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Innovative Approaches to Melodic Elaboration in Contemporary Tabuh Kreasibaru
INNOVATIVE APPROACHES TO MELODIC ELABORATION IN CONTEMPORARY TABUH KREASIBARU by PETER MICHAEL STEELE B.A., Pitzer College, 2003 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Music) THE UNIVERSITY OF BRITISH COLUMBIA August 2007 © Peter Michael Steele, 2007 ABSTRACT The following thesis has two goals. The first is to present a comparison of recent theories of Balinese music, specifically with regard to techniques of melodic elaboration. By comparing the work of Wayan Rai, Made Bandem, Wayne Vitale, and Michael Tenzer, I will investigate how various scholars choose to conceptualize melodic elaboration in modern genres of Balinese gamelan. The second goal is to illustrate the varying degrees to which contemporary composers in the form known as Tabuh Kreasi are expanding this musical vocabulary. In particular I will examine their innovative approaches to melodic elaboration. Analysis of several examples will illustrate how some composers utilize and distort standard compositional techniques in an effort to challenge listeners' expectations while still adhering to indigenous concepts of balance and flow. The discussion is preceded by a critical reevaluation of the function and application of the western musicological terms polyphony and heterophony. ii TABLE OF CONTENTS Abstract ii Table of Contents : iii List of Tables .... '. iv List of Figures ' v Acknowledgements vi CHAPTER 1 Introduction and Methodology • • • • • :•-1 Background : 1 Analysis: Some Recent Thoughts 4 CHAPTER 2 Many or just Different?: A Lesson in Categorical Cacophony 11 Polyphony Now and Then 12 Heterophony... what is it, exactly? 17 CHAPTER 3 Historical and Theoretical Contexts 20 Introduction 20 Melodic Elaboration in History, Theory and Process ..' 22 Abstraction and Elaboration 32 Elaboration Types 36 Constructing Elaborations 44 Issues of "Feeling". -
Guide to the Papers of the Capri Community Film Society
Capri Community Film Society Papers Guide to the Papers of the Capri Community Film Society Auburn University at Montgomery Archives and Special Collections © AUM Library Written By: Rickey Best & Jason Kneip Last Updated: 2/19/2008 TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2-3 Index Terms 3 Agency History 3-4 1 of 64 Capri Community Film Society Papers Scope and Content 5 Arrangement 5-10 Inventory 10- Collection Summary Creator: Capri Community Film Society Title: Capri Community Film Society Papers Dates: 1983-present Quantity: 6 boxes; 6.0 cu. Ft. Identification: 92/2 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Capri Community Film Society Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: The collection began with an initial transfer on September 19, 1991. A second donation occurred in February, 1995. Since then, regular donations of papers occur on a yearly basis. Processed By: Jermaine Carstarphen, Student Assistant & Rickey Best, Archivist/Special Collections Librarian (1993); Jason Kneip, Archives/Special Collections Librarian. Samantha McNeilly, Archives/Special Collections Assistant. 2 of 64 Capri Community Film Society Papers Restrictions Restrictions on access: Access to membership files is closed for 25 years from date of donation. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. Index Terms The material is indexed under the following headings in the Auburn University at Montgomery’s Library catalogs – online and offline. -
Ohio, the Commencement Was Strange,” Said Louis Gol- Speaker Richard Poutney Advised Phin, Who Lives Next Door
SPORTS MENU TIPS Cadillac show to be held Kid’s Corner Arts Center to present a Cotton Ball The Cadillac LaSalle Club will be hosting the Foluke Cultural Arts Center, Inc. will present it’s “Legacy of Cadillac” show on Sunday, august 19 from 10:00 Ronette Kendell Bell-Moore, first Cotton Ball, (dinner dance) on Saturday, July 28 at Ivy’s Raynell Williams Turn Your Picnic a.m. until 4:00 p.m. at Legacy Village, at the corner of Rich- who is two and a half years old and Catering at GreenMont, 800 S. Green Road from 9 p.m. - 2 mond and Cedar Roads in Lyndhurst. The show is a free, fam- a.m. The attire is casual summer white and tickets are $20.00 Wins Boxing Title Into A Party the daughter of Kendall Moore and ily friendly event. Fins, food, fashions and fun will rule as Jemonica Bell. Her favorite food is in advance and $25.00 the day of the event. A free cruise will be given away as a door prixze. Winner must be present. over 100 classic Cadillacs of all years and types will compete cheese and watermelon. Her favorite for trophies to be awarded at 3:00 p.m. This will be the largest Proceeds benefit Arts Center programming for children and See Page 6 See Page 7 and most prestigious gathering of important Cadillacs in seven toy and character is Dora. She has a youth in need. For information, please refer to www.foluke- states. For information, call Chris Axelrod, (216) 451-2161. -
