U.S. Copters Downed by Friendly Fire, Page 2
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Volume 114, Number 21 Cambridge, Massachusetts 02139 Friday, April 15, 1994 .~~~e ...... Students Welcome New UROP Money $1 Million Infusion Saves Sumnmer UROPS By Ramy A. Arnaout government policy is hitting the ASSOCIA TE NEWS EDITOR wrong people," Chang said. Students are welcoming MIT's "I'm really happy because I announcement that it will infuse the didn't think I would get paid at all," financially strapped Undergraduate said Research Opportunities Program Sheily-Ann N. Davidson '97, with $1 million to help defray the who found a UROP on the day the increased overhead costs for sum- new funding was announced. mer UROPs. "I didn't think I would be getting The money "should be adequate a UROP at all because the only way to maintain the program for the I could [afford to] was if I got paid," summer of 1994," said Provost Davidson said. The infusion has a Mark S. Wrighton. The infusion special, immediate importance for THOMAS R. KARLO-THE TECH will help bridge the funding gap students who use UROP as a prima- On Wednesday William P. Chemicoff '97, who was at the Athena cluster in Building 11, was inter- produced by a change in govern- ry source of income over the sum- viewed by David Marash of ABC's "Nightline" about the David M. LaMacchia '95 case. ment regulations that will effective- mer, she said. ly double UROP costs after July 1. "Although I don't know whether Students expect the $1 million to or not my hiring had to do with the Piracy Case May Set Precedent ease the financial strain that might extra money now available for otherwise keep mentors from hiring UROPs, I did feel more at ease By Jeremy Hylton range of wider legal issues which While the case centers around UROPers, thus making UROPs eas- knowing that funding for UROPs CHAIRMAN the case may influence. the charge that the site run by ier to find. isn't as tight as it would have been First of two parts. Among the issues raised by the LaMacchia was used to distribute Students are thankful for the otherwise," said Gregory G. David M. LaMacchia '95 will be case are the rights and responsibili- more than $1 million in copyrighted added summer funding, but many Richardson '97. arraigned in federal court today on ties of people who run electronic software, the crime LaMacchia is are skeptical about how they will "There seems to be a big prob- one count of conspiracy to commit "bulletin boards" and gaps in the charged with has little to do with cope when the added funds run out lem when you're looking for a *- wire fraud. current copyright - ...... A a- laws. software piracy, according to Mike this fall. * - UROP Cffi}f^^ejffJ;or . . a AltmJhw LaMacchia U.S. Attorney Donald K. Stern Godwin, staff counsel to the Elec- says he has to see whether he will Analy----
By Mark Zebrowski tine levels; suppress re search that All of the executives attaicked mittee staffers placed a placard in I STAFF METEOROLOGIST reveals the dangers of smjoking; treat recent accusations that their ccmpao the television cameras' line of sight Spring will make a well-advertised (if brief) appearance on Fri- tobacco products with adadditives that nies manipulate nicotine lev rO _AIWIB - _L I N I PP · LIC I.mA 1" r'7 uft V A.rA~a^^ jL Ab..A^^n--fl .. /B~~~~~~~~~e__/--k~~~~~~~mi M, JML & -. Join your fellow students and American Express m support of the 10th Annual Hunger Cleanup. I On April 16th, students from your school and local residents will pitch in together, participating in a nationwide event that assists worthy causes while helping to improve community life across the nation. The Hunger Cleanup is a three hour "work-a-thon" where you take part in a community work project such as painting a shelter, cleaning a playground, or starting a neighborhood food garden. And the funds you raise in sponsorships for your work will be distributed by the event's organizer - the National Student Campaign Against Hunger and Homelessness. i Your school is among 190 participating this year, making Hunger Cleanup the largest one-day community service event in the country. American Express salutes all the volunteers and is proud to be the sole national sponsor. Since 1984, Hunger Cleanups have raised almost a million dollars, with the help of over 70,000 students. People like you, making all the difference in the world. t To get involved with Hunger Cleanup, call 1-800-NO-HUNGR. jiq _ To apply for the American Express Card, call 1-800-446-5393. iSTf, i R I 1994 American Express Travel Reilated Services Company. Inc. IoAOM -- S A WP I w Imm- -- i = - MON. - ~ m - I-~d~qpg Ir~ es8wP-~ ------OP,A 11TIlI' Tl'r frr April 15, 19 194 ir1 .age; IA A I -a__ l I OPINION UF - -- l------I Ah -€ T ^-r °o T0 0 T A F GFF I I ! I ys%V1 I lrLtlgIJL Y .JL XZ fSessn L/ V/~ ln~qmss> tto UROP Is TLaudable Provost Mark-S. Wrighton's gift of $1 million to summer over $10 million - but it is impossible for the long term. I UROP students is a laudable example of the administration's Wrighton said that viable sources for funding, including [ continuing commitment to the Undergraduate Research Oppor- federal government agencies, corporations, foundations, and tunities Program - and to providing undergraduates with need- MIT graduates and friends "will be vigorously pursued by the Chairman In Jeremy Hylton '94 ed financial assistance. 0 administration and faculty." These efforts are still important. The extra $1 million will delay the cuts in the number of particular, these outside sources must realize that MIT's actions Editor in Chief today do not imply that MIT can solve the problem internally. Eva Moy '95 students hired for UROPs that is likely when new rules for over- - head costs and employee benefits While we as the student body should be relieved that MIT has Business Manager voluntarily picked up the tab on this summer's UROP resources, ES Editoan ^l go into effect. The new rules, [ Benjamin A. Tao G Editorlwhich start on July 1, could have we must remember that it only temporarily alleviates the task of I c Managing Editor drastically reduced the amount of money students earned this providing funds for overhead and employee benefits costs. Michelle Sonu '96 surnmer. Undergraduate Association Vice President Anne S. Tsao Executive Editor Because UROP is a central part of the Institute's under- '94 is organizing a student effort to lobby the Congress. Student Sarah Y. Keightley '95 graduate prograrn, it is no surprise that the policy change has efforts may be the most effective way to win outside support for caused such a wave of concern. The use of funds functioning as UROP; student's personal experiences with UROP will far NEWS STAFF of Editor: Hyun Soo Kim '96; Associate endowment demonstrates the priority placed on undergraduate more effectively persuade a legislator than the appeals Editors: