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Appendices: Filmmakers’ and Lists of Award Records of Films Discussed in This Monograph

Appendix A: Highest Grossing Movies in ’s Box Office Sales up to 2012

1 2009 Avatar NT$1.1 billion 2 1997 Titanic NT$789 million 3 2011 Transformers: Dark of the Moon NT$762 million 4 2012 Marvel’s The Avengers NT$600 million 5 2009 Transformers: Revenge of the Fallen NT$570 million 6 2012 Life of Pi NT$550 million 7 2008 Cape No.7 NT$530 million 8 2011 Seediq Bale NT$472 million 9 1993 Jurassic Park NT$460 million 10 2009 2012 NT$450 million

From https://zh.wikipedia.org/wiki/%E5%8F%B0%E7%81%A3%E6%9C%80%E9%AB%98%E9%9B%BB% E5%BD%B1%E7%A5%A8%E6%88%BF

© The Editor(s) (if applicable) and The Author(s) 2019 231 I. I. , Taiwan Cinema, Memory, and Modernity, https://doi.org/10.1007/978-981-13-3567-9 232 APPENDICES: FILMMAKERS’ FILMS AND LISTS OF AWARD …

Appendix B: Highest Grossing Films Made in Taiwan up to 2015

1 2008 Cape No. 7 NT$530 million (海角七號) 2 2011 Seediq Bale: Part 1 NT$472 million (賽德克 巴萊(上):太陽旗) · 3 2013 David Loman NT$430 million (大尾鱸鰻) 4 2011 You're The Apple Of My Eye NT$425 million (那些年,我們一起追的女孩) 5 2015 Our Times NT$410 million (我的少女時代) 6 2014 KANO (KANO) NT$340 million 7 2011 Seediq Bale: Part 2 NT$318 million (賽德克 巴萊(下):彩虹橋) · 8 2012 Din Tao:Leader of the Parade NT$317 million (陣頭) 9 2013 Zone Pro Site NT$310 million (總舖師) 10 2007 Lust, Caution NT$280 million (色,戒) 11 2014 Café·Waiting·Love NT$270 million (等一個人咖啡) 12 2010 Monga NT$260 million (艋舺) 13 2015 The Wonderful Wedding NT$250 million (大囍臨門) 14 2013 Beyond Beauty—TAIWAN FROM ABOVE (看見台灣) NT$220 million 14 2014 Twa-Tiu-Tiann NT$220 million (大稻埕)

From https://zh.wikipedia.org/wiki/%E5%8F%B0%E7%81%A3%E6%9C%80%E9%AB%98%E9%9B%BB% E5%BD%B1%E7%A5%A8%E6%88%BF

Appendix C: Films Directed by Edward 1982 In Our Time 1983 That Day, on the Beach 1985 Story 1986 1991 1994 A Confucian Confusion APPENDICES: FILMMAKERS’ FILMS AND LISTS OF AWARD … 233

1996 Mahjong 2000 From https://en.wikipedia.org/wiki/Edward_Yang

List of Award Records of A Confucian Confusion • Cannes Festival 1994 Nominee Palme d’Or

• Golden Horse 1994 Winner Best Supporting Actor Golden Horse Award Bosen Wang Best Supporting Actress Best Original Screenplay Edward Yang

From https://www.imdb.com/title/tt0109685/?ref_ fn_al_tt_1 =

List of Award Records of Mahjong • Berlin International Film Festival 1996 Winner Edward Yang Alfred Bauer Award—Honorable Mention Nominee Edward Yang Golden Berlin Bear

• Golden Horse Film Festival 1996 Winner Best Supporting Actor Golden Horse Award Chi-tsan Wang Nominee Best Makeup & Costume Design Golden Horse Award Chi-Chien Chao

• Nantes Three Continents Festival 1996 Winner Edward Yang Award of the City of Nantes Nominee Edward Yang Golden Montgolfere 234 APPENDICES: FILMMAKERS’ FILMS AND LISTS OF AWARD …