1,000 Films to See Before You Die Published in the Guardian, June 2007
1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation. -
BCN 205 Woodland Park No.261 Georgetown, TX 78633 September-October 2011
BCN 205 Woodland Park no.261 Georgetown, TX 78633 september-october 2011 FIRST CLASS MAIL Olde Prints BCN on the web at www.boxingcollectors.com The number on your label is the last issue of your subscription PLEASE VISIT OUR WEBSITE AT WWW.HEAVYWEIGHTCOLLECTIBLES.COM FOR RARE, HARD-TO-FIND BOXING ITEMS SUCH AS, POSTERS, AUTOGRAPHS, VINTAGE PHOTOS, MISCELLANEOUS ITEMS, ETC. WE ARE ALWAYS LOOKING TO PURCHASE UNIQUE ITEMS. PLEASE CONTACT LOU MANFRA AT 718-979-9556 OR EMAIL US AT [email protected] 16 1 JO SPORTS, INC. BOXING SALE Les Wolff, LLC 20 Muhammad Ali Complete Sports Illustrated 35th Anniver- VISIT OUR WEBSITE: sary from 1989 autographed on the cover Muhammad Ali www.josportsinc.com Memorabilia and Cassius Clay underneath. Recent autographs. Beautiful Thousands Of Boxing Items For Sale! autographs. $500 BOXING ITEMS FOR SALE: 21 Muhammad Ali/Ken Norton 9/28/76 MSG Full Unused 1. MUHAMMAD ALI EXHIBITION PROGRAM: 1 Jack Johnson 8”x10” BxW photo autographed while Cham- Ticket to there Fight autographed $750 8/24/1972, Baltimore, VG-EX, RARE-Not Seen Be- pion Rare Boxing pose with PSA and JSA plus LWA letters. 22 Muhammad Ali vs. Lyle Alzado fi ght program for there exhi- fore.$800.00 True one of a kind and only the second one I have ever had in bition fi ght $150 2. ALI-LISTON II PRESS KIT: 5/25/1965, Championship boxing pose. $7,500 23 Muhammad Ali vs. Ken Norton 9/28/76 Yankee Stadium Rematch, EX.$350.00 2 Jack Johnson 3x5 paper autographed in pencil yours truly program $125 3. -
Temu Wicara Bali: a Celebration of Balinese Performing Arts in Honor of the Twentieth Anniversary of Gamelan at Colorado College
The Colorado College Music Department presents Temu Wicara Bali: A Celebration of Balinese Performing Arts in honor of the twentieth anniversary of Gamelan at Colorado College featuring Gamelan Tunjung Sari and Gamelan Santi Suara (Colorado College) Gamelan Candra Wyoga (University of Wyoming) Gamelan Genta Kencana (University of Colorado at Boulder) Gamelan Krama Bali (Balinese Community) Gamelan Manik Kusuma (Metropolitan State University of Denver) Gamelan Tunas Mekar (Denver) The Bowed Piano Ensemble (Colorado College) I Made Lasmawan and Victoria Lindsay Levine, Directors Ni Ketut Marni, Director of Dance May 4, 2013 Packard Hall ACKNOWLEDGMENTS For their good work in helping to produce this event, we thank: Stormy Burns, Cathe Bailie, and Neil Hesse from the Colorado College Music Department Jennifer Kulier and Leslie Weddell from Colorado College Communications Dan Wiencek, Colorado College Information Management Bob Winkelblech and Nolan Keale, Colorado College Facilities Services Mary Ellen Davis, Noel Black, and Delaney Utterbeck from KRCC Radio Bon Appétit Catering Our celebration was made possible by generous funding from the following sponsors: Colorado College Asian Studies Program Colorado College Music Department Colorado College Theatre and Dance Department Colorado College Cultural Attractions Colorado College President’s Office The Christine S. Johnson Professorship The National Endowment for the Humanities Professorship The Colorado Springs Independent The College of Music, University of Colorado at Boulder The Indonesian performing arts program at Colorado College was founded in 1992 by Professor Victoria Lindsay Levine, who imported the gamelan angklung and gamelan gender wayang from Bali with funds from the John D. and Catherine T. MacArthur Professorship and the departments of Music and Asian Studies. -
Bali 1928: Gamelan Gong Kebyar Music from Belaluan, Pangkung
