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Johannes Tinctoris
Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600
Concerning the Ontological Status of the Notated Musical Work in the Fifteenth and Sixteenth Centuries
Repertories. Tinctoris, Gaffurio and the Neapolitan Context*
Johannes Tinctoris, in His Liber De Arte Contrapuncti
Program Notes FY20C1
MUSIC in the RENAISSANCE Western Music in Context: a Norton History Walter Frisch Series Editor
The Sources and the Performing Traditions. Alexander Agricola: Musik Zwischen Vokalität Und Instrumentalismus, Ed
The Trombone in A: Repertoire and Performance
La Solennisation Du Plain-Chant À L'abbaye De Saint-Gall Au Xvie
Tonal Types and Modal Categories in Renaissance Polyphony Harold S
University of Cincinnati
Qt1xb6m6zc.Pdf
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The Mellon Chansonnier
Ockeghem, Binchois & Du
Med & Ren Barcelona 2011 Medieval and Renaissance
2.1 Lamentation Texts 39 2.2 Textual Content in Pre-1506 Sources 41 2.3 Laude and Miscellaneous Texts 46 2.4 Conclusion 56
The Chromatic Semitone in the Later Middle Ages
Top View
Renaissance' of the Phrygian Mode and the Rise of Negative Affect In
Cont02.Chp:Corel VENTURA
Johannes Tinctoris and Music Theory in the Late Middle Ages and Early Renaissance
Fomrhi Comm 2045 Ian Pittaway the Mysteries of the Medieval Fiddle
Auditory Streaming Complexity and Renaissance Mass Cycles
CRITICAL EDITION and COMMENTARY Presented to The
SPEAKING in TONES: PLAINCHANT, MONODY, and the EVOCATION of ANTIQUITY in EARLY MODERN ITALY by BARBARA DIANNE SWANSON Submit
The Guitarra Latina Spain Ca 1260 from the Cantigas De Santa Maria Copywright 2003 Barry Ebersole
485838 Vol1.Pdf
MUS8A: Music History Study Guide for Test 2 What Is Covered: Part Two