• Singapore International Film Festival 1996 Winner Best Asian Director Silver Screen Award Edward Yang

From https://www.imdb.com/title/tt0116962/?ref_ fn_al_tt_1 =

List of Award Records of A One and a Two • Awards Circuit Community Awards 2000 Nominee Best Foreign Language Film ACCA

• Bodil Awards 2003 Nominee Best Non-American Film (Bedste ikke amerikanske flm) Bodil Edward Young Taiwan

• Boston Society of Film Critics Awards 2000 Nominee Best Film BSFC Award Best Director Edward Yang Best Foreign Language Film

• 2000 Winner Edward Yang Best Director Nominee Edward Yang Palme d’Or

• Chicago Film Critics Association Awards 2001 Nominee Best Foreign Language Film CFCA Award Edward Yang • Chinese Film Media Awards 2002 Winner Best Film—/Taiwan Film Media Award Best Director—Hong Kong/Taiwan Edward Yang

• Chinese Film Media Awards 2001 Winner Best Film China Film Media Award APPENDICES: FILMMAKERS’ FILMS AND LISTS OF AWARD … 235

• Chlotrudis Awards 2002 Nominee Best Cast Chlotrudis Award Best Movie Best Original Screenplay Edward Yang

• César Awards, 2001 Nominee Best Foreign Film (Meilleur flm étranger) César Edward Yang

• 2000 Nominee Edward Yang Screen International Award Taiwan/Japan

• French Syndicate of Cinema Critics 2001 Winner Best Foreign Film Critics Award Edward Yang

• Fribourg International Film Festival 2001 Winner Edward Yang Grand Prix

• Hong Kong Film Awards 2002 Nominee Best Asian Film Taiwan

• Indiewire Critics’ Poll 2009 Nominee Best Film of the Decade ICP Award 3rd place

• Karlovy Vary International Film Festival 2000 Winner Edward Yang Netpac Award For the perceptive and sensitive portrayal of a generation and cultural gap in Taiwan and the … More

• Film Critics Association Awards 2010 Nominee Film of the Decade LAFCA Award 6th place 236 APPENDICES: FILMMAKERS’ FILMS AND LISTS OF AWARD …

• Los Angeles Film Critics Association Awards 2000 Winner Best Foreign Film LAFCA Award Edward Yang

• National Society of Film Critics Awards, USA 2001 Winner Best Film NSFC Award Nominee Best Director NSFC Award Edward Yang

• New York Film Critics Circle Awards 2000 Winner Best Foreign Language Film NYFCC Award Taiwan/Japan

• Online Film & Television Association 2001 Nominee Best Foreign Language Film OFTA Film Award Taiwan

• Online Film Critics Society Awards 2001 Nominee Best Foreign Language Film OFCS Award Taiwan/Japan

• Sarajevo Film Festival 2000 Winner Edward Yang Panorama Jury Prize Tied with Topsy-Turvy (1999)

• Southeastern Film Critics Association Awards 2001 Nominee Best Foreign Language Film SEFCA Award

• Valladolid International Film Festival 2000 Nominee Edward Yang Golden Spike

• Vancouver International Film Festival 2000 Winner Edward Yang Chief Dan George Humanitarian Award

• Village Voice Film Poll 2009 Nominee Best Film of the Decade VVFP Award 4th place. Tied with (Paris, 1871) (2000) and Zodiac (2007) APPENDICES: FILMMAKERS’ FILMS AND LISTS OF AWARD … 237

• Village Voice Film Poll 2000 Winner Best Director VVFP Award Edward Yang Nominee Best Film VVFP Award 2nd place

From https://www.imdb.com/title/tt0244316/awards?ref_ tt_awd =

Appendix D: Films Directed by Ming-liang Tsai 1992 1994 Vive L’Amour 1997 The River 1998 The Hole 2001 What Time Is It There? 2003 Goodbye, 2005 2006 I Don’t Want to Sleep Alone 2009 Face 2013 Stray Dogs From https://en.wikipedia.org/wiki/Tsai_Ming-liang.

