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Funnyhouse of a Negro

  • Reflection on Directing Adrienne Kennedy

    Reflection on Directing Adrienne Kennedy

  • A Portrayal of Gender and a Description of Gender Roles in Selected American Modern and Postmodern Plays

    A Portrayal of Gender and a Description of Gender Roles in Selected American Modern and Postmodern Plays

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    Dr Strangelove Or How I Learned to Read Kubrick's

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    Experiencing Black Theater in America: a Handlist

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    MCQUIRTER-DISSERTATION.Pdf (1.828Mb)

  • A Transmogrifying Discourse of Sexual Violence: Resisting, Redressing and Re-Writing

    A Transmogrifying Discourse of Sexual Violence: Resisting, Redressing and Re-Writing

  • Towards a Queer Black Feminist Theatre Aesthetic

    Towards a Queer Black Feminist Theatre Aesthetic

  • The Politics of Decolonization: Race, Power, and Ideology in Contemporary American Drama

    The Politics of Decolonization: Race, Power, and Ideology in Contemporary American Drama

  • Existentialism and Identity in Amiri Baraka's Dutchman (1964) And

    Existentialism and Identity in Amiri Baraka's Dutchman (1964) And

  • 270 Metaphorical Mirrors and Subverting Selves

    270 Metaphorical Mirrors and Subverting Selves

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    The Black Voice and Shaping Audacity

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    Information to Users

  • The Purple Flower (1928) Marita Bonner

    The Purple Flower (1928) Marita Bonner

  • Amiri Baraka. the Ritual of History and the Self in the Slave

    Amiri Baraka. the Ritual of History and the Self in the Slave

  • The Work of Adrienne Kennedy: Inspiration & Influence

    The Work of Adrienne Kennedy: Inspiration & Influence

  • She Who Is Adrienne Kennedy and the Drama of Difference

    She Who Is Adrienne Kennedy and the Drama of Difference

  • An International Journal of English Studies 27/1 2018

    An International Journal of English Studies 27/1 2018

  • Brooklyn Bedroom: an Ethnodrama on Female Sexuality, Third World Feminism and Performance Ethnography

    Brooklyn Bedroom: an Ethnodrama on Female Sexuality, Third World Feminism and Performance Ethnography

Top View
  • Dutchman the Owl Answers
  • Identity-Crisis in Adrienne Kennedy's Funnyhouse of a Negro: a Celebration of Sarah's Loss and Fragmentation
  • UNIVERSITY of CALIFORNIA Santa Barbara Refracting Ipseity in African
  • Rituals of Return in African American Women's
  • Black Theatre Insights
  • 2008 Fall JDTC
  • Generic Hybridity in Adrienne Kennedy's Drama
  • African American Performance and Theater History: a Critical Reader
  • Adrienne Kennedy
  • Bodies of Knowledge : Madness and Power in Africana Women's Texts
  • Funnyhouse of a Negro: Rejection of Womanness and Blackness As a “Melancholic” Cry for a True Diversity in American Society
  • Parody and the Heritage of Minstrelsy in Adrienne Kennedy's Funnyhouse of a Negro
  • "Funnyhouse" and "Owl"Dom Özge Özbek
  • Interrogating the Reality of Race in Jean Genet's the Blacks
  • Downloads, and Readership And
  • Pedagogical Applications of the Surreal and Absurd in Adrienne Kennedy's Funnyhouse of a Negro


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