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Hucbald
Plainchant Tradition*
Gregorian Chant
The Origins of the Musical Staff
Memory, Music, Epistemology, and the Emergence of Gregorian Chant As Corporate Knowledge
A Conductor's Guide to the Music of Hildegard Von
Mathias Bielitz Sind Die Denkfiguren Leonin Und Sein Magnus Liber
Guido of Arezzo and His Influence on Music Learning
Melodic Function and Modal Process in Gregorian Chant
Information to Users
Shaw-Rebecca-MA-MUSIC-June
The Philosophical Significance Ofearly Polyphony the Flowering Of
The Origins of Western Notation
Atkinson, Charles M
The Affective Properties of Keys in Instrumental Music from the Late Nineteenth and Early Twentieth Centuries
A Critical Edition
Some Theories on Order
MTO 4.3: Mengozzi, Review of Hexachords
Putting on the Garment of Widowhood: Medieval Widows, Monastic Memory, and Historical Writing
Top View
A Comparative Study of Schoolmasters in Eleventh-Century Normandy and the Southern Low Countries
Chicago Musical College the Benedictines and Gregorian
The Spirit of Gregorian Chant
Canada Du Canada Acquisitions and Direction Des Acquisitions Et Bibliographie Services Branch Des Services Bibliographiques
Carlton T. Russell-The Southern French Tonary Zn the Tenth and Eleventh Centuries Ann Arbor: University Microfilms (UM Order No
What Is Chapter 17 of Guido's Micrologus About? — A
Neumes and Early Notation Timothy J
A Comparison of the Five Monochords of Guido of Arezzo by G{Yde W Brockett, Jr
A History of 'Consonance' and 'Dissonance'
Origins of Western Music 450 – 1300 a Short Study in the Major Developments of Medieval Music by Tristan D’Avignon
MTO 17.2: Grall, Review of Atkinson, the Critical Nexus
The Vagantendichtung
Childhood in the Middle Ages and the Renaissance
A Cognitive Approach to Medieval Mode: Evidence for an Historical Antecedent to the Major/Minor System
Melodic Function and Modal Process in Gregorian Chant
The Great Musical Reformers. II. Guido D'arezzo Author(S): W
To Affinity and Beyond: the Sound of Diatonic Positions
The Music Manuscript Period; a Background Essay and Bibliographical Guide
The Middle Ages, Part 1
De Musica, Book Ii