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Jean Toomer

  • The Yale University Jean Toomer Papers

    The Yale University Jean Toomer Papers

  • Historical Background

    Historical Background

  • Module 2 Year 9: the Harlem Renaissance Half Term 1

    Module 2 Year 9: the Harlem Renaissance Half Term 1

  • Jean Toomer - Poems

    Jean Toomer - Poems

  • Jean Toomer, Mulatid and Modern,Ist

    Jean Toomer, Mulatid and Modern,Ist

  • When Richard Wright Tried to Capture the Essence of His

    When Richard Wright Tried to Capture the Essence of His

  • 0. Sollorscv2013

    0. Sollorscv2013

  • Paul Laurence Dunbar (1872-1906) Was Born to Enslaved Parents Freed After the Civil War

    Paul Laurence Dunbar (1872-1906) Was Born to Enslaved Parents Freed After the Civil War

  • Here, There, and in Between: Travel As Metaphor in Mixed Race Narratives of the Harlem Renaissance

    Here, There, and in Between: Travel As Metaphor in Mixed Race Narratives of the Harlem Renaissance

  • Staging Civil Rights: African American Literature, Performance, and Innovation

    Staging Civil Rights: African American Literature, Performance, and Innovation

  • Perfectibility

    Perfectibility

  • “Tortured Shadows: Representations of Lynching in Modernist U.S. Poetry” Milton Lamont Welch Raleigh, NC A.B. Philosophy, Va

    “Tortured Shadows: Representations of Lynching in Modernist U.S. Poetry” Milton Lamont Welch Raleigh, NC A.B. Philosophy, Va

  • Kabnis's Red Stain of Bastardy

    Kabnis's Red Stain of Bastardy

  • Reading and the Representation of Ambiguity in Jean Toomer's Cane

    Reading and the Representation of Ambiguity in Jean Toomer's Cane

  • Revisiting Cane Karleigh Taylor and Lindsey Lemay May 2015

    Revisiting Cane Karleigh Taylor and Lindsey Lemay May 2015

  • O Cant: Singing the Race Music of Jean Toomer's Cane

    O Cant: Singing the Race Music of Jean Toomer's Cane

  • One Nation Under Gods: Interfaith Symbolism and the “American” Race in the Works of Jean Toomer

    One Nation Under Gods: Interfaith Symbolism and the “American” Race in the Works of Jean Toomer

  • Jean Toomer and Carl Van Vechten: Identity, Exploitation, and the Harlem Renaissance

    Jean Toomer and Carl Van Vechten: Identity, Exploitation, and the Harlem Renaissance

Top View
  • The New Negro in Los Angeles: Representations of Identity in Bontemps’S God Sends Sunday and Himes’S If He Hollers Let Him Go
  • The Hunter and the Farmer: Jean Toomer's Model of Masculininty
  • The Depiction of African-American Life During the Harlem Renaissance in Jean Toomer's Cane M
  • Jean Toomer and the Politics and Poetics of National Identity Onita Estes--Hicks State University of New York at Old Westbury
  • Jean Toomer's Cane
  • Liminality, Identity, Language, and Place in Jean Toomer's Cane Kristin Taber Grand Valley State University


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