Ramy Arnaout '97, lfung Lu '97, involvement in the research laboratories. administrators. Daniel C. Stevenson '97; Staff: Amy I. Still, this funding is only a temporary solution. We cannot Therefore we must not let up in our efforts to lobby the Hsu '94, Rahul T. Rao '94, Trudy Liu '95, depend on annual cash infusions to keep UROP students work- government and solicit funding from outside sources. Come Ben Reis '95, Nicole A. Sherry '95, Kevin ing in the numbers they are now. To spend this kind of money September, the $1 million grant will have disappeared and Subramanya '95, Charu Chaudhry '96, UROP will face the same problem it escaped for the summer. Deena Disraelly '96, Michael A. at all is remarkable for an institution with a budget deficit of Saginaw '96, Lawrence K. Chang '97, A. Arif Husain '97, Matt Mucklo '97, Gabriel J. Riopel '97, Rishi Shrivastava '97, Andy I ______Letters______To__ _ The_ Editor, _ , -- I-- - - - Stark '97; Meteorologists: Michael C. The message reads: "Please upload copies of upgrades, a training video, example files, (etc. Morgan G, Yeh-Kai Tung '93, Arnold LaMacchia Case Should the Apple Operating System source code." in addition to the program per se. The r7aw Seto '96, Marek Zebrowski. LE Apple Computer can then call the FBI and binary has some value, but regular users o)fa (and buyixng) PRODUCTION STAFF Be Dropped have Bob arrested on the basis of a message program usually end up needing Editors: Matthew E. Konosky '95, Teresa We members of the Internet and MIT com- whose author is not determinable. the complete package. Lee '96; Associate Editors: Patrick Ma- munities are very upset by several aspects of Unless the government can produce a wit- Thus, the government's estimate of $l nnil- lion in losses to copyright holders is fanciiful honey '94, Ernst Smith '97; Staff: Ling the case against David M. LaMacchia '95. ness who personally observed LaMacchia typ- F. Liao '95, Geoff Lee Seyon '97, Joo Youn The government accuses LaMacchia of ing the "README" file, fairness demands at best. Some software publishers might be Park '97, Christine J. Sonu '97, Jimmy conspiring with unspecified persons on the that we disregard the file's contents. The only able to make more money if computer niet- Wong '97. Internet to copy $1 million of commercial thing LaMacchia remains charged with is works were abolished, but that doesn't piro- vide a justification for shutting down the OPINION STAFF software. The principal evidence against operating a public bulletin board, one of thou- imprisoning 20-year-old kids. Editor: Michael K. Chung '94; Associate LaMacchia is a "README" file on the bul- sands on the Internet worldwide. An electron- Internet or There is no reliable evidence that LaMlac- Editor: Anders Hove '96; Staff: Matt letin board that he created. A society is not ic bulletin board is no different from a cork- e is Neimark '95. free if a person can be deprived of liberty on board or file cabinet in a public place. If a chia solicited copyrighted programs. There basis of such easily-forged evidence. The stranger posts an advertisement for something no evidence that LaMacchia caused softw'are SPOR 7S SA4 FF the that make the corkboard owner publishers any substantial loss. There is no Associate Editors: Eric M. Oliver G, Daniel author could just as easily be any of us or of illegal, does society that could call itself free if the owmer Wang '97; Staff: Mike Duffy G, Andrew the 20 million other users of Internet. part of a conspiracy? of a bulletin board is responsible for ev ery Heitner G, Thomas Kettler G, Ognen J. If this kind of evidence is admissible in Although not central to the case, the gov- message posted there. The case agai nst Nastov G, Bo Light '96, Koichi criminal cases, no Internet user can feel ern.ment's flawed analogy between the alleged LaMacchia should be dropped. Kunitake '97. secure. For example, let's say that John Smith actions of people using Mr. LaMacchia's bul- i> (copying raw programs, or bina- Phillip G. Greenspun G, e is angry with Bob Jones, another Internet user. letin board In 6 AR TSSTAFF John addresses a message to one of Internet's ries) and someone "taking boxes off the shelf Lynn Andrea Sttein Ann Ames '92, J. Michael Editors: thousands of bulletin boards, making it appear at Egghead Software" blows this case way out Professor of ElectricalEngineer *ing Andresen '94; Associate Editar:-Scott a simple mat- proportion. When you buy a typical soft- and Computer Scienqce, Deskin '96; Staff: Thomas Chen G, Dave to have come from Bob. This is of get manuals, support, and 29 othiers Fox G, Allen Jackson '94, John Jacobs '94, ter requiring no special technical knowledge. ware program, you Gretchen Koot '94, Adam Lindsay '94, Kaiteh Tao '94, Christopher Chiu '95, Craig K. Chang '96, Robert W. Marcato '97, Anne Wall. PHOTOGRA PHYY STAFF Associate Editors: Sharon N. Young Pong '96. Thomas R. Karlo '97, Helen Lin '97; Staff: Jason Fleischer G, Simson L. Garfinkel '87, Jonathan Li '93, Mark Bockmann '94, Dan Gruhl '94, Rich !! Domonkos '95, Delano J. McFarlane '95, Sherrif Ibrahim '96, Lenny Speiser '96, Justin Strittmatter '96. ! FEATURES STAFF Christopher Doerr G, Pawan Sinha G, Mark Hurst '94, Steve Hwang'95. BUSI NESS STA4 FF Advertising Manager: Pradeep Sree- kanthan '95; Associate Advertising Manager: Anna Lee '97; Accounts Manager: Oscar Yeh '95; Staff: Diana I Bancila '95, Jeanne Thienprasit '95, Jin Park '96, Syed Abid Rizvi '96, Mary Chen '97. E wI TECIH.NOLOGY STAFF w Director: Garlen C. Leung '95. EDITORS. T L4 RGE Contributing Editors: Josh Hartmann '93, I Matthew t1. ttersch '94, Yuch Z. Lee '95, m Ia Eric Richard '95; Senior Editor: Vipul Bhushan G. ADVISOR 3BOA.RD V. Michael Bove '83, Robert E. ~__i Malchman '85, Thomas T. Huang '86, -----I--·--- -4-- ----- a I._gLI1 ---·- -· 3 L P - L L Y- I- _ _ lP --"LIII-- -- - eI Jonathan Richmond PhD '91, Reuven M. II Lerner '92. days before the date of publication. Opinion Policy Letters and cartoons must bear the author's signatures, address- PRODUCTION STAFF FOR TriIS ISSUE Editorials, printed in a distinctive format, are the official opin- Night Editors: Patrick Mahoney '94, es, and phone numbers. Unsigned letters will not be accepted. No which con- Matthew E. Konosky '95; Staff: Vipul ion of The Tech. They are written by the editorial board, letter or cartoon will be printed anonymously without the express in chief, managing editor, 'executive Bhushan G, Josh Hartmann '93, Michael K. sists of the chairman, editor prior approval of The Tech. The Tech reserves the right to edit or Chung '94, Jeremy Hylton '94, Garlen C. editor, news editors, and opinion editors. condense letters; shorter letters will be given higher priority. Once Leung '95, Sarah Y. Keightley '95, Eric Dissents, marked as such and printed in a distinctive format, are submitted, all letters become property of The Tech, and will not be.._- Richard '95, Ernst S. 