Bali 1928: Gamelan Gong Kebyar Music from Belaluan, Pangkung, Busungbiu 2 Introduction 6 A Sketch of the Time Period of these Recordings 11 Emergence of Kebyar 29 The Balinese Gamelan Recordings from Bali, 1928: a track–by–track discussion: 33 Gamelan Gong Kebyar of Belaluan, Denpasar 46 Gamelan Gong Kebyar of Pangkung, Tabanan 50 Gamelan Gong Kebyar of Busungbiu, Northwest Bali 57 List of Silent Archival Films 58 Acknowledgments 61 References Cited and Further Readings * Glossary on Separate PDF File1 1 The spellings in this article follow modernized Balinese orthography of dictionaries such as Kamus Bali Indonesia, by I Nengah Medera et.al. (1990). Although this system was proposed as early as 1972 it has been applied irregularly in writings on the arts, but we have chosen to adhere to it so as to reflect a closer relationship to actual Balinese aksara ‘letters of the alphabet, language’. For instance, many words with prefixes frequently spelled pe or peng are spelled here with the prefixes pa and pang. 1 Introduction These historic recordings were made in 1928 as part of a collection of the first and only commercially–released recordings of music made in Bali prior to World War II. This diverse sampling of new and older Balinese styles appeared on 78 rpm discs in 1929 with subsequent releases for international distribution. The records were sold worldwide (or not sold, as it happened) and quickly went out of print. It was a crucial time in the island’s musical history as Bali was in the midst of an artistic revolution with kebyar as the new dominant style of music. -
Like Someone in Love
1 MK2 & Eurospace present A film by Abbas Kiarostami INTERNATIONAL PRESS INTERNATIONAL SALES Vanessa Jerrom & Claire Vorger MK2 11 rue du Marché Saint-Honoré - 75001 Paris (France) 55 rue Traversière - 75012 Paris (France) Email: [email protected] Juliette Schrameck - [email protected] Cell: +33 6 14 83 88 82 (Vanessa Jerrom) Dorothée Pfistner - [email protected] Cell: +33 6 20 10 40 56 (Claire Vorger) Victoire Thevenin - [email protected] In Cannes : Five Hotel 1 rue Notre-Dame - 06400 Cannes France Photos and presskit can be downloaded on www.mk2pro.com 2 3 synopsis An old man and a young woman meet in Tokyo. She knows nothing about him, he thinks he knows her. He welcomes her into his home, she offers him her body. But the web that is woven between them in the space of twenty-four hours bears no relation to the circumstances of their encounter. 4 5 new awakening Without doubt, there was an underlying sense of gnawing depravity that surfaced in Certified Copy and took me by surprise. I was sure that I already had a good understanding of the work of this film-maker that I have been lucky enough to come across so often in the past 25 years. So I was not expecting his latest film to outstrip the already high opinion I have of his work. Some people like to feel that they can describe and pigeonhole his films as ‘pseudo-simplistic modernism’. But Abbas’ films have never failed to surprise and now here, not for the first time, is a new wake-up call, for me, and I am sure many others. -
San Diego Public Library New Additions June 2009
San Diego Public Library New Additions June 2009 Adult Materials 000 - Computer Science and Generalities California Room 100 - Philosophy & Psychology CD-ROMs 200 - Religion Compact Discs 300 - Social Sciences DVD Videos/Videocassettes 400 - Language eAudiobooks & eBooks 500 - Science Fiction 600 - Technology Foreign Languages 700 - Art Genealogy Room 800 - Literature Graphic Novels 900 - Geography & History Large Print Audiocassettes Newspaper Room Audiovisual Materials Biographies Fiction Call # Author Title FIC/ABRAMS Abrams, Douglas Carlton. The lost diary of Don Juan FIC/ADDIEGO Addiego, John. The islands of divine music FIC/ADLER Adler, H. G. The journey : a novel FIC/AGEE Agee, James, 1909-1955. A death in the family [MYST] FIC/ALBERT Albert, Susan Wittig. The tale of Briar Bank : the cottage tales of Beatrix Potter FIC/ALBOM Albom, Mitch, 1958- The five people you meet in heaven FIC/ALCOTT Alcott, Louisa May The inheritance FIC/ALLBEURY Allbeury, Ted. Deadly departures FIC/AMBLER Ambler, Eric, 1909-1998. A coffin for Dimitrios FIC/AMIS Amis, Kingsley. Lucky Jim FIC/ARCHER Archer, Jeffrey, 1940- A prisoner of birth [MYST] FIC/ARRUDA Arruda, Suzanne Middendorf The leopard's prey : a Jade del Cameron mystery [MYST] FIC/ASHFORD Ashford, Jeffrey, 1926- A dangerous friendship [MYST] FIC/ATHERTON Atherton, Nancy. Aunt Dimity slays the dragon FIC/ATKINS Atkins, Charles. Ashes, ashes [MYST] FIC/ATKINSON Atkinson, Kate. When will there be good news? : a novel FIC/AUSTEN Austen, Jane, 1775-1817. Emma FIC/BAGGOTT Baggott, Julianna. Girl talk [MYST] FIC/BAIN Bain, Donald, 1935- A slaying in Savannah : a Murder, she wrote mystery, a novel [MYST] FIC/BAIN Bain, Donald, 1935- A vote for murder : a Murder, she wrote mystery : a novel [MYST] FIC/BAIN Bain, Donald, 1935- Margaritas & murder : a Murder, she wrote mystery : a novel FIC/BAKER Baker, Kage. -