The List of Award Records of The Wayward Cloud • Berlin International Film Festival 2005 Winner Ming-liang Tsai Alfred Bauer Award Winner Competition FIPRESCI Prize Ming-liang Tsai Winner Outstanding Artistic Achievement Silver Berlin Bear Ming-liang Tsai Nominee Ming-liang Tsai Golden Berlin Bear

• Chicago International Film Festival 2005 Nominee Best Feature Gold Hugo Ming-liang Tsai (director) 238 APPENDICES: FILMMAKERS’ FILMS AND LISTS OF AWARD …

• Golden Horse Film Festival 2005 Nominee Best Feature Film Golden Horse Award Best Director Ming-liang Tsai Best Leading Actress Shiang-chyi

• Nantes Three Continents Festival 2005 Winner Ming-liang Tsai Award of the City of Nantes Winner Kang-sheng Lee Special Mention For his performance Nominee Best Film Golden Montgolfere Ming-liang Tsai • Russian Guild of Film Critics 2005 Nominee Best Foreign Film Golden Aries Ming-liang Tsai

• Sitges—Catalonian International Film Festival 2005 Winner Kang-sheng Lee Best Actor Winner Ming-liang Tsai José Luis Guarner Critic’s Award Nominee Ming-liang Tsai Best Film

• 2005 Winner Best Narrative Film Festival Prize Ming-liang Tsai

• Village Voice Film Poll 2005 Nominee Best Undistributed Film VVFP Award 5th place. Tied with Kamyu nante shiranai (2005)

• Yoga Awards 2006 Winner Worst Foreign Film Yoga Award Ming-liang Tsai https://www.imdb.com/title/tt0445760/?ref_ ttawd_awd_tt = APPENDICES: FILMMAKERS’ FILMS AND LISTS OF AWARD … 239

The List of Award Records of What Time Is It There? • Asia-Pacifc Film Festival 2001 Winner Ming-liang Tsai Best Director Winner Ming-liang Tsai Best Film Winner Yi-Ching Lu Best Supporting Actress

• Brisbane International Film Festival 2001 Winner Ming-liang Tsai Netpac Award For its unique use of time space and traditional culture in expressing loneliness and separation in… More

• Cannes Film Festival 2001 Nominee Ming-liang Tsai Palme d’Or

• Chicago International Film Festival 2001 Winner Grand Jury Prize Silver Hugo Ming-liang Tsai Best Director Ming-liang Tsai Winner Cinematography Special Jury Prize Benoît Delhomme

• Chlotrudis Awards 2003 Nominee Best Cinematography Chlotrudis Award Benoît Delhomme

• Cinemanila International Film Festival 2002 Winner Kang-sheng Lee Best Actor Tied with “Alejandro Trejo” for Taxi para tres (2001) Winner Ming-liang Tsai Kodak Vision Award Winner Ming-liang Tsai Lino Brocka Award Tied with Atanarjuat (2001) 240 APPENDICES: FILMMAKERS’ FILMS AND LISTS OF AWARD …

• Golden Horse Film Festival 2001 Winner Ming-liang Tsai Special Jury Award Nominee Best Feature Film Golden Horse Award Homegreen Films Best Director Ming-liang Tsai Best Supporting Actress Yi-Ching Lu Best Original Screenplay Ming-liang Tsai Pi-ying Yang Best Sound Effects Duu-Chih Tu Shiang-Chu Tang

• Village Voice Film Poll 2002 Nominee Best Film VVFP Award 7th place

From https://www.imdb.com/title/tt0269746/awards?ref_ tt_ql_op_1 =

The List of Award Records of I Don’t Want to Sleep Alone • 2007 Nominee Best Cinematographer Asian Film Award Pen-Jung Liao Best Director Ming-liang Tsai

• Chlotrudis Awards 2008 Nominee Best Director Chlotrudis Award Ming-liang Tsai • Taipei Film Festival 2007 Winner Grand Prize Taipei Grand Award Ming-liang Tsai

