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1118 Program Notes for Gamelan Galak Tika Program Notes for Gamelan Galak Tika BIOS Evan Ziporyn Evan Ziporyn (b. 1959, Chicago) makes music at the crossroads between genres and cultures, east and west. He studied at Eastman, Yale & UC Berkeley with Joseph Schwantner, Martin Bresnick, & Gerard Grisey. He first traveled to Bali in 1981, studying with Madé Lebah, Colin McPhee's 1930s musical informant. He returned on a Fulbright in 1987. Earlier that year, he performed a clarinet solo at the First Bang on a Can Marathon in New York. His involvement with BOAC continued for 25 years: in 1992 he co-founded the Bang on a Can All-stars (Musical America's 2005 Ensemble of the Year), with whom he toured the globe and premiered over 100 commissioned works, collaborating with Nik Bartsch, Iva Bittova, Don Byron, Ornette Coleman, Brian Eno, Philip Glass, Meredith Monk, Thurston Moore, Terry Riley and Tan Dun. He co-produced their seminal 1996 recording of Brian Eno's Music for Airports, as well as their most recent CD, Big Beautiful Dark & Scary (2012). Ziporyn joined the MIT faculty in 1990, founding Gamelan Galak Tika there in 1993, and beginning a series of groundbreaking compositions for gamelan & western instruments. These include three evening-length works, 2001's ShadowBang, 2004'sOedipus Rex (Robert Woodruff, director), and 2009's A House in Bali, an opera which joins western singers with Balinese traditional performers, and the All-stars with a full gamelan. It received its world premiere in Bali that summer and its New York premiere at BAM Next Wave in October 2010. As a clarinetist, Ziporyn recorded the definitive version of Steve Reich's multi-clarinet NY Counterpoint in 1996, sharing in that ensemble's Grammy in 1998. In 2001 his solo clarinet CD, This is Not A Clarinet, made Top Ten lists across the country. His compositions have been commissioned by Yo-Yo Ma's Silk Road, Kronos Quartet, American Composers Orchestra, Maya Beiser, So Percussion, Wu Man, and the Boston Modern Orchestra Project, with whom he recorded his most recent CD, Big Grenadilla/Mumbai (2012). His honors include awards from the Massachusetts Cultural Council (2011), The Herb Alpert Foundation (2011), USA Artists Walker Fellowship (2007), MIT's Kepes Prize (2006), the American Academy of Arts and Letters Goddard Lieberson Fellowship (2004), as well as commissions from Meet the Composer/Commissioning Music USA and the Rockefeller MAP Fund. Recordings of his works have been been released on Cantaloupe, Sony Classical, New Albion, New World, Koch, Naxos, Innova, and CRI. He is Kenan Sahin Distinguished Professor of Music at MIT. He also serves as Head of Music and Theater Arts, and this year was appointed Inaugural Director of MIT's new Center for Art Science and Technology. He lives in Lexington, Massachusetts with Christine Southworth, and has two children, Leonardo (19) and Ava (12). ABOUT GAMELAN GALAK TIKA Gamelan Galak Tika has been at the forefront of innovative, cross-cultural music for Balinese gamelan since 1993. Led by composer Evan Ziporyn, Galak Tika has performed groundbreaking music at Carnegie Hall, Lincoln Center, BAM, several Bang on a Can Marathons, Southern Exposure, the Cleveland Museum of Art, and colleges throughout the northeast. In 2005 the group toured Bali, performing at the Bali International Arts Festival, Kuta Beach, and numerous villages around the island. Galak Tika is dedicated to commissioning and performing new works by Balinese and American composers, for gamelan and mixed ensembles of gamelan and Western instruments, as well as performing traditional Balinese music and dance. Recent projects have included Christine Southworth's "SuperCollider" for electronic gamelan and string quartet, Evan Ziporyn's "Bayu Sabda Idep" for gamelan and strings, and new works by Dewa Alit, Ramon Castillo, and Wilco drummer Glenn Kotche. Galak Tika has recorded for Airplane Ears, New World, and New Albion. The group plays on three complete sets of instruments. These include one traditional pelog set, one tuned in just intonation, and our newest collection, the completely electronic Gamelan Elektrika. "Galak Tika" is Bahasa Kawi (classical Javanese, a dialect of Sanskrit) for "intense togetherness." What is a Gamelan? The word gamelan means "to hammer;" the term refers generally to the large percussion orchestras of Java and Bali. The primary instruments are gongs, metallophones and hand drums, with cymbals, vocals, bamboo flutes, and spiked fiddles used as well. Gamelan is the wellspring of all music in Bali, both sacred and secular. The Balinese people are ardent practitioners of a unique form of Hinduism, and gamelan is necessary for all ritual events, as well as to mark any large social occasion. There are dozens of different types of gamelans in Bali, ranging from large metal orchestras to bamboo ensembles, vocal groups, and groups dedicated to the imitation of frog sounds. All the music is marked by the use of one of two non-tempered pentatonic scales - pelog or slendro - and by rhythmically precise interlocking parts known as kotekan. Who We Are Gamelan Galak Tika is approximately 30 members strong, drawing membership from MIT students, staff, and community. Our founder and director is Evan Ziporyn, Kenan Sahin Distinguished Professor of Music at MIT. We rehearse for roughly five hours a week and perform as often as we can. The group learns aurally, without the aid of notation, and functions in the tradition of a Balinese village sekeha, with decisions made communally and responsibilities shared among the members of the ensemble. Since its inception, Gamelan Galak Tika has devoted itself to studying traditional Balinese music and dance and to developing new works by Balinese and American composers. We has given dozens of performances around the East Coast and New England, at venues including Zankel Hall, Brooklyn Academy of Music, Lincoln Center, the Boston Museum of Science, Cleveland Museum of Art, Southern Exposure, the Bali International Arts Festival, Boston's First Night and the Kripalu Yoga Institute, along with numerous universities and high schools. Our programs have included presentations of traditional Balinese repertoire, new works by twentieth-century Balinese and American composers, collaborations with Signal, Ensemble Robot, the MIT Shakespeare Ensemble, the New England Conservatory Philharmonia, tai chi master Bow Sim Mark, computer music duo Basso Bongo, and Odd Appetite. Gamelan Galak Tika has given school workshops, offered dance classes, and also devised the first-ever "kecak- along," a participatory performance in which 1,000 people were taught to shout the interlocking rhythms of the famous Balinese monkey chant. Galak Tika has premiered music and dance works by Dewa Ketut Alit, Ramon Castillo, Nyoman Catra, Glenn Kotche, Desak Made Suarti Laksmi, Midori Matsuo, Joshua Penman, Dan Schmidt, Danielle Smith, Christine Southworth, Pochun Wang, Nyoman Windha, Evan Ziporyn, and Rebecca Zook. .
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