DOCSLIB.ORG
Explore
Sign Up
Log In
Upload
Search
Home
» Tags
» Heteroglossia
Heteroglossia
The Bakhtin Circle and Ancient Narrative
Mikhail Bakhtin and Discourse on Genre Novel
How Language and the Carnivalesque Challenge Hegemony
Mikhail Bakhtin's Appropriation in the West And
The Bakhtin Circle and Ancient Narrative, 3–31 4 R
A Bakhtinian Analysis of William Golding's Rites of Passage: Heteroglossia, Polyphony and the Carnivalesque in the Novel A
Dialogism Versus Monologism: a Bakhtinian Approach to Teaching
Bakhtin's Theory of the Literary Chronotope: Reflections, Applications, Perspectives
The Poetics and Politics of Polyphony: Towards a Research Method for Interactive Documentary
Prosaics and Other Provocations Empathy, Open Time, and the Novel Ars Rossica
John Cook, University of Melbourne
The Postmodern Joyce Emerging in Ulysses: Joyce's Sirens of Words
Utopian Discourse in the Work of Theodor W. Adorno, Luce Irigaray and Giorgio Agamben
Department of Communication Studies CMST 7946: Theory and Performance of Narrative Discourse Topic: Bakhtin Fall 2015, Monday, 3:30-6:20 PM, 153 Coates Patricia A
Unit 2 Bakhtin's Carnivalesque
Critical Theories and Polyphony: Towards a Great Global Dialogue
Subjectivity, Subversion, and the Rewriting of Literary History in Women’S Satire of the Twentieth Century
Heteroglossia in GH Musengezi's the Honourable MP
Top View
Sociopoetics in the Work of Shakespeare
A Bakhtinian Reading of F. Scott Fitzgerald's the Great Gatsby
Cognitive Rhetoric, Literary Genre, and Menippean Satire
Bakhtin, Temporality, and Modern Narrative: Writing “The Whole Triumphant Murderous Unstoppable Chute” Stacy Burton Comparative Literature 48.1 (1996), 39-64
Dialogism Versus Monologism: a Bakhtinian Approach to Teaching
Menippean Satire Or Counter-Realism? Questions of Genre in Postcolonial Indian Fiction in English by Menen, Desani, Rushdie, and Sealy
A Genre for Our Times: the Menippean Satires Of
Bakhtin's Carnival and Pretend Role Play
Qt4b96m8bf Nosplash 12Eace0