• Venice Film Festival 2006 Winner Cinema for Peace Award “CinemAvvenire” Award Ming-liang Tsai Nominee Ming-liang Tsai

From https://www.imdb.com/title/tt0855824/awards?ref_ tt_ql_op_1 = APPENDICES: FILMMAKERS’ FILMS AND LISTS OF AWARD … 241

Appendix E: Films Directed by Te-sheng Wei 1995 Face in the Evening 1996 Three Dialogues 1997 Before Dawn 1999 About July 2008 Cape No. 7 2011 Seediq Bale 2017 52Hz, I Love You From https://en.wikipedia.org/wiki/Wei_Te-sheng

The List of Award Records of Cape No. 7 • Golden Horse Film Festival 2008 Winner Best Supporting Actor Golden Horse Award Ju-Lung Ma Best Original Film Score Sheng-Fei Lu Chi-Yi Lo Outstanding Taiwanese Film of the Year Best Original Film Song Van Fan (performer) For the song “South of the Border”

Nominee Best Feature Film Golden Horse Award Best Director Te-Sheng Wei Best New Performer Chie Tanaka Best New Performer Johnny Chung-Jen Lin Best Sound Effects Duu-Chih Tu

• Hawaii International Film Festival 2008 Winner Narrative Feature Halekulani Golden Orchid Award Te-Sheng Wei

• Hong Kong Film Awards 2009 Nominee Best Asian Film Hong Kong Film Award Taiwan 242 APPENDICES: FILMMAKERS’ FILMS AND LISTS OF AWARD …

• Houston Film Critics Society Awards 2009 Nominee Best Foreign Language Film HFCS Award

• Film Critics Awards 2009 Winner Film of Merit

• Taipei Film Festival 2008 Winner International New Talent Competition Audience Award Te-Sheng Wei Winner Best Music Festival Prize Chi-Yi Lo Sheng-Fei Lu Best Cinematography Ting-chang Chin Grand Prize Te-Sheng Wei

• Vesoul Asian Film Festival 2009 Nominee Te-Sheng Wei Golden Wheel

From https://www.imdb.com/title/tt1267160/awards?ref_ tt_ql_op_1 =

Appendix F: Films Directed by Zero Chou 1996 A Film About The Body 2004 Splendid Float 2006 The Road On The Air 2007 Spider Lilies 2008 Drifting Flowers 2009 Wave Breaker 2012 Ripples of Desire 2017 The Substitute 2017 We are Gamily From https://en.wikipedia.org/wiki/Zero_Chou APPENDICES: FILMMAKERS’ FILMS AND LISTS OF AWARD … 243

The List of Award Records of Spider Lilies • Bangkok International Film Festival 2007 Nominee Best Film Golden Kinnaree Award Zero Chou

• International Film Festival 2007 Winner Best Feature Film Teddy Zero Chou

• Golden Horse Film Festival 2007 Nominee Best Original Film Song Golden Horse Award Chien-Hsun (composer) Zero Chou (lyrics) Tom Lin (lyrics) (performer)

• Taipei Film Festival 2007 Nominee Best Narrative Film Festival Prize Zero Chou

From https://www.imdb.com/title/tt0891457/awards?ref_ tt_ql_op_1 =

The List of Award Records of Splendid Float • Golden Horse Film Festival 2004 Winner Best Taiwanese Film of the Year Golden Horse Award Best Makeup & Costume Design Jean Chen Best Original Film Song Jeng-Yu Chang (composer) Zero Chou (lyricist) James Chen (performer) Chien-Chi Chen (composer) For the song “Liu Shui Yan Guang”

Nominee Best Original Film Score Golden Horse Award George Chen Jeng-Yu Chang Yu-Wei Chang Jung Guo Dong Best Art Direction Chuong-ren Huong Best New Performer James Chen

From https://www.imdb.com/title/tt0436789/awards?ref_ tt_ql_op_1 = 244 APPENDICES: FILMMAKERS’ FILMS AND LISTS OF AWARD …