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Printed All submissions are due by 4 p.m. two 5 on recycled paper b' Ma!ass;eb PrintingCo lettersgthe-tech.mit.edu. and it will be directed to the appropriate person. - -- --- · EM - = I r rra CC-·III ·s Cr"- -r -SC C- L----q -- - r _ _ s-e._c -,·e --· - - I April 15, 1994 OPINION THI1 TECH Pqrp ;S V I Safe Ride Should Also Serve MIT-Owned Apartments Column by Josh Hartmann which contained all of my class notes. groups. And yet the residents of Pika receive it owns either by adding an additional van to CONTRIBUTING EDITOR I',e thought q.li;s a bi; oabout th;i an,, T'm Carm~ RP APce-n some g.nerall assurance -F-l-Ti11l..l th-I.IAd ASI__st.tUt. [ILU:..; the Cainbridge routes and increasing their If you read Tuesday's issue of The Tech, fairly convinced that, had it been available, I about their safety which the people in my radius or by instructing drivers to serve the you'll realize that I was mugged last Sunday would have been riding Safe Ride that night. building are apparently not entitled to. (I don't MIT-owned apartment buildings with on- ["Student Robbed in Central Square," Apr. The problem is that, even though my building mean to single out Pika; I could use Epsilon demand service (as was the case with ZBT 12]. I've never been mugged before, so it is owned by MIT and occupied by roughly 60 Theta or Zeta Beta Tau just as well, although and ET until the new schedule-based system wasn't until Sunday that I knew what it must MIT students, Safe Ride won't come to my those two living groups are in the opposite took effect). The students who have chosen to have been like for the many victims I've inter- building. direction of Central Square.) take advantage of this housing alternative that viewed when reporting for The Tech and other I have asked the drivers repeatedly to take This opens a basket of worms for the Insti- MIT has presented to them deserve the same newspapers. me home from the Student Center, but alas, I tute. MIT owns other buildings around Cam- benefits others receive. I was on the way home from The Tech's am forced to get off at the Shell gasoline sta- bridge which are used for similar purposes, On a related matter, credit where credit is office at about 10:45 p.m. when it happened. I tion at Lafayette Square (near Alpha Delta Pi and some of those are even further away than due: Although this particular crime took place live about three blocks from the heart of Cen- and Women's Independent Living Group). mine. Plus, graduate students could legiti- off campus, Campus Police officers were very tral Square in a building owned by MIT and Only once, in a driving snowstorm last year, mately argue that since the Institute forces helpful when I reported the incident to the reserved exclusively for the housing of MIT- did a driver take me all the way to Magazine them (through high rents and lack of housing department after reporting it to Cambridge affiliated people (who tend mostly to be grad- Street. supply) to live off campus in such remote police. The MIT officers were extremely uate students in this particular case). It is hard for me to reconcile this in my regions as Somerville, MIT should ensure courteous and offered genuinely useful hints Two blocks away from home, I was con- head. My building is at least as far away from their safety when traveling to and from cam- to try to recover my stolen belongings. fronted by two young men who claimed to campus as Pika, and it houses more MIT stu- pus. Josh Hartmann '93 is an economics major have a gun. I wasn't about to argue. The thugs dents. It is also in the same general direction At the very least, though, MIT has an who doesn't particularly like columns written made off with some cash and my backpack, but is equally isolated from other living obligation to extend Safe Ride to the buildings in the firstperson. I I Graduate I a Housing Office There will be new summer hours for Graduate Student i Housing (E32-133). The * Eurail passes F hours will be from 9:00 a.m. * to 3:00 p.m. and in effect Lesry's Chinese * Cross-country travel | from April 19,1994 to * Lowest prices available *i September 16, 1994. 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The Qualified graduates could have no Ford College Graduate Purchase Ii down payment on vehicles less than Program. For more information call: or $18,000 MSRP. You can even defer FORD DEALERS 1-800-32 1-1536. E EE N . 1 11 . - IPPI BI · -II -- 1 9 r - - Ps C lar n - =, ,___ I I E Page 7 April 15, 1994 T___HE TECH i THE ARTS e lde1ne Gamelan ensemble to perUfmm duCing 3-day. s J the group's achievements, and in 1985 invited GAMELAN SEKAR JAYA the orchestra to appear at Bali's annual Festi- at MIT next Tuesday through Arts, which he did again in 1992. In residence val of the | Thursday. These concerts were incorporated into tours of s_ the whole country of Indonesia. For the first By Ann Ames tour, Sekar Jaya performed a collection of tra- ARTS EDITOR ditional Balinese works, but for the second, | s part of a burgeoning world music having proven themselves to be players on a program, MIT will play host next par with any competent Balinese troupe, they week to the San Francisco Bay area's planned a more ambitious program. In addi- Gamelan Sekar Jaya. During its three- tion to works from the standard repertoire, day residence on campus, the group will hold they included several new pieces written J two lecture demonstrations and an open specifically for the group. rehearsal in "The Cube" in the Media Lab, as Some of the finest musicians in Bali have | well as performing an outdoor concert in front worked with this group, including founding of the Student Center with MIT's own game- teacher Suweca and I Nyoman Windha, the * lan orchestra, Galak Tika. This series of foremost composer of his generation. In addi- * events marks one stop on Sekar Jaya's 15th tion, many of the Americans involved in the anniversary tour, which includes concerts in program boast impressive credentials. Tenzer i New Haven, New York, Boston, Middletown studied in Bali for a time under a Fulbright i (at Wesleyan University), and Providence (at scholarship, as did MIT Professor Evan ii Rhode Island School of Design). Ziporyn, who first became acquainted with the The gamelan is a Balinese ensemble of ensemble in 1980. Ziporyn later became one instruments composed of gongs, drums, flutes, of the group's music directors, along with and marimba-like instruments called metallo- Carla Fabrizio, also a Fulbright scholar. phones. The orchestra has a total melodic Although the group has twice toured range of four octaves, and each different type Indonesia, this is its first trip to the East Coast of instrument functions in a specific role, of the United States. According to Ziporyn, combining to form intricate melodic and har- this is