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James Tyler (musician)
The Guitar and Its Performance from the Fifteenth to Eighteenth Centuries James Tyler
The Early Mandolin: the Mandolino and the Neapolitan Mandoline
Guitar in Oxford Music Online
Stringing and Tuning the Renaissance Four-Course Guitar: Interpreting the Primary Sources
The a Brief Survey of Plucked Wire
Tuning, Temperament and Pedagogy for the Vihuela in Juan Bermudo’S “Declaracion De Instrumentas Musicales” (1555)
The Guitar in Tudor England: a Social and Musical History Cambridge University Press, 2015 [Xix, 248 P
Learning the Lute in Early Modern England, C. 1550-C. 1640
' Fz4- -/)L L-- Adviser School of Music ACKNOWLEDGEMENTS
Introduction the Very First Pioneers Œ Early Music in the 19Thcentury
Catalogue of Musical Instruments in the Victoria and Albert Museum
The Mandore in the 16Th and 17 Th Centuries James Tyler
Curriculum Vitae
The History of the Guitar
Medievalism and Exoticism in the Music of Dead Can Dance
A Study of Selected Works by Canadian Guitarists-Composers from the Perspective of Idiomatic Composition for the Classical Guitar
Carmontelle's Portraits of Musicians
The Mandolin: Its Structure and Performance (Sixteenth to Twentieth Centuries) James Tyler and Paul Sparks
Top View
François Chancy's Tablature De Mandore
Handbook of the Renaissance: Europe 1400-1600
FOUR-COURSE GUITAR BIBLIOGRAPHY by Michael
FANTASIE for Guitar Solo Transcribed from Th~ Lute Tablatur~ and Sylvius Leopold Weiss Arranged for Guitar by Deric Kennard ==~ C2 -----., ~= C3
The London Early Music Group
Open Access Musicology: Volume
THE LUTE SOCIETY VINYL RECORD ARCHIVE to Borrow a Record (Free of Charge) Contact the Secretary a Few Days Before a Meeting
Author's Post-Print Version. This Has Been Peer-Reviewed
The Early Mandolin: the Mandolino Guitar a History and Handbook (1980)
Open Access Musicology