Appendix G: Films Directed by Tso-chi Chang 1996 Ah Chung 1999 Darkness and Light 2002 The Best of Times 2007 Soul of a Demon 2009 How are you, Dad? 2010 When Love Comes 2013 A Time in Quchi 2015 Thanatos, Drunk 2019 The Beloved Stranger From https://en.wikipedia.org/wiki/Chang_Tso-chi

The List of Award Records of Darkness and Light • Fribourg International Film Festival 2000 Nominee Tso-chi Chang Grand Prix

• Golden Horse Film Festival 1999 Winner Best Original Screenplay Golden Horse Award Tso-chi Chang Best Film Editing Po-Wen Chen

Winner Chang Tso-chi Film Studio Jury Award Nominee Best Feature Film Golden Horse Award Tso-chi Chang Best Leading Actress Kang-i Lee Best Sound Effects Thio Hugo-Panduputra Best Director Tso-chi Chang

• Singapore International Film Festival 2000 Winner Tso-chi Chang FIPRESCI/NETPAC Award For its affective and beautifully composed evocation of love within and beyond the family, pain of … More Winner Best Asian Feature Film Silver Screen Award Tso-chi Chang APPENDICES: FILMMAKERS’ FILMS AND LISTS OF AWARD … 245

• Taipei Film Festival 1999 Winner Best Film Festival Prize Tso-chi Chang The Most Promising Talent Kang-i Lee

Winner Jury’s Special Award Taipei Grand Award

• Tokyo International Film Festival 1999 Winner Tso-chi Chang Asian Film Award Winner Tso-chi Chang Gold Award Winner Tso-chi Chang Tokyo Grand Prix

From https://www.imdb.com/title/tt0200689/awards?ref_ tt_ql_op_1 =

The List of Award Records of Soul of a Demon • Taipei Film Festival 2008 Nominee Grand Prize Festival Prize Tso-chi Chang

From https://www.imdb.com/title/tt1173755/awards?ref_ tt_ql_op_1 =

The List of Award Records of The Best of Times • Chinese Film Media Awards 2003 Winner Best Film—Hong Kong/Taiwan China Film Media Award

• Golden Horse Film Festival 2002 Winner Best Feature Film Golden Horse Award Best Taiwanese Film of the Year Winner Viewer’s Choice Award 246 APPENDICES: FILMMAKERS’ FILMS AND LISTS OF AWARD …

Nominee Best Director Golden Horse Award Tso-chi Chang Best Leading Actor Wing Fan Best Supporting Actor Meng-Chieh Kao Best Original Screenplay Tso-chi Chang Best Cinematography Yi-Min Chang Best Film Editing Ching-Song Liao Best Original Film Score Yi Chang Best New Performer Meng-Chieh Kao

• Singapore International Film Festival 2003 Winner Best Asian Feature Film Silver Screen Award Tso-chi Chang Best Actor Wing Fan

• Venice Film Festival 2002 Nominee Tso-chi Chang Golden Lion

From https://www.imdb.com/title/tt0333902/awards?ref_ tt_ql_op_1 =

Appendix H: Films Directed by Mong-hong Chung 2006 Doctor 2008 Parking 2010 The Fourth Portrait 2013 Soul 2016 Godspeed From https://en.wikipedia.org/wiki/Chung_Mong-hong

The List of Award Records of Doctor: • Golden Horse Film Festival 2006 Nominee Best Documentary Golden Horse Award Cream Film Production APPENDICES: FILMMAKERS’ FILMS AND LISTS OF AWARD … 247

• Hawaii International Film Festival 2007 Nominee Documentary Feature Halekulani Golden Orchid Award Mong-Hong Chung

Taipei Film Festival 2006 Winner Best Documentary Taipei Grand Award Mong-Hong Chung

