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  • »  Julian Stallabrass

Julian Stallabrass

  • CAN ART HISTORY DIGEST NET ART? Julian Stallabrass from Its

    CAN ART HISTORY DIGEST NET ART? Julian Stallabrass from Its

  • WES HILL Hipster Aesthetics: Creatives with No Alternative

    WES HILL Hipster Aesthetics: Creatives with No Alternative

  • Michael Landy Selected Biography Born in London, 1963 Lives And

    Michael Landy Selected Biography Born in London, 1963 Lives And

  • You Cannot Be Serious: the Conceptual Innovator As Trickster

    You Cannot Be Serious: the Conceptual Innovator As Trickster

  • British Art Studies July 2016 British Sculpture Abroad, 1945 – 2000

    British Art Studies July 2016 British Sculpture Abroad, 1945 – 2000

  • Sarah Lucas (B.1962) Self-Portraits 1990–98

    Sarah Lucas (B.1962) Self-Portraits 1990–98

  • Young British Artists: the Legendary Group

    Young British Artists: the Legendary Group

  • Boston University Study Abroad London Modern British Art and Design CAS AH 320 (Core Course) Spring 2016

    Boston University Study Abroad London Modern British Art and Design CAS AH 320 (Core Course) Spring 2016

  • Summer 2016 British Sculpture Abroad

    Summer 2016 British Sculpture Abroad

  • Branding of the Museum

    Branding of the Museum

  • 1 SIMON PATTERSON 1967 Born in England. 1985-86 Hertfordshire

    1 SIMON PATTERSON 1967 Born in England. 1985-86 Hertfordshire

  • Fine Art Reading List

    Fine Art Reading List

  • An Interview with Mark Wallinger

    An Interview with Mark Wallinger

  • Neo-Avant-Garde””

    Neo-Avant-Garde””

  • EXPOSE YOURSELF to ART Towards a Critical Epistemology of Embarrassment

    EXPOSE YOURSELF to ART Towards a Critical Epistemology of Embarrassment

  • Tate Modern a Year of Sweet Success

    Tate Modern a Year of Sweet Success

  • Wyndham Lewis's Vorticism and Young British Art

    Wyndham Lewis's Vorticism and Young British Art

  • Contemporary Art: the Key Issues

    Contemporary Art: the Key Issues

Top View
  • 1. Title Page
  • Beaconsfield Chronic Epoch
  • Rubbish and Other Crap, Debris, Detritus, Dirt, Discards, Garbage, Junk, Leftovers, Litter, Refuse, Rejects, Remains, Ruins, Scrap, Shit, Shreds, Trash and Waste
  • LIAM GILLICK Born 1964, Aylesbury, U.K. Lives and Works in London and New York
  • ALTERATIONS Michael Marks Ii Clemson University, [email protected]
  • Fiona Banner Aka the Vanity Press
  • Cessation: One-Dimensional Art at the Royal
  • Nber Working Paper Series the Globalization of Advanced Art in The
  • British Rubbish Spending Their Leisure Time Working, but They Were Far Sue Webster and Tim Noble Too Uniform in Appearance
  • Situating Internet Art in the Traditional Institution for Contemporary Art by Karen A
  • An Investigation of the Architectural, Urban, and Exhibit Designs of the Tate Museums
  • Museum Photography and Museum Prose
  • The Road to Parnassus
  • Chris Ofili – Full
  • Seeing Colonially: Martin Parr, John Thomson and the British Photographic Imagination
  • Contemporary Institutions: Between Public and Private” 23 - 24 November, 2006 – Tate Modern, London
  • Resume Wizard
  • Patronage, Professionalism and Youth: the Emerging Artist and London’S Art Institutions 1949–1988


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