primarily due to the expense of trans- morni- npatterns In addition. this 30-member porting the number of people and large instru- group includes dancers and a singer who will ments involved in a gamelan orchestra. Also, accompany the instrumentalists in perfor- many people on the East Coast have not even mances of traditional dances and masked heard of gamelan music. This is changing, drama. however, with orchestras existing in a variety Sekar Jaya (translated as "Flowering Suc- of eastern cities from Montreal to Washing- cess") got its start in Oakland, California in ton, D.C. 1979 as an informal music club. Founded by It was mainly MIT's involvement that master Balinese musician I Wayan Suweca made this tour possible, Ziporyn said, partly along with Americans Michael Tenzer and because of the Institute's support for the Also, since there is a Rachel Cooper, it was the first community- upcoming residency. I Nyoman Windha plays kendang with Gamelan Sekar Jaya. based Gamelan orchestra anywhere outside of gamelan orchestra already in place at MIT, nese Music" on Tuesday, the artists will allow Indonesia. Since its founding, it has earned Sekar Jaya is able to use the MIT instruments tric guitars, an electric bass, and an electric the audience to participate. As Ziporyn said, respect from artists and patrons both in the for its entire East Coast tour. In return, Sekar mandolin, the piece reflects the relationship the Third "The whole idea is to give people a chance to United States and abroad. The California Arts Jaya's MIT residency will provide the com- between industrial nations and bang away." As with any cross-cultural ven- Council consistently ranks Sekar Jaya among munity with an opportunity to see and hear a World. At times a celebration of cultural con- ture, the hope is that people will be enlight- the best arts organizations in the state, citing professional gamelan troupe with soloists exchange, this metaphorical work also between the ened as well as entertained - not too tough a "a very high level of performance stemming from the forefront of the Balinese art. They tains elements of confrontation perform traditional music, as well as new two very different societal structures. "There task for this fascinating group. from the group's intense commitment to the will about Sekar Jaya's by Windha, Tenzer, and Ziporyn. is a connection, if only in my mind," Ziporyn For more information music." And the Indonesian press has hailed pieces look under the music heading in Ziporyn describes his piece, Tire Fire, as said. "I've got to see what I can do." residency, Sekar Jaya as "clearly the finest Balinese "Campus Arts" listings, or call the "a statement about crossing borders." Scored During next week's lecture demonstra- this week's gamelan outside of Indonesia." 253-4003. and incorporating two elec- tions, primarily in "An Introduction to Bali- Office of the Arts at The na!inese. governor was fascinated by for full gamelan 1a AM ~, Next Act's ss Me, Kate full o spirted performances rendition of "Brush Up Your Shakespeare," a lows the plot of William Shakespeare's The much to be desired; he read his lines with no KIcS ME, KATE collection of puns on Shakespearean titles, s the Shrew. A "play within a play" dramatic pauses whatsoever. This affected his Next Act 1994. Taming of was hilarious. as an acting troupe performs The ability to embody the intense emotions of his Ife Directed by John J. Bellizzi III '94. is presented Much of the hilarity of the singing num- §1 Taming of the Shrew, while the backstage role but also affected his comedic timing, Words and Music by Cole Porter. bers was due to the impeccable choreography antics parallel its action and characters. which was off through the whole perfor- Book by Sam and Bella Spewack. provided by Rebecca A. Scramlin '94. The McCoy plays the "shrew" both on stage and mance. StarringErin E. McCoy '95, Walter E. choreography was perhaps the most impres- backstage: Her challenge is to make clear Holmes had the opposite problem. His Babiec '94, Ranjini Srikantiah '95, sive aspect of the entire production. The danc- when her on-stage anger is her character's and delivery was fine, but his facial expression and Victor F. Holmes '95. ing had an appropriate mrnount of vaudeville when it is her own. Part of this distinction is didn't change throughout the evening from his Next House firstfloor lounge. in it, but it wasn't overly flowery, which is a noted in the script, but McCoy did an amazing initial faraway stare and dopey grin. "I'm April 7-9. trap that is all too easy to fall into when fol- job imparting the subtle differences to the sorry," he apologized to Lois (Srikantiah) the vapid grin. Her retort of "If only you lowing Porter's lyrics and melodies. Scramlin Andresen audience. It was always crystal clear when she with By J. Michael seem to faze him. He kept on found the perfect balance between the two ARTS EDITOR was angry at the Shakespearean Petruchio and meant it" didn't face and extremes, offering dance that was visually ext Act 1994 opened and closed last when she was angry at her ex-husband who grinning. Holmes has a very pleasant a very nice dopey grin, but it just exciting but not sickeningly cute. weekend with a charming rendition of played that character. the grin was ubiquitously appropriate. Overall, John J. Belizzi III '94 did a won- Cole Porter's Kiss Me, Kate. Though Petruchio (Babiec), on the other hand, wasn't The show was stolen, however, by John C. derful job in his directorial debut. A few it was clearly an amateur production didn't act his anger very well at all. Babiec's Hansen '94 and Willy S. Ziminsky '94, the gaffes would have been avoided had he been with a first-time director, the energy and face was always a wonderful indicator of his most affable gangsters this side of The Godfa- more seasoned, but these were few and rather enthusiasm of the ensemble overcame this to emotions. Pain and anguish were, evident in ther. With felt hats and generic gangster far between. In any case, he was able to tap a truly delightful performance. his eyes, and his pursed mouth clued the audi- deliver accents, their haughty yet simplistic interpre- into the youthful energy of Next House, gen- The vocal talent of the cast was impressive ence in to the severity of his condition. tation of their characters was perfect, and their erating a wholly entertaining show. considering that everyone was drawn from Babiec's glib delivery, on the other hand, left Next House alone. Kiss Me, Kate is essential- ly a musical revue celebrating Cole Porter's songwriting, and he would have been proud of the efforts of the cast and Erin McCoy '95, who doubled as vocal director. Among the vocalists, McCoy and Ranjini Srikantiah '95 were particularly outstanding. Srikantiah sang "Always True to You (in my Fashion)" with all the devilish sweetness that Porter