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Hermes Pan
Choreography for the Camera: an Historical, Critical, and Empirical Study
Kennedy Center Education Department. Funding Also Provided by the Kennedy Center Corporate Fund
BUSINESS 1964 Review 1965 Preview
Exposing Minstrelsy and Racial Representation Within American Tap Dance Performances of The
The Lack of Recognition for the Film Choreographer in Hollywood
Creating Images for Hollywood Classics Vicki James Yiannias
Danny Daniels: a Life of Dance and Choreography
The Changing Image of Greek Americans in American Film: 1943-1963 Dan Georgakas
John Franceschina Papers
Lewitzky Dance Company Records 0203
Dance in Advertising – Commercial Archive Product/Brand Title/Content
National Endowment for the Arts Research Division Report # 28
The SAA Performing Arts Roundtable Encourages the Exchange of Information on Historical and Contemporary Documentation of Music
Discography and Filmography
Shakespeare's Nature | Art | Politics
Song & Dance Men of the Silver Screen
MUSICALS Musicals Stemmed from Operas, Operettas, and Musical
Dance Syllabus
Top View
The Means by Which One Establishes Directorial and Choreographic Proficiency" (2015)
Dancing Ladies”
The Musical Is Back
The Fosse Woman Analysis of Femininity, Aesthetics, and Corporeality
'S GREATEST MOVIE MUSICALS
American Movement: in the Steps of a National Style of Dance by Megan
Fred & Adele Astaire
UC Berkeley UC Berkeley Electronic Theses and Dissertations
Gershwin and Astaire
Guide to the George Sidney Collection
Choreography, Masculinity, and the American Film Musical Amy Weintraub
UCLA Electronic Theses and Dissertations
The Performing Arts on Film and Television Catalogue
History of Tap in the Mid- to Late 1800S, Dance
Dance by Douglas Blair Turnbaugh
AMERICAN MASCULINITY in the FILMS of FRED ASTAIRE Oren