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Kotekan

  • Innovative Approaches to Melodic Elaboration in Contemporary Tabuh Kreasibaru

    Innovative Approaches to Melodic Elaboration in Contemporary Tabuh Kreasibaru

  • Gamelan Gender Wayang of Bali: Form and Style

    Gamelan Gender Wayang of Bali: Form and Style

  • Connecting Orff Schulwerk and Balinese Gamelanаа

    Connecting Orff Schulwerk and Balinese Gamelanаа

  • Cross-Cultural Hybridity in Music Composition: Southeast Asia in Three Works from America Written 1998, Unpublished Christopher Adler

    Cross-Cultural Hybridity in Music Composition: Southeast Asia in Three Works from America Written 1998, Unpublished Christopher Adler

  • (Lyrcd 7179) Gamelan Music of Bali Gamelan Angklung And

    (Lyrcd 7179) Gamelan Music of Bali Gamelan Angklung And

  • Tenzer, Theory and Analysis of Melody In

    Tenzer, Theory and Analysis of Melody In

  • 59. Gong Kebyar De Sebatu (Bali) Baris Melampahan

    59. Gong Kebyar De Sebatu (Bali) Baris Melampahan

  • Gamelan Gong Kebyar: a Traditional Balinese Music

    Gamelan Gong Kebyar: a Traditional Balinese Music

  • Gamelan Music of Indonesia- Music of Cooperation Indonesia Encompasses Over 13,000 Islands and Is World’S 4Th Most Populous Country

    Gamelan Music of Indonesia- Music of Cooperation Indonesia Encompasses Over 13,000 Islands and Is World’S 4Th Most Populous Country

  • Indonesian Gamelan – an Extended Introduction

    Indonesian Gamelan – an Extended Introduction

  • An Analysis on Gamelan Theatre: Selected Pieces from Arus Gangsa

    An Analysis on Gamelan Theatre: Selected Pieces from Arus Gangsa

  • Proceedings of the 1St Symposium of the ICTM Study Group on Performing Arts of Southeast Asia

    Proceedings of the 1St Symposium of the ICTM Study Group on Performing Arts of Southeast Asia

  • Perceptual Aspects of Tuning in a Balinese Gamelan Angklung for North American Students Jay Rahn

    Perceptual Aspects of Tuning in a Balinese Gamelan Angklung for North American Students Jay Rahn

  • An Analysis on Gamelan Theatre: Selected Pieces from Arus Gangsa

    An Analysis on Gamelan Theatre: Selected Pieces from Arus Gangsa

  • Balinese Gamelan Angklung Is an Ensemble of Four-Keyed

    Balinese Gamelan Angklung Is an Ensemble of Four-Keyed

  • NOTATION for GAMELAN BALI - Put Together by Yudane

    NOTATION for GAMELAN BALI - Put Together by Yudane

  • Glossary of Frequently Used Terms in Balinese Music Andrew Mc Graw Angklung, Gamelan

    Glossary of Frequently Used Terms in Balinese Music Andrew Mc Graw Angklung, Gamelan

  • Balinese Gamelan Manual

    Balinese Gamelan Manual

Top View
  • Strange Flowers Cultivating New Music for Gamelan on British Soil
  • Gamelan(Ing) in Scotland and Hawai‘I
  • New Composition for Javanese Gamelan
  • Downloads/Stepputat Walter Spies and the Kecak.Pdf
  • Whitmore High School's World Music Guide To
  • 59. Gong Kebyar De Sebatu (Bali) Baris Melampahan (For Unit 6: Further Musical Understanding)
  • An Introduction to Balinese Gamelan
  • UC San Diego UC San Diego Electronic Theses and Dissertations
  • Piccolo Bass Clarinet Strings: 4 Violins, 1 Viola, 2 Cellos, 1 Double Bass Electric Bass 2 Electric Guitars
  • SH1 House, Waterlilly.Pdf
  • Kotekan - the Technique of Interlocking Parts in Balinese Music from Balungan V4.2 Fall 1990 a Publication of the American Gamelan Institute by Wayne Vitale
  • Gambang Ensembles of Bali and Banyuwangi Introduction on Entering the East of East Java and the Island of Bali Ensembles of Gambang Proliferate
  • Pedagogy, Performance, and Community in the Transnational Balinese Traditional Performing Arts Scene Elizabeth A


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