intended, adding emphasis with her flir- tatious and seductive smiles. McCoy put plen- ty of oomph into her part, making herself clearly understood with an impassioned "I Hate Men." She almost had me feeling ashamed for my gender, so realistic was her animosity. The male leads were mostly solid, but sketchy at times. Walter E. Babiec '94 sang very nicely but tended to fade out in his lower range. To balance this, he seemed to overcom- pe,.atc ad. sing ton, loudly in his mid-range, giving some of the songs a ridiculously large dynamic spectrum. Victor Holmes '95 sang sweetly throughout, but failed to excite the audience as Srikantiah and McCoy were able U-THE TECh to do. ~ C~b~%L~t~pa~ k--~-r ~a ,\;~P~P-~ars~sa~·l~l~ir~ru~L~YL~LPLP~~ JONATHAN McCoy also had one of the more challeng- In the Next House produc- Two mobsters, John C. Hansen '94 on left and Willy S. Ziminsky '94 on right, protect their 'Investment' ing parts to act, and she met the challenge 94. of Kiss Me Kate. Kate was played by Erin E. McCoy '95, and Petruchio was played by Walter E. Babiec nicely. The plot of Kiss Me, Kate loosely fol- tlon Page 8 THE TECH THE ARTS April 15, 1994 MIT G&S give a solid performance of Gondoliers THE GONDOLIERS '89) who find out that one of them is really the with proper pompousness and royal attitude. ity to pull together again. The MIT Gilbert & Sullivan Players. long-lost King of Baratoria and was married Bailey and Jedlinsky, the two lead gondo- The cast's voices have become the show- Directed by PeterStark. as an infant to Casilda, the daughter of the liers, have to share te throne and title until case of C-&SP, as the women's chornuS wuas a2 Book by Sir W.S. Gilbert. Duke and Duchess of Plaza-Toro. They are, positive identification is made. They act strong as any of the leads. The men's chorus Score by Sir Arthur Sullivan. however, in love with their new brides (Julie- together with grace and ease, blending well. could use more development for a mellower StarringChris Bailey, David C. Jedlinskv '89, Marie Anderson and Grace E. Colo6n G), In their dual proclamation, for example, the sound, but overall the chorus is quite good. Julie-MarieAnderson and Grace E. Col6n G. while Casilda loves Luiz, her father's atten- two often split words by the syllable for a par- Excellent solo voices bring superior quality to La Sala de Puerto Rico. dant. Through a maze of ambiguous identities, ticularly impressive effect. Anderson and the show, and though the Italian accents are April 15-17, at 8 p.m. jealousy, and confusion typical of Gilbert & Colo6n, playing the gondoliers' wives, are difficult to understand sometimes, the spirit of April 16 and 18, at 2 p.m. Sullivan shows, the couples attempt to resolve witty and properly jealous at the right the theater is captured in the enthusiasm of the their relationships. moments. Their voices also blend well when performers. By Kimberly A. Knowles The casting of the leads is particularly they sing about being parted from their true Mediocre choreography and stiff-legged loves. good. Luiz (Neal M. Addicot '97) is especial- dancing are the low points of the show. High he opening night of the Gilbert & ly suited to the part of the young lover oppo- Despite some beginning difficulties, the points of the performance include well Sullivan Players' production of The site Casilda, as he captures just the right bal- orchestra pulled itself together quickly to pro- thought out costuming and arched doorways Gondoliers was the result of hard ance of spontaneous youth and lovesick boy. duce high-quality music that adds to the on the stage, which provide cohesion for the work and team spirit. The camaraderie Sallyanne Powers convincingly portrays charm of the musical. The woodwind section Venetian setting, and several corny modern of the performers came through in all aspects Casilda as a young woman waiting for the shines, especially Susan M. Dacy '97 on oboe references, such as a modem disco ball during of the show, from the cohesion of the orches- husband she is going to marry. The Grand and Professor Harold Abelson PhD '73 and the dance and banquet. tra to the synchronicity of the dances. The Inquisitor (John S. Wilson), who brings every- Yoshimasa Ito G on clarinet. The only recur- singing was the usual high quality that has one together to preserve the royal throne, ring dichotomy in the show was the tendency Overall, the show is worth seeing for come to be expected of G&SP. show spirit and character throughout the per- of the singers and the orchestra to get out of Gilbert & Sullivan fans, as well as for anyone The plot centers around two young gondo- formance. The Duke and Duchess (Jeremy sync occasionally, especially in the faster seeking a three-hour respite from serious mat- liers (Chris Bailey and- David --C. Jedlinsky White and Patricia Brewer) are aptly played songs.-- Still,-- -- they displayed an impressive-- abil- ters. I r~~~~l~#P London ...... $415 Paris ...... 525 Frankfurt ...... 525 M ilan ...... S85 Copenhagen ...... 6!0 Athens ...... 659 on M adrid ...... 625 Eurail passes from ...... 198 All fares Roundtrip from Boston. Tax not SERVICE CHARES included. Some restrictions apply. this STA TRAVEL We've been there. 6 7-76 - 4623 6S MAT. AUBURN STREET CAMBRIDGE, MA 02138 We need someone Ve'vll waive the service charges on your with the BayBank account over summer break. confidence ofa slureon. the dedication I SAVE MONEY. E Your account will be free ofa IE Il of all service charges marathoner during the summer as long as andthe you're not using your account. courage of a SAVE TIME. an eplor F. K Use your BayBank Card at anytime r and your account will automatically i be reactivated. There's no paperwork and no need to order new checks. We need a Peace Corps _ volunteer. Interested? E i IT'S EASY. The first step is easy. MI Just call 788-5000 anytime or stop by your Call 1-800-424-8580, Br Ext. 93. sME nearest BayBank office. E Xl PeaceCorps. a The toughest job you'll ever love. Rbam,MBan.k Aid's _, pa ------I ---I ILThis space donated by The Tech April 15, 1994 THE ARTS TUHTr rlWlfal DT.