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» I Nyoman Windha
I Nyoman Windha
Innovative Approaches to Melodic Elaboration in Contemporary Tabuh Kreasibaru
Bali 1928: Gamelan Gong Kebyar Music from Belaluan, Pangkung
Performing Indonesia a Conference and Festival of Music, Dance, and Drama
The Byar: an Ethnographic and Empirical Study of a Balinese Musical Moment
Another Instance of This Fusion of Distinct Entities Is in the Pervasive
A Study Ofwomen's Gamelan in Bali
Bali 1928 Kebyar Arbiter 12-13-14
Innovation and Change in Approaches to Balinese Gamelan Composition
A Concert of Indonesian Music and Dance
Indonesian Music and Dance
Inspiration, Imitation, and Creation in the Music of Bali, Indonesia
KEKEMBANGAN by I Nyoman Windha & Evan Ziporyn for Balinese Gamelan Gong Kebyar and Saxophone Quartet (Alto, Alto, Tenor/Soprano, Baritone)
•1~Matminji]University of Hawai'i at Manoa
Karya Cipta Seni Pertunjukan
Tenzer Final Edit
Gamelan Gong Kebyar
Musical Modernism in the Twentieth Century R. Franki S
PDF of This Issue
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Tabuh Kreasi Pepanggulan Surya Kanda
Full Dissertation, Final Without Comments
Performing Arts Edutourism in Bali, Indonesia
Artikel Agus Cahyadi
Pedagogy, Performance, and Community in the Transnational Balinese Traditional Performing Arts Scene Elizabeth A