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Jon Savage

  • Joy Division and Cultural Collaborators in Popular Music Briana E

    Joy Division and Cultural Collaborators in Popular Music Briana E

  • In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series

    In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series

  • Phd Thesis the Anglo-American Reception of Georges Bataille

    Phd Thesis the Anglo-American Reception of Georges Bataille

  • 14 藝文新聞 Features

    14 藝文新聞 Features

  • It's Time to Beat That Cosmic Tabla and Slap On

    It's Time to Beat That Cosmic Tabla and Slap On

  • How Joy Division Came to Sound Like Manchester: Myth and Ways of Listening in the Neoliberal City

    How Joy Division Came to Sound Like Manchester: Myth and Ways of Listening in the Neoliberal City

  • Record Dreams Catalog

    Record Dreams Catalog

  • Don Dombowsky IAN CURTIS and the GERMAN AUTUMN1

    Don Dombowsky IAN CURTIS and the GERMAN AUTUMN1

  • Synthpop: Into the Digital Age Morrow, C (1999) Stir It Up: Reggae Album Cover Art

    Synthpop: Into the Digital Age Morrow, C (1999) Stir It Up: Reggae Album Cover Art

  • Representation of 1980S Cold War Culture and Politics in Popular Music in the West Alex Robbins

    Representation of 1980S Cold War Culture and Politics in Popular Music in the West Alex Robbins

  • Ebook Free the England’S Dreaming Tapes

    Ebook Free the England’S Dreaming Tapes

  • Making Rock History out of Ian Curtis and Joy Division

    Making Rock History out of Ian Curtis and Joy Division

  • The Beatles: Eight Days a Week – the Touring Years

    The Beatles: Eight Days a Week – the Touring Years

  • What Is Post-Punk?

    What Is Post-Punk?

  • Stockhausen's Influence on Popular Music

    Stockhausen's Influence on Popular Music

  • Read Readings Monthly, July 2013 Here

    Read Readings Monthly, July 2013 Here

  • Bootleg: the Secret History of the Other Recording Industry

    Bootleg: the Secret History of the Other Recording Industry

  • Ve Got a Bomb’: Sounding Anti-Nuclearism in the Anarcho-Punk Movement in Britain, 1978–84

    Ve Got a Bomb’: Sounding Anti-Nuclearism in the Anarcho-Punk Movement in Britain, 1978–84

Top View
  • Joy Division the Oral History (London: Faber and Faber, 2019, ISBN 9780571345373)
  • Crosthwaite Pop Criticism Chapter
  • Holocaust Impiety in Punk and Post-Punk Invited Conference Paper
  • The University of Wisconsin-Eau Claire Stand Down Margaret: the Reactions of British Musicians to the Governments of Margaret Th
  • PUNK by Jon Savage I
  • Morality in the Music Press, 1967-1983 by Patrick Michael John
  • Martin Hannett the Factory Sound
  • Punk, Politics and British (Fan)Zines, 1974-84:'While the World Was Dying, Did You Wonder Why?
  • Cool Cymru, Pop and National Identity in Wales During the 1990S
  • Punk Productions
  • The Poetics of Negation, Or the Reverse Interval of Punk Patrick F
  • A Film by Matt Wolf Written by Jon Savage
  • Los Fantasmas De Mi Vida: Escritos Sobre Depresión, Hauntología Y Futuros Perdidos / Prólogo De Pablo Schanton - La Ed
  • Holocaust Impiety in Punk and Postpunk
  • PDF Hosted at the Radboud Repository of the Radboud University Nijmegen
  • The Subversive Femininity of Siouxsie Sioux
  • Punk Rock and Western Australia's Sesquicentenary Celebrations
  • Grey Matter/Literature/Area: Bucketfull of Brains, Fanzine Form and Cultural Formation


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