From https://www.imdb.com/title/tt2080419/awards?ref_ tt_ql_op_1 =

The List of Award Records of The Fourth Portrait • Asia Pacifc Screen Awards 2011 Nominee Best Children’s Feature Film Asia Pacifc Screen Award Shao-chien Tseng

• Asia-Pacifc Film Festival 2010 Winner Best Cinematography APFF Award Mong-Hong Chung

• Five Flavours Film Festival 2012 Nominee Best Film New Asian Cinema Mong-Hong Chung (director)

• Golden Horse Film Festival 2010 Winner 3 Ng Film FIPRESCI Prize Cream Film Production Winner Best Supporting Actress Golden Horse Award Lei Hao Best Director Mong-Hong Chung Outstanding Taiwanese Film of the Year 3 Ng Film Cream Film Production

Nominee Best Feature Film Golden Horse Award 3 Ng Film Cream Film Production Best New Performer Shiao Hai Pi Best Original Screenplay Mong-Hong Chung Hsiang-Wen Tu Best Cinematography Mong-Hong Chung 248 APPENDICES: FILMMAKERS’ FILMS AND LISTS OF AWARD …

• Locarno International Film Festival 2010 Nominee Mong-Hong Chung Golden Leopard—Filmmakers of the Present

• Mar del Plata Film Festival 2010 Nominee International Competition Best Film Mong-Hong Chung

• Nantes Three Continents Festival 2010 Winner Mong-Hong Chung Audience Award Nominee Mong-Hong Chung Golden Montgolfere

• Taipei Film Festival 2010 Winner International New Talent Competition Audience Award Mong-Hong Chung Winner Best Narrative Feature Festival Prize Mong-Hong Chung Best Actor Shiao Hai Pi

Nominee Mong-Hong Chung International New Talent Competition—Grand Prize

From https://www.imdb.com/title/tt1703914/awards?ref_ tt_ql_op_1 =

The List of Award Records of Parking: • Cannes Film Festival 2008 Nominee Mong-Hong Chung Golden Camera Nominee Mong-Hong Chung Un Certain Regard Award

• Golden Horse Film Festival 2008 Winner FIPRESCI Prize Winner Best Art Direction Golden Horse Award Shih-hao Chao Nominee Best Supporting Actor Golden Horse Award Outstanding Taiwanese Film of the Year APPENDICES: FILMMAKERS’ FILMS AND LISTS OF AWARD … 249

• Hong Kong Asian Film Festival 2008 Winner Mong-Hong Chung New Talent Award • Taipei Film Festival 2009 Winner Best Director Festival Prize Mong-Hong Chung Best Screenplay Mong-Hong Chung Best New Talent Peggy Tseng

Winner Mong-Hong Chung International New Talent Competition—Special Jury Prize Nominee Mong-Hong Chung International New Talent Competition—Grand Prize Nominee Grand Prize Taipei Grand Award Mong-Hong Chung

From https://www.imdb.com/title/tt1232827/awards?ref_ tt_ql_op_1 =

The List of Award Records of Soul • Black Movie Film Festival 2014 Nominee Mong-Hong Chung Critics Prize • Chicago International Film Festival 2013 Nominee Mong-Hong Chung Audience Choice Award

• Golden Horse Film Festival 2013 Winner Best Sound Effects Golden Horse Award Duu-Chih Tu Li Chi Kuo Nominee Best Director Golden Horse Award Mong-Hong Chung Best Leading Actor Yu Wang Best Cinematography Mong-Hong Chung Best Art Direction Shih-hao Chao 250 APPENDICES: FILMMAKERS’ FILMS AND LISTS OF AWARD …

• Taipei Film Festival 2013 Winner Best Narrative Feature Festival Prize Mong-Hong Chung A well-executed attempt at a genre that is rare in Taiwanese cinema. The contribution from all of … More Best Actor Yu Wang (as Jimmy Wong) This is a delicate and well-crafted performance in which the acting is sub- tle and minimal, … More Best Cinematography Mong-Hong Chung (as Nagao Nakashima) The composition of every frame convincingly expresses the atmosphere and the environment of the … More Best Music Seu-ming Tseng Compared to the often excessive use of overwrought music in many Taiwanese flms, the music here … More

