUBMITTED TO THE INSTITUTE OF MUSIC COLLEGE OF HUMANITIES AND SOCIAL SCIENCES NATIONAL CHIAO TUNG UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF MUSIC (CELLO PERFORMANCE) HSINCHU, TAIWAN January 2011 中華民國一百年一月 江昭穎大提琴演奏會 研究生：江昭穎 演奏指導教授：顧美瑜 輔助文件指導教授：顧美瑜 董昭民 演奏會曲目 佛烈斯可巴第：觸技曲 貝多芬：C 大調第四號大提琴奏鳴曲，作品 102 之 1 李蓋悌：大提琴無伴奏奏鳴曲 蕭邦：夜曲，作品 9 之 2 法朗克：A 大調大提琴奏鳴曲 上列曲目已於一百年一月十日晚間七點十五分，在國立交通大學演奏廳演出， 該場音樂會實況錄音之雷射唱片，附錄於本文封底。 輔助文件：李蓋悌《無伴奏大提琴奏鳴曲》作品之樂曲分析與 演奏詮釋探討 輔助文件摘要 李蓋悌為20世紀代表性的作曲家之一，他不斷地嘗試各類型的音樂創作，發 展出獨特的音樂手法：「微分複音音樂」(Micropolyphony)，成功締造了在樂壇 上不朽的地位。《無伴奏大提琴奏鳴曲》隸屬李蓋悌的早期作品，富有濃烈的民 謠風格。本論文將分成三部分進行探討：第一部分為早期生平與創作風格的整理 與歸納，並闡述此曲的創作背景；第二部分就巴爾托克對其之影響進而架構曲式 分析的概念，並從中研究李蓋悌如何在調性系統與非調性系統中完成此曲；第三 部分為演奏探討，以曲式分析的結果來建構演奏的詮釋想法，使音樂表達能更貼 近作者原意。 i Chao-Ying Chiang Cello Recital Student：Chao-Ying Chiang Advisor：Mei-Yu Ku Supporting Paper Advisor：Mei-Yu Ku, Chao-Ming Tung Recital Program G.Frescobaldi：Toccata (Arranged for Cello and Piano by Gaspar Cassadó) L. V. Beethoven：Sonata for Cello and Piano No.4 in C Major, Op. 102/1 György Ligeti：Sonata for Violoncello Solo F. Chopin：Nocturne op.9, No. 2 for Cello and Piano (Transcribed by David Popper) C.
    [Show full text]
  • Passacaglia and Lament in Ligeti's Recent Music
    tijdschrift 2004 #9/1/2 22-01-2004 09:16 Pagina 1 stephen taylor Passacaglia and lament in Ligeti’s recent music1 György Ligeti’s music since his opera Le Grand Macabre (1974-77, revised 1996) could be described as a collage of different compositional techniques. Two of the most prominent are passacaglia, and a melodic figure Ligeti calls the ‘lament motive’, based on the descending chromatic scale. Passacaglia and chromatic scales have appeared in Ligeti’s music since his student days, but they have become especially prominent in his recent music. This essay examines the development of these two techniques, focusing on their combination in the Horn Trio and Violin Concerto. These works not only show us how Ligeti uses the same ideas in different contexts; they also provide an overview of his recent compositional technique. Of the various compositional devices that appear in Ligeti’s music since his opera Le Grand Macabre (1974-77), two of the most prominent are the passacaglia and a melodic figure Ligeti calls the ‘lament motive’, based on the descending chromatic scale. Table 1 shows a list of works from the opera to the late 1990s in which these techniques appear. This essay examines the two slow movements that combine them: the fourth movement of the Horn Trio, ‘Lamento’, from 1982, and the fourth move- ment of the Violin Concerto, ‘Passacaglia: Lento intenso’, written a decade later. While both movements have much in common, their differences also highlight how Ligeti’s music has developed since he embarked on his new style in the early 1980s.
    [Show full text]