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  • »  Grandmaster Caz

Grandmaster Caz

  • ENG 350 Summer12

    ENG 350 Summer12

  • DJ Skills the Rise of the Hip-Hop DJ 3

    DJ Skills the Rise of the Hip-Hop DJ 3

  • Presented

    Presented

  • “Rapper's Delight”

    “Rapper's Delight”

  • Smith, Troy African & African American Studies Department

    Smith, Troy African & African American Studies Department

  • Black Nationalism and Rap Music

    Black Nationalism and Rap Music

  • Teacher Perceptions of the Use of Hip Hop Culture, Hip Hop Pedagogy

    Teacher Perceptions of the Use of Hip Hop Culture, Hip Hop Pedagogy

  • Thea&T Register

    Thea&T Register

  • Hip Hop Helps: Systemic Discrimination in Social Work Andragogy

    Hip Hop Helps: Systemic Discrimination in Social Work Andragogy

  • Rapper's Delight by Sugarhill Gang (Hip Hop) 1980 Song

    Rapper's Delight by Sugarhill Gang (Hip Hop) 1980 Song

  • Abstract Humanities Jordan Iii, Augustus W. B.S. Florida

    Abstract Humanities Jordan Iii, Augustus W. B.S. Florida

  • "What Is an MC If He Can't Rap?"

  • The Hip Hop Pedagogy and Innovative Prose of Rakim Allah – AAIHS

    The Hip Hop Pedagogy and Innovative Prose of Rakim Allah – AAIHS

  • The Authenticity of a Rapper: the Lyrical Divide Between Personas

    The Authenticity of a Rapper: the Lyrical Divide Between Personas

  • Hip Hop in American Culture

    Hip Hop in American Culture

  • Introduction to Hip Hop: Origins: Hip Hop Emerged in the 70’S in the Bronx, Queen, and Manhattan Neiborhoods of New York City

    Introduction to Hip Hop: Origins: Hip Hop Emerged in the 70’S in the Bronx, Queen, and Manhattan Neiborhoods of New York City

  • WHAT IS HIP HOP? the Four Elements of Hip Hop Hip Hop Is Music — and a Culture, Encompassing Speech, Styles of Dress, Art

    WHAT IS HIP HOP? the Four Elements of Hip Hop Hip Hop Is Music — and a Culture, Encompassing Speech, Styles of Dress, Art

  • An Exploration of White Hip-Hop Fans, Consumers and Practitioners Dale Compton Anderson Wayne State University

    An Exploration of White Hip-Hop Fans, Consumers and Practitioners Dale Compton Anderson Wayne State University

Top View
  • Gangster Boogie: Los Angeles and the Rise of Gangsta Rap, 1965-1992
  • The Changing Role of the Performer from Toast to Gangsta Rap Andrea L
  • Hip-Hop's Tanning of a Postmodern America
  • Roundtable: VH1's (White) Rapper Show: Intrusions, Sightlines, and Authority
  • The Foundations of Hip-Hop Encyclopedia
  • Remix Without Romance
  • Going Off! the Untold Story of Breaking's Birth Serouj Aprahamian a Dissertation Submitted to the Faculty of Graduate Studies
  • The Effects of Commodification on the Arts and Artists of Hip-Hop Culture
  • Escapist Discourse Strategies in the Linguistic and Nonlinguistic Expressions of Sex and Sexuality in Nigerian Hip-Hop Lyrics and Videos
  • Pdf, 334.60 KB
  • Culture, Industry, and Hip Hop History: the Corporate World’S Role in the Development of Hip Hop
  • In Search of Hip-Hop Authenticity
  • The Rhetoric of Hip-Hop Spring 2017 Whitman College
  • Sonja Stephenson Watson University of Texas at Arlington


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