Index to Volume 29 January to December 2019 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard -
Performing Indonesia a Conference and Festival of Music, Dance, and Drama
Performing Indonesia a conference and festival of music, dance, and drama October 31−November 3, 2013 Freer Gallery of Art, Arthur M. Sackler Gallery, and S. Dillon Ripley Center, Smithsonian Institution A joint presentation of the Embassy of the Republic of Indonesia in Washington, D.C., and the Freer and Sackler Galleries, Smithsonian Institution Embassy of the Republic of Indonesia in Washington, D.C. H.E. Dr. Dino Patti Djalal, Ambassador of the Republic of Indonesia to the United States of America Freer Gallery of Art and Arthur M. Sackler Gallery Smithsonian Institution Julian Raby, The Dame Jillian Sackler Director of the Arthur M. Sackler Gallery and Freer Gallery of Art Performing Indonesia: A Conference and Festival of Music, Dance, and Drama steering committee Sumarsam, University Professor of Music, Wesleyan University Andrew McGraw, Associate Professor of Music, University of Richmond Haryo Winarso, Attaché for National Education, Embassy of the Republic of Indonesia Michael Wilpers, Manager of Public Programs, Freer and Sackler Galleries Ministry of The Embassy of the Education and Culture Republic of Indonesia, Republic of Indonesia Washington, D.C. Performing Indonesia a conference and festival of music, dance, and drama October 31−November 3, 2013 Schedule evening concerts conference International Gallery, S. Dillon Ripley Center Indonesian Music: Past and Present Javanese Shadow-Play: Hanoman on Fire* Keynote Address Thursday, October 31, 7:30 pm Traditional Performing Arts of Indonesia Javanese Dance and Gamelan from Yogyakarta* in a Globalizing World Friday, November 1, 7:30 pm Sumarsam Saturday, November 2, 11 am Musicians and Dancers of Bali* Freer, Meyer Auditorium Saturday, November 2, 7:30 pm Session 1 Traditional Theater and Dance from Sumatra* Perspectives on Traditional Repertoires Sunday, November 3, 7:30 pm Friday, November 1, 2–5:30 pm gamelan marathon S. -
The Byar: an Ethnographic and Empirical Study of a Balinese Musical Moment
The Byar: An Ethnographic and Empirical Study of a Balinese Musical Moment Andy McGraw with Christine Kohnen INTRODUCTION HE repertoire of the Balinese gamelan gong kebyar ensemble (see Tenzer 2000 and the T glossary provided in Appendix A) is marked by virtuosic, unmetered tutti passages, referred to as kebyar, that often introduce pieces or function as transitions within compositions. The kebyar itself often begins with a sudden, fortissimo byar, a single, tutti chord that is performed by the majority of the ensemble.1 The sheer virtuosity and power of this famous repertoire is encapsulated in the expert execution of a byar, in which twenty to thirty musicians, without the aid of notation, a conductor, or beat entrainment, synchronize to produce a shockingly precise and loud eruption of sound. During several fieldwork sessions in Bali over the past decade, McGraw has occasionally heard expert performers and composers claim that they could identify regional ensembles simply by hearing them perform a single byar. Several informants suggested that the relative temporal alignment of instrumental onsets was the primary distinguishing characteristic of a byar. This would be the equivalent to being able to identify symphony orchestras by hearing, for example, only the first sforzando chord of Beethoven’s Eroica Symphony. This paper concerns the expression and recognition of group identity as conveyed through performance and listening. Is the temporal structuring of an ensemble’s byar indicative of their musical identity? What is the minimal temporal scale of the expression of such identity? If such differences are not empirically evident or statistically significant, what implications does this have for Balinese conceptions of musical identity? What does this approach reveal about Balinese and non-Balinese listening habits and abilities and how they overlap or diverge? Because these questions are extremely complex we have limited our investigation to the smallest building block of the kebyar repertoire: the musical moment of the byar.