Hocket - Docslib

Innovative Approaches to Melodic Elaboration in Contemporary Tabuh Kreasibaru
Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
Is Eastern Insulindia a Distinct Musical Area? L’Est Insulindien Est-Il Une Aire Musicale Distincte ?
Connecting Orff Schulwerk and Balinese Gamelanаа
“Classical” Minimalism
Cross-Cultural Hybridity in Music Composition: Southeast Asia in Three Works from America Written 1998, Unpublished Christopher Adler
(Lyrcd 7179) Gamelan Music of Bali Gamelan Angklung And
The Influence of the Javanese Gamelan on Selected Piano Works
Fusion Process in the Instrumental Works by Chen Yi Xin Guo
An Analysis on Gamelan Theatre: Selected Pieces from Arus Gangsa
Perceptual Aspects of Tuning in a Balinese Gamelan Angklung for North American Students Jay Rahn
Theory Syllabus, 2016 Edition Ensures Student Success in Preparing for Examinations of the Royal Conservatory Certificate Program
An Instructional Sequence in Music Education Using Vocal and Instrumental Music of Five World Cultures
Perceptual Aspects of Tuning in a Balinese Gamelan Angklung for North American Students Jay Rahn
Historical Tradition in the Pre-Serial Atonal Music of Alban Berg. William Glenn Walden Louisiana State University and Agricultural & Mechanical College
Freedom and Construction: New Concepts of Form in the Improvisations and Compositions of King Crimson
Who Got Da Funk? an Etymophony of Funk from the 1950S to 1979
Defining Characteristics of the Brass Music of Anthony Plog and Their Application in Performance

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