__ n A.. -...... LJ i1i n, ·.. n rage ' 0 NT S CRHEENE Emu -~--kk: Excellentfc cie for the staggering number of lowbrow ref- he was fired from his prestigious law firm historical drama about Oskar Schindler iain '/c'k.: Good erences, pratfalls, and sight gags, but nonethe- because of AIDS discrimination, and Denzel Neeson), who was responsible for saving the " xt Average less is a streamlined vehicle which can boast Washington is the homophobic lawyer that lives of more than a thousand Jews during the Poor more hits than misses. Sometimes the acting agrees to take his suit to court. The film's Holocaust. Shot almost entirely in black and appears more brainless than the plot, but power lies in its message, but at times it suf- white, the film takes you to the Poland of the "*/2 Above the Rim Nielsen's mannerisms and the effective pro- fers from Jonathan Demme's heavy-handed late 30s and early 40s. Neeson is great, care- This is an intriguing film that, like its char- duction values are appealing and transcendent direction, mistaking stilted sentiment for raw fully portraying the slow change from a man acters, overcomes many obstacles. With a plot of the material. For mindless entertainment,emotion. Still, the performances of Hanks, who only cares about money to one who cares that pits good against evil, it could have it's pretty impressive. -SD. Loews Cheri Washington, and a fine supporting cast carry only about saving lives. Ben Kingsley perfect- degenerated into a long, overwrought soap frmmjil^^the film to a near-triumphant conclusion. ly plays Itzhak Stern, Schindler's Jewish opera, but such is not the case. And while bas-HH lBB^ ^^^HH H-SD. Loews Copley Place accountant who cunningly sidesteps Nazi offi- ketball is one of the underlying themes in this cials. Ralph Fiennes portrays the unswerving- film, Above the Rim is not simply a collection- lial. yRalphAmon Goeth, the Commandant of the -.,. 0 Ji tubngnttes mFiallhrisatented OII-Finally, here is a twenty-something movie Nazi labor camp. Through Fiennes the audi- pitfalls,pfhihigtfls. director Isediror Jeff Pollack efPollack and theinto talented:-|W these with a message. Winona Ryder stars as a ence is able to witness the hatred, brutality, cast have created a powerful drama without~ - JlltR~l- '^SS~recent college graduate grappling with ques- and widespread death. Overall the movie is cliches. With its powerful themes, this may j tions of identity. Following her dream of mak- incredible powerful, and brings to light one of well be one of the finest films of the year.~~, ing documentary films, she interns with a tele- the darkest periods of human history. -Christopher Chiu. Cleveland Circle vision program and encounters a world of -Patrick Mahoney. Loews Copley Place dS-drof th In thee NameFather ~, Al* people too self-absorbed to pay much atten- *****In the Name of the Father^ tion to her efforts. She meets a nice TV execu- *:/2 Threesome Daniel Day-Lewis offers a riveting por- ,1 tive named Michael (Ben Stiller), doesn't fall Writer-Director Andrew Fleming tried to trayal of a young man named Gerry Conlon , in love, and is forced to choose between hav- create a film about college life but ends up who is convicted, along with friends and fami-j~fflH~jH ' ing fun with him and having a true connection with a weak look at the struggle of one con- ly, of an IRA bombing of a British pub in :* with her old friend Troy (Ethan Hawke). fused student who is trying to determine his 1974. The film addresses the grave injustice . Through all these trials, the movie still suc- sexual orientation. Eddy (Josh Charles) likes that the British government dealt the Conlons, Leslie Nielsen is Lt. Frank Drebin in ceeds as a comedy, full of crazy details and Stuart (Stephen Baldwin) who likes Alex but it uses the relationship in prison between Naked Gun 33113 witty one-liners. The actors' wonderful per- (Laura Flynn Boyle) who likes Eddy. The Gerry and his father Guiseppe (an excellent /formances, as well as insightful writing by film's premise, which finds Alex mistakenly Pete Postlethwaite) to carry the film's mes- Helen Childress and directing by Ben Stiller, placed as Eddy and Stuart's roommate, is sage of hope and redemption. Director Jim The Paper make this a very entertaining movie. overplayed in importance and only distracts Sheridan's pro-Irish bias provides an effective This day-in-the-life look at a New York -Gretchen Koot. Cleveland Circle from the initial presentation of the characters. retaliation against England's tendency to newspaper markets itself as a comedy, butOverall, the film would have been much better make Ireland a scapegoat for the IRA's credibly mixes elements of drama, mystery, ~r The Ref had Fleming either concentrated on the devel- actions. Quite simply, it ranks as one of the and even romance. It captures the occasional It isn't The Fugitive, but The Ref does opment of Eddy's character or on the interac- best films of 1993. -Scott Deskin. Loews hysteria of the newsroom, and the whole okay in its own right. Denis Leary plays a tion of all three characters. - PM. Loews Copley Place movie rushes forward as if in fear of the ever- man running from the law in this comedy by Harvard Square present deadline. When Michael Keaton, as Ted Demme. After goofing up a burglary, ~r 9c~ Naked Gun 331/3: The Final Insult the manic metro editor, faces off against man- Leary's character takes Caroline and Lloyd ~***t What's Eating Gilbert Grape This film was anticipated as a letdown but aging editor Glenn Close, sparks and stinging Chasseur (Judy Davis and Kevin Spacey) Bolstered by excellent performances by proves every bit as enjoyable as the first one-liners fly faster than newsy rumors. Under hostage while waiting for his escape. The film Leonardo DiCaprio, who received a Golden Naked Gun. Leslie Nielsen reprises his role as the masterful direction of Ron Howard, the covers two hours of Leary's attempts to stay Globe nomination for his role, and Johnny the inept Lt. Frank Drebin, but he has retired star-studded cast shows us how to laugh and on top of his predicament, despite visits from Depp, this film may be the most honest and from Police Squad to domestic bliss with his learn about life, just in time to get the news the couple's son and various in-laws. Both the original film of the year. Gilbert Grape (Depp) career-minded wife, Jane Spencer-Drebin out. -Ann Ames. Loews Cheri funny and the serious moments are well acted is plagued through much of the film by a nag- (Priscilla Presley). The plot, as transparent as by the whole cast. -Kamal Swamidoss. ging ambivalence to his problems. The ways ever, centers around a terrorist (Fred Ward), $r Philadelphia Loews Copley Place in which he eventually confronts these prob- his buxom accomplice (Anna Nicole Smith), Hollywood's film "about" AIDS is really lems, however, are so subtlety reached that and a scheme to neutralize the festivities at the about discrimination and human dignity. Tom ** Schindler's List the story can never be accused of plot manipu- Academy Awards. The film is merely a vehi- Hanks is the HIV-positive lawyer who alleges Director Steven Spielberg triumphs in this lation or cliche. -SD. Loews Copley Place AT MIT HIDAI",R E LECTURE IN NUCLEAR| %CA. TECHNOLOGY 6 kt~ %4 MIT Reactor .~~~Design NUCLEAR& U ENERGY IN A Co~tco I Plutonium Burning Wse let, XtBr ULGLOBAL CONTEXT MR1 / ^ ss^ \ Disposal| Desin A ^l€PROF. WTiOLF HAFEJLE DIRECTOR OF THE RESEARCH CENTER ROSSENDORWfDRESDEN, GERMANY I^--- N IB^~~~ /PROF. I I^~ ~ WOLF HAFELE |^ |^ /J L^^^IWed., April 20 4:00 p.m. I - | | Building 34, Room 101| Discover the Power of the Atom!, The Edgerton Lecture Hall NUCLEAR ENGINEERING (50 Vassar Street) } | HOUSE .. OPENOPEN HO S :i\Reception Immediately Following (free ice cream for freshmen) | Wed. April 20, NOON-4:00 Sponsored by the Nuclear Engineering T ^l~~~~~~~~ly~e...,a _,ono. §e tme--- , A p a..Nu Si_, Society I Page 10 THE TECH THE ARTS April 15, 1994 I~ !