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Fruit Chan
Sungkyun Journal of East Asian Studies
Award-Winning Hong Kong Film Gallants to Premiere at Hong Kong
Referenzen
1 “Ann Hui's Allegorical Cinema” Jessica Siu-Yin Yeung to Cite This
Chapter One Introduction My Attempt in This Thesis Stresses on Fruit
“China Factor” in Contemporary Hong Kong Genre Cinema
Killing Time: the Handover and Its Afterlives
University of Southampton Research Repository Eprints Soton
Hong Kong Cinema and the 1997 Return of the Colony to Mainland China
Carlos Rojas
I the Cartography of Hong Kong Urban Space: Living
Made in Hong Kong
Three Husbands
Still Human Presskit Eng
Gina Marchetti Hong Kong University Press 14/F Hing Wai Centre 7 Tin Wan Praya Road Aberdeen Hong Kong
Senza Titolo
Filmmakers' FILMS and LISTS of AWARD RECORDS of FILMS
Art and Culture: Hong Kong Or the Creation of a Collective Memory
Top View
HKU) Unit of Assessment (Uoa): Uoa 35, Area Studies (E.G
Ho Yuk—Let's Love Hong Kong (Haoyu) 好郁 (Dir
Bamcinématek Announces the Sixth Annual Migrating Forms, a Festival of Film and Video, Dec 10—18
Chan Dissertation 201121.Pdf
Fracturing, Fixing and Healing Bodies in the Films of Fruit Chan
Hong Kong: Communicating 1997 and Beyond Through Film Author(S)
The Midnight After Film Production Ltd
Film Works by Edward Yang
The Hong Kong Crisis Through the Lens of Made in Hong Kong and 10 Years
JULY RHAPSODY (LAAM YAN SEI SAP) Dir Ann Hui Hong Kong, 2002, 103 Mins
Press Release Announcement of Winners for Mm2 Movie Makers Awards 2016
Introduction
Hong Kong Screenscapes from the New Wave to the Digital Frontier
Wai Yee Ruby Cheung Phd Thesis
Introduction the New Hong Kong Cinema, Cinema of Transitions and East Asia
Hong Kong Film Panorama
The Rise of Johnnie to by Marie Jost
In These Early Years of the New Millennium, When Asian Film Action
MADE in HONG KONG This Season of Asia and the Pacific Screens Presents a Selection of Films Showcasing Hong Kong’S New Wave Cinema and Its Legacies