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Interval class
Surviving Set Theory: a Pedagogical Game and Cooperative Learning Approach to Undergraduate Post-Tonal Music Theory
The Generalised Hexachord Theorem
Set Theory: a Gentle Introduction Dr
Geometrical Music Theory
Composing with Pitch-Class Sets Using Pitch-Class Sets As a Compositional Tool
Introduction to Pitch Class Set Analysis Pitch Class - a Pitch Without Regard to Its Octave Position
On Chords Generating Scales; Three Compositions for Orchestra
1 Chapter 1 a Brief History and Critique of Interval/Subset Class Vectors And
Interval Vectors
Any Pitch Can Be Represented by an Integer. in the Commonly Used "Fixed Do'' Notation, C = 0, C# = 1, D = 2, and So On
MTO 16.3: Jenkins, After the Harvest
Lecture Notes on Pitch-Class Set Theory Topic 1
Generalizing Musical Intervals
COMPUTATIONAL ANALYSIS of QUARTER-TONE COMPOSITIONS by CHARLES IVES and IVAN WYSCHNEGRADSKY a Thesis Submitted to the College Of
Developing a Mathematically Informed Approach to Musical Narrative
Perspectives on Order, Disorder, Combinatoriality, and Tonality in Schoenberg's Opus 33A and 33B Piano Pieces1
Z-Related Hexachords Explained by Transpositional Combination and the Complement Union Property
Twelve-Tone Organizational Strategies: an Analytical Sampler
Top View
On the Similarity of Twelve-Tone Rows
A Primer for Atonal Set Theory
A Detailed List and a Periodic Table of Set Classes
A PRACTICAL GLOSSARY for Twentieth-Century Music
The Processing of Pitch Combinations
Serialism and Neo-Riemannian Theory: Transformations and Hexatonic Cycles in Schoenberg’S Modern Psalm Op
The Nine-Step Scale of Alexander Tcherepnin: Its Conception, Its Properties, and Its Use
Listening and Composing
MTO 10.2: Samplaski, Interval-Classes
The Composition of Elliott Carter's Night Fantasies*
Mathematics and the Twelve-Tone System: Past, Present, and Future Author(S): Robert Morris Source: Perspectives of New Music, Vol
MTO 0.10: Robison, Modifying Interval-Class Vectors
Nonserial Atonality
Smooth Voice-Leading Systems for Atonal Music
Svetlana Kurbatskaya on Serial Music: Twelve Categories of "Twelve-Toneness"
Prolongation in Post-Tonal Music: a Survey of Analytical
Chords Robert W
Pitch-Class Set Multiplication in Theory and Practice Author(S): Stephen Heinemann Source: Music Theory Spectrum, Vol
AN INNOVATIVE APPROACH to SERIALISM: GEORGE ROCHBERG’S TWELVE BAGATELLES for PIANO and SYMPHONY NO
A Geometric Approach to Hexachordal Combinatoriality
Pitch-Class Set Analysis Today Author(S): Allen Forte Source: Music Analysis , Mar
Analyzing Atonal Music: Pitch-Class Set Theory and Its Contexts Michiel Schuijer