~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Q Music Charge at 482-6661, the Symphony Hall box Concert Hall, Music Building, Cambridge. concerning the music and travels of the blind office at 266-1492, or SymphonyCharge at The Annual Louis C. Elson Lecture, "Vari- man who sang and preached and played his CLASSICAL 266-1200. eties of the Raga Todi," by Prof. Harold S. guitar to a prominent place on the world stage, Harvard-Radcliffe Orchestra. Sanders Powers, Princeton U. April 15, 4 p.m. Con- spanning six generations, until his death in Theatre, Harvard University, Cambridge. Per- Zamir Chorale of Boston & The Zamir cert: South Indian Classical Music. Tanjore 1972. April 16, 8 p.m. Admission: $9. Infor- formance celebrating and commemorating Dr. Orchestra and Alumni Chorale. Tsai Perfor- Viswanathan, flute; Anduradha Mohan, vocal mation: 623-1806. James Yannatos' 30th anniversary as director mance Center, Boston University, 685 Com- support; Sriram Parasumaram, violin; and of the the HRO, with Joel Bard conducting. monwealth Avenue, Boston. A 25th Anniver- Ramnad Raghavan, mridangam. April 15, 8 Boston Center for the Arts. 551 Tremont Program: Berlioz, Yannatos, and Mous- sary Concert Gala, featuring Ernest Bloch's p.m. Admission for both events are free. Street, Room 406, South End, Boston. Come sorgsky. April 15, 8 p.m. Admission: Adults Sacred Service (Avodat HaKodesh). Joshua Information: 495-2791. Out, an evening of acoustic jazz and video $9/$10/$12, Students $5/$7/$9; available from Jacobson, director. April 17, 3 p.m. Admis- performance featuring the Relentless Compas- Sanders Theatre Box Office, located in the sion: $18 and $25. Tickets and information: Concert by Yothu Yindi. Somerville The- sion Orchestra. April 16, 8 p.m. Admission: basement of Memorial Hall. Information: 496- 965-6522. atre. 55 Davis Square, Somerville. Australia's $10 suggested donation. Information: 426- 2222. Yothu Yindi, with both Yolngu (aboriginal) 5000. Bank of Boston Celebrity Series. Sym- and Baland (non-aboriginal) musicians, offers 9 Bank of Boston Celebrity Series. New phony Hall, 301 Massachusetts Avenue, a fusion of contemporary dance music with Museum of Our National Heritage. 33 England Conservatory, Jordan Hall, 30 Gains- Boston. Bournemouth Symphony Orchestra: ancient song-cycles and traditional instrumen- Marrett Road, Lexington. Concert: The New borough Street, Boston. The third and final Andrew Litton, conductor; Yefim Bronfman, tation of their tribal homeland. Traditional Black Eagle Jazz Band plays traditional jazz. recital in the 1994 Emerging Artists Series: piano soloist. Program: Tippett, Walton, aboriginal dance is also worked into the con- April 17, 3 p.m. Admission: $14. Information: Daniel McKelway, clarinet; and Randall Rachmaninov, Tchaikovsky. April 19, 8 p.m. text of the performance. April 15, 8 p.m. 861-6559. Hodgkinson, piano. Program: Debussy, Dawe, Admission: $15-$25, available through Admission: $17.50; available at all Ticket- Bernstein, Stravinsky, Brahms. April 15, 8 CelebrityCharge at 482-6661, the Symphony Master outlets and at the Somerville Theatre A Little Night Music. Boston University p.m. Admission: $8.50 and $14.50, available Hall box office at 266-1492, or Symphony- box office. To charge tickets call World Theater, 264 Huntington Avenue, Boston. through CelebrityCharge at 482-6661, or the Charge at 266-1200. Music (876-9240) or TicketMaster (93!- Music and lyrics by Stephen Sondheim, Jordan Hall box office at 536-2412. 2000). Information: 876-9240. directed by Will Graham, conducted by David MIT Brass Ensemble. Harvard Memorial Choose, featuring Phyllis Curtin, Sharon p Berklee College of Music. The Mall at Chapel, Cambridge. Performance with the Concert by Ustad Ali Akbar Khan. Daniels and members of the Opera Institute. c Chestnut Hill, Route 9 & Hammond Parkway, NEC Brass. Call 253-9800 for further infor- Kresge Auditorium, 84 Massachusetts April 21-23, 8 p.m.; April 24, 2 p.m. Admis- n Chestnut Hill. Maggi Scott, piano and vocals; mation. Avenue, Cambridge. Sangam (Indian Stu- sion: $10; $5 for senior citizens, alumni and Dave Clark, bass; and Jo'.1 B2aboian, guitar. dents' Association at MIT) and Prabashi (The non-Boston University student; free with a c April 16, 2-4 p.m. Information: 965-3037. Advanced Music Placement Concert. Bengali Association of Boston) presents con- Boston University ID. Information: 353-3345. c Killian Hall, 14W-111, 160 Memorial Drive, cert by sarod maestro Ustad Ali Adbar Khan Balkan Voice Concert. Seully Hall, 8 The Cambridge. Jee-Hoon Yap G, piano. April 20, with Swapan Chaudhuri on tabla. April 16, 7 Fenway, Boston. Film Music groups Zornitza, noon. Information: 253-2906. p.m. Admission: $50 VIP reserved seats u Chestorka, and the Traditional Balkan Ensem- (includes post-concert reception), $25 French Library and Cultural Center, ble, conducted by Taiana Sarbinska will per- Boston Conservatory Orchestra. Seully reserved seats, $15 general, $10 for students, Cine Club. 53 Marlborough Street, Boston. form. April 16, 3 p.m. Free admission. Infor- Hall, 8 The Fenway, Boston. Ronald Feldman, $8 Sangam members. Information: Sankar April 15-17: Gervaise (directed by Rene mation: 536-6340. director. Program includes Tchaikovsky's Sunder, 253-2440; Jayant Kumar, 225-9480; Clement, 1956). Taken from L 'Assommoir, "a Symphony No. 5. April 20, 8 p.m. Free admis- Rizwan Koita, 494-1532. perfect version of a polished adaptation of a Bank of Boston Celebrity Series. New sion. Information: 536-6340. novel" with a marvelous reconstruction of England Conservatory, Jordan Hall, 30 Gains- "Music and Dance of Bali" by Gainelan 19th-century Paris. Fri.-Sun., 8 p.m. Admis- K h borough Street, Boston. Pianist Rachel MIT Chapel Concert Series. MIT Chapel Sekar Jaya, Artists-in-Residence at MIT. sion: $5, $4 for members. April 20: Champ k Franklin. Program includes Bach, Liszt, (opposite 77 Mass. Ave.), Cambridge. Silvia Known as "the finest Balinese gamelan d'Honneur (directed by Jean-Pierre Denis, V- Chopin, Bartok, and Zarebski. April 16, 8 Castanos, guitar, and Leonor Eugenia Con- orchestra outside of Bali," the Bay Area's 1987). A recent anti-war film in the spirit and th p.m. Admission: $6.50 and $8.50, available' set in the period of Zola, the Franco-Prussian Pi- through CelebrityCharge at 482-6661, or the War, about a peasant boy who volunteers to Jordan Hall box office at 536-2412. fight in place of a rich man's son. Wed., 1:30 p.m. Free admission. Information: 266-4351. Vt Harvard University. Paine Hall, Cam- c bridge. Pianist Robert Tumarkin, solo concert. Brattle Theater, 40 Brattle Street, Har- Program includes Chopin, Scarlatti, vard Square, Cambridge. is Mendelssohn, Rachmaninoff, Scriabin, and April 15-24: Savage Nights (directed by Prokofiev. April 16, 8 p.m. a- Free admission. Cyrl1 Collarl, 17972) A11 uIlMicnhing portrait 21 Information: 924-1905. . of reckless youth in the age of AIDS amidst a. Longy School of Music. All events are at underground Paris in the mid-1980s. Fri.