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KEKEMBANGAN by I Nyoman Windha & Evan Ziporyn for Balinese Gamelan Gong Kebyar and Saxophone Quartet (Alto, Alto, Tenor/Soprano, Baritone)

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KEKEMBANGAN by I Nyoman Windha & Evan Ziporyn for Balinese Gamelan Gong Kebyar and Saxophone Quartet (Alto, Alto, Tenor/Soprano, Baritone) KEKEMBANGAN by I Nyoman Windha & Evan Ziporyn for Balinese gamelan gong kebyar and saxophone quartet (alto, alto, tenor/soprano, baritone) ©2020 Airplane Ears Music (ASCAP) KEKEMBANGAN by I Nyoman Windha & Evan Ziporyn Balinese gamelan gong kebyar and saxophone quartet @16 minutes INSTRUMENTATION Saxophone quartet (alto, alto, tenor/soprano, baritone) Balinese gamelan gong kebyar including: gangsa kantil (4 players, minimum 2) gangsa pemadé (4 players, minimum 2) ngiin (ugal – can also be played by lead gangsa pemadé) reong (4 players) 2 jublag (can be doubled on penyacah) 2 jegogan ceng-ceng 2 kendang (lanang and wadon – kebyar style preferred) 3 gongs (agung – kempur – kemong) 3 single kopyak cymbals, struck with panggul (played by middle reong & ceng-ceng) 1 babendi-style gong (played by bottom reong) PROGRAM NOTES: Kekembangan (1990) is based on I Nyoman Windha’s Kembang Pencak, a piece for Balinese gong kebyar which accompanies choreography by I Nyoman Catra. Kembang Pencak was based in both movement and sound on pencak silat, a Balinese martial art. For Kekembangan Ziporyn and Windha replaced the dancer/singers with saxophone quartet. The original piece is played in its entirety, overlaid with new material, and with certain sections (notably Part Four) expanded. It was premiered in April 1990 in Berkeley, California by Gamelan Sekar Jaya with saxophonists Randy McKean, Chris Jonas, Evan Ziporyn, and Dan Plonsey. It was performed two months later at the Cowell Theater in San Francisco, and then not performed again until October 2019, when Kurt Doles revived it for the Bowling Green Festival of New Music. Kekembangan Evan Ziporyn & I Nyoman Windha q = 152 # Alto Saxophone 1 ° ## # # 4 3 6 4 & # # 4 ∑ ∑ 8 ∑ 4 ∑ 4 # Alto Saxophone 2 # # 4 3 6 4 & # ## # 4 ∑ ∑ 8 ∑ 4 4 # Tenor Saxophone # # 4 3 6 4 & # ## 4 ∑ ∑ 8 ∑ 4 4 # # Baritone Saxophone # #### 4 ∑ ∑ 3 ∑ 6 4 ¢& 4 8 4 4 # Gangsa # 4 3 6 œ. 4 & # # 4 8 4 ∑ œ ≈ œ ≈ œ 4 { ∑ ∑ ∑ ff # œ œ œ Reong Sangsih # 4 œ œ œ 3 œ 6 œ œ œ œ. œ œ 4 & # # 4 œ œ œ œ œ œ œ ‰ œ ‰ œ 8 œ œ 4 œ œ œ ≈ ≈ œ ≈ 4 { ff # # Reong Polos # # 4 œ ‰ œ ‰ œ Œ œ 3 œ 6 œ ‰ œ œ ‰ œ œ ≈ œ œ œ ‰. œ ≈ œ ≈ œ 4 {& 4 œ œ œ œ œ œ œ œ œ 8 œ œ 4 œ œ 4 # Jublag ## # 4 3 6 4 {& 4 ∑ ∑ 8 ∑ 4 ∑ 4 # Jegogan ° # 4 3 6 4 & # # 4 ∑ ∑ 8 ∑ 4 ∑ 4 Ceng-ceng 4 3 6 ≈ ≈ 4 / 4 ∑ ∑ 8 ∑ 4 ∑ œ. œ œ œ 4 ff Kopyak 4 3 6 4 / 4 ∑ ∑ 8 ∑ 4 ∑ 4 Kendang Composite 4 3 6 4 / 4 ∑ ∑ 8 ∑ 4 ∑ œ. œ œ œ œ 4 ff Kendang Lanang 4 3 6 ∑ œ œ. œ 4 Kendang Wadon / 4 8 4 4 ff ‰. œ ≈ œ. Gongs 4 ∑ ∑ 3 ∑ 6 ∑ 4 ¢ / 4 8 4 4 ©2019, Airplane Ears Music (ASCAP) 98 Kekembangan 436 Alt1 ° # # # #œ nœ œ œ œ & # ## #œ œ œ œ œ œ œ #œ œ œ œ w ppp Alt2 # # # & # ## #œ œ #œ œ nœ nœ œ œ w #œ œ œ -œ nœ #œ œ œ # # Sop. Sax. & # ## #œ œ #œ œ nœ nœ œ œ w #œ œ œ -œ œ #œ œ œ # # w w Bari # ### w ¢& # # 2 Gsa # ∑ {& • # # ReSa # ∑ {& ‘ ‘ # # RePo # ∑ {& ‘ ‘ # # Jub # . ∑ {& ˙ œ œ œ œ œ # # Jeg ° # . ∑ & w ˙ œ CC2 / œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ∑ Kop / ∑ ∑ ∑ Kdg Com / œ Œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ∑ Lan Œ . Wad œ œ œ œ œ œ œ œ œ œ œ œ œ ∑ / Ó ‰ œ œ. œ œ œ œ. œ œ œ œ. œ 2 Gongs ¢ / • w.
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