From https://www.imdb.com/title/tt3091254/awards?ref_ tt_ql_op_ = Works Cited

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Filmography A Confucian Confusion (獨立時代). Dir. Edward Yang (楊德昌). Perf. Chen Shiang-chyi (陳湘琪), Ni Shu-chun (倪淑君), Wang Wei-ming (王維明), Wang Bo-sen (王柏森), Danny Teng (鄧安寧), and Richie Li (李芹). Atom Films and Theatre, 1994. DVD. A One and a Two (一一). Dir. Edward Yang. Perf. Wu Nien-Jen (吳念真), Elaine Jin (金燕玲). Atom Films and Theatre, 2000. DVD. Cape No. 7 (海角七號). Dir. Wei Te-sheng (魏德聖). Perf. Van Fan (范逸臣) and Chie Tanaka (田中千繪). ARS Film, 2008. DVD. Darkness and Light (黑暗之光). Dir. Chang Tso-chi (張作驥). Perf. Lee Kang-yi (李康宜) and Robert Fan (范植偉). Chang Tso Chi Film Studio, 1999. DVD. Doctor (醫生). Dir. Chung Mong-hong. Cream Film, 2006. DVD. I Don’t Want to Sleep Alone (黑眼圈). Dir. Tsai Ming-liang (蔡明亮). Perf. Lee Kang-sheng (李康生), Norman Atun (諾曼奧圖), and Pearlly Chua (蔡寶珠). Home Green Films, 2006. DVD. Mahjong (麻將). Dir. Edward Yang. Perf. Virginie Ledoyen, Ko Yu-luen (柯宇 倫), Tang Tsung-sheng (唐從聖), (張震), and Wang Chi-tsan (王啟讚). Atom Films and Theatre, 1996. DVD. Parking (停車). Dir. Chung Mong-hong (鍾孟宏). Perf. Chang Chen (張震), Leon Dai (戴立忍), and (高捷). Cream Film, 2008. DVD. Soul (失魂). Dir. Chung Mong-hong. Perf. Joseph Chang (張孝全) and Wang Yu (王羽). Cream Film, 2013. DVD. Soul of a Demon (蝴蝶). Dir. Chang Tso-chi. Perf. Zeng Yi-zhe (曾一哲), Chen Pei-jun (陳佩君), and Cheng Yu-ren (程毓仁). Chang Tso Chi Film Studio, 2007. DVD. Spider Lilies (刺青). Dir. Chou Zero Meiling (周美玲). Perf. Yang Cheng-lin (楊 丞琳), and Leong Isabella Lok-sze (梁若施). Vision 3 Films, 2007. DVD. Splendid Float (豔光四射歌舞團). Dir. Chou Zero Meiling. Perf. Chen Yu-ming (陳煜明), Chong Yi-qing (鍾以慶), Wang Xue-ren (王學仁), Lai Yu-qi (賴昱 錡), and Wang Ming-zhang(王明璋). Cimage Films, 2004. DVD. WORKS CITED 265

The Best of Times (美麗時光). Dir. Chang Tso-chi. Perf. Robert Fan, Kao Meng- chieh (高盟傑), and Tsai Ming-shiou (蔡明修). Chang Tso Chi Film Studio, 2002. DVD. The Fourth Portrait (第四張畫). Dir. Chung Mong-hong. Perf. Bi Xiao-hai (畢小 海), (郝蕾), and Leon Dai (戴立忍). Cream Film, 2010. DVD. The Wayward Cloud (天邊一朵雲). Dir. Tsai Ming-liang. Perf. Lee Kang-sheng, Chen Shiang-chyi (陳湘琪), Yang Kuei-mei (楊貴媚), Lu Yi-ching (陸弈靜), and Sumomo Yozakura (夜櫻李子). Home Green Films, 2005. DVD. What Time Is It There? (你那