- IF the Edward Pickman Concert Hall, 27 Garden Sun., Mon.-Thurs. (2:40, 5, 7:30, and 10 p.m.; Street, Cambridge (except where noted). Sat. & Sun. matinees 12:15 p.m.). Admission: Informatio-.. 876-0956. $6 (Fri.-Sun.), $5.50 weekdays; $4 for Brattle Longy Faculty Artist Series. Mark Good- members; $3 for seniors/children under 12. man, piano. Program: Haydn, Schubert, Mes- Information: 876-6837. siaen, and Liszt. April 16, 8 p.m. Free. Early Music Sunday. Wolfinsohn Room, Coolidge Corner Theatre, 290 Harvard Longy School of Music, One Follen Street, Street, Brookline. Cambridge. Students from Longy's Early April 15 (Opening): Fly By Music Department. Night (directed April i7, 4 p.m. Free. by Steve Gomer, 1993). Winner of Filmmak- Master of Music Recital. Lisa Willems, ers Trophy Award at !993 SImdac, Fil, harpsichord. Program: Buxtehude, Froberger, Festival. Story Louis Couperin, of aspiring rappers dealing Francois Coupcrin, and Bach. with urban pressures in New York April 18, 8 p.m. Free. City. Lim- with Gamelan Sekar Jaya on April 21. ited run. Admission: TBA. Information: 734- Artist Diploma Recital. O!ga Ponomario- T 2501. i br va, cello. April 20, 8 p.m. Free. vers. Works of Brouwer, Lauro, and Piazzolla. Gamelan Sekar Jaya has developed an interna- Longy Faculty Artist Series. Thomas April 21, i T noon. Information: 253-2906. tional reputation for their dedication to the 1 Noren, guitar. Museum of Fine Arts, 465 Huntington 2. Program: Bach, Daniel enchanting, exuberant music of the Balinese Avenue, Boston. Pinkams, David Leisner, de Edino Krieger, Lou Federal Reserve Bank of Boston, Mid- tradition, featuring an exotic performance All Films screened Harrison. April 21, 8 p.m. Free. in Remis Auditorium. day Performance Series. Bank Auditorium, from thirty musicians and dancers. Unless otherwise noted, admission: $6.50, i 600 Atlantic Avenue, Boston (across from 1) "An Introduction to Balinese Music." Berklee College of Music. $5.50 for MFA members/students/seniors. I The Mall at South Station). The American Music Ensem- Lecture-demonstration. April 19, 2-3:30 p.m. Information: 267-9300. Chestnut Hill, Route 9 & Hammond Parkway, ble (Stephen Andre, director), will explore the Open Rehearsal. April 20, 10 a.m.-noon. , Chestnut Hill. Orville Wright, piano; Sherma diverse cultural and ethnic influences in the "Balinese Drumming and Dance Trad- 1) 1916-49, Feyder, L'Herbier, Dreyer, A Andrews, vocals; and Winston Maccow, t bass. American music tradition through music and tions." Philippe Villers Experimental Media Vigo, Becker, and others. In the opening pro- April 17, 2-4 p.m. Information: 965-3037. dance. April 21, 12:30 p.m. Free. Information: fc Facility ("The Cube"), 20 Ames Street, Cam- grams, pianist Bob Winter will accompany on fc 973-3453. bridge. Lecture-demonstration. April 21, 2- piano some of the. classics Boston Conservatory Chamber Ensem- of the French silent 3:30 p.m. Information: 253-4003. era. The series then proceeds to films from the ble. First and Second Church, 66 Marlbor- Boston Conservatory. Boston Conserva- 2) Concert: Gamelan Sekar Jaya with 30's and 40's, including a doublebill of rarely ir ough Street, Boston. Michael Lewin, artistic tory Theater, Concert Room, Boston. Oscar MIT's Gamelan Galak Tika. This outdoor shown director. Program: films by Jacques Becker. Admission: St Poulenc, Randall Woolfs Ghiglia, guitar: Masterclass. April 21, 7-10 performance marks the beginning of the double Pink (World features $9, $10. Sr premiere, Chamber Ensemble p.m. Free admission. Information: 536-6340. group's 15th anniversary tour. Featuring new April 15: Commission), and Brahms. April 17, 4 p.m. El Dorado by Marcel L'Herbier &r works for gamelan by I Nyoman Windha and (1921, 91 min.); Fri., 6 p.m. The Admission: Boston Passion of f2 $10, $7 for students/seniors; tick- Symphony Orchestra. Symphony Michael Tenzer, and a new work for gamelan Joan of Arc by Carl T. Dreyer ets and reservations available through box Hall, (1928, 98 (I 301 Massachusetts Avenue, Boston. The and electric guitars by MIT composer Evan min.); Fri., 7:45 p.m. Pianist Bob Winter office, 536-3063. Information: 536-6340. BSO, led by Dutch conductor Bernard Hait- Ziporyn. April 21, 6 p.m. Information: 253- accompanies. nuk, will premiere British 6- composer Mark 4003. April 21: Dainah la Metisse Bank of Boston Celebrity Series. Sym- Anthony Turnage's "Some Days," by Jean featuring Gremillion (1931, 48 min.) and phony Hall, 301 Massachusetts Avenue, mezzo-soprano Cynthai Clarey Zero for Con- c in her Boston POPULAR duct (1933, 42 min.); Thurs., 5:45 p.m. Three Boston. Academy of St. Martin in the Fields. Symphony debut. Also will feature Britten's Playground, Come Out. Boston Center for films by Jean Vigo-A Propos de Nice (1930, u Kenneth Sillito, director. The ensemble, Four Sea Interludes and Brahm's Symnphony the Arts, 539 Tremont Street, Room 406, 11 min.), Taris et la Natation (1932, 10 min.), p founded in 1959 by Sir Neville Marriner, has No. 1. April 21, 8 p.m.; April 22, 1:30 p.m; South End, Boston. An evening of acoustic and L'Atalante (1934, 89 min.); Thurs., 7:45 w played to worldwide success and has over 800 April 23, 8 p.m.; and April 26, 7:30 p.m. jazz and video performance featuring The p.m. Y Rehearsal of recordings to its credit, including soundtrack the program will be on Wednes- Relentless Compassion Orchestra. April 16, 8 April day, April 20, 7:30 p.m., 22: Antoine et Antoinette by Jacques contributions for the film Amadeus. Program: with a pre-rehearsal p.m. Admission: $10 suggested donation. Becker (1947, 87 min.); talk in Symphony Hall at 6:30 Fri., 6 p.m. Rendez- Mozart, Bartok, Sibelius, and Tchaikovsky. p.m. Admis- Information: 426-5000 vous de Juillet Fi sion: Rehearsal, $1!1; by Jacques Becker (1949, 95 e Perform ance will be preceded by a lecture. Other performances, min.); Fri., 8 p.m. F--- held in Symphony Hall's Cohen Annex, co- $20-$57. Information: 266-1492. Folk Song Society of Greater Boston. sponsored by WBUR-FM. April 17, 2 p.m. First Parish Church, 35 Church Street, Water- WORLD 2) April 16: Judex (1917, 317 min.). Fol- B- (lecture) and 3 p.m. (performance). Admis- town. Andy Cohen, performing his "Life and lowing the extremely sucessful Les Vampires, sion: $25-$28, available through Celebrity- Harvard University. John Knowles Paine Times of the Reverend Gary Davis," a show Louis Feuillade's Judex is the adventure tale C