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Guajeo
Groove in Cuban Dance Music: an Analysis of Son and Salsa Thesis
Cuban Music Teaching Unit
Beyond Salsa Piano the Cuban Timba Piano Revolution
Improvisation in Latin Dance Music: History and Style
Tres Danzas Cubanas by Alejandro García Caturla: a Transcription for Wind Orchestra with Accompanying Biographical Sketch and Transcription Method
The Saxophone in Puerto Rico: History and Annotated Bibliography of Selected Works
TC 1-19.30 Percussion Techniques
Familia Valera Miranda: Caña Quema –'Se Quema La Chumbambà' and 'Alla Vá Candela'
Siento Una Flauta: Improvisational Idiom, Style, and Performance Practice of Charanga Flutists in New York from 1960 to 2000
Creating Salsa, Claiming Salsa: Identity, Location, and Authenticity in Global Popular Music
Suena Guajeo
Doctoral Dissertation Template
Revisedphdwhole THING Whizz 1
Guía Didáctica Para El Acompañamiento Del Son Cubano En La Guitarra
Charting Rhythmic Energy in Nuyorican Salsa Music
Music and Revolution: Cultural Change in Socialist Cuba
Beyond Salsa Piano the Cuban Timba Piano Revolution
Beyond Salsa Piano the Cuban Timba Piano Revolution
Top View
Cubaneo in Latin Piano: a Parametric Approach to Gesture, Texture, and Motivic Variation
AFRO-CUBAN PERCUSSION, ITS ROOTS and ROLE in POPULAR CUBAN MUSIC by BRIAN KEITH ANDERSON B.M.E., Kansas State University, 2009 B
The Buena Vista Phenomenon: Constructions of Cuban Musical Identity
Theoretical Perspectives on Clave in Salsa Music
The Cuban Creators of Latin Jazz
Beyond Salsa Piano the Cuban Timba Piano Revolution
Charting Rhythmic Energy in Nuyorican Salsa Music
An Annotated Catalogue of Selected Cuban Piano Works from the 18Th
The Musicality of Salsa Dancers: an Ethnographic Study
Nationalism and Its Expression in Cuba's Art Music: the Use of Folklore in Mario Abril's “Fantasia (Introduction and Pacha
Why Teach Salsa at Ks3? Learning Objectives
The Conjunto Piano in 1940S Cuba: an Analysis of the Emergence of a Distinctive Piano Role and Style
Pacheco and Charanga: Imitation, Innovation and Cultural Appropriation in the Típico Tradition of New York City
From Contradanza to Son: New Perspectives on the Prehistory of Cuban Popular Music