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Funnyhouse of a Negro
Reflection on Directing Adrienne Kennedy
A Portrayal of Gender and a Description of Gender Roles in Selected American Modern and Postmodern Plays
Dr Strangelove Or How I Learned to Read Kubrick's
Experiencing Black Theater in America: a Handlist
MCQUIRTER-DISSERTATION.Pdf (1.828Mb)
A Transmogrifying Discourse of Sexual Violence: Resisting, Redressing and Re-Writing
Towards a Queer Black Feminist Theatre Aesthetic
The Politics of Decolonization: Race, Power, and Ideology in Contemporary American Drama
Existentialism and Identity in Amiri Baraka's Dutchman (1964) And
270 Metaphorical Mirrors and Subverting Selves
The Black Voice and Shaping Audacity
Information to Users
The Purple Flower (1928) Marita Bonner
Amiri Baraka. the Ritual of History and the Self in the Slave
The Work of Adrienne Kennedy: Inspiration & Influence
She Who Is Adrienne Kennedy and the Drama of Difference
An International Journal of English Studies 27/1 2018
Brooklyn Bedroom: an Ethnodrama on Female Sexuality, Third World Feminism and Performance Ethnography
Top View
Dutchman the Owl Answers
Identity-Crisis in Adrienne Kennedy's Funnyhouse of a Negro: a Celebration of Sarah's Loss and Fragmentation
UNIVERSITY of CALIFORNIA Santa Barbara Refracting Ipseity in African
Rituals of Return in African American Women's
Black Theatre Insights
2008 Fall JDTC
Generic Hybridity in Adrienne Kennedy's Drama
African American Performance and Theater History: a Critical Reader
Adrienne Kennedy
Bodies of Knowledge : Madness and Power in Africana Women's Texts
Funnyhouse of a Negro: Rejection of Womanness and Blackness As a “Melancholic” Cry for a True Diversity in American Society
Parody and the Heritage of Minstrelsy in Adrienne Kennedy's Funnyhouse of a Negro
"Funnyhouse" and "Owl"Dom Özge Özbek
Interrogating the Reality of Race in Jean Genet's the Blacks
Downloads, and Readership And
Pedagogical Applications of the Surreal and Absurd in Adrienne Kennedy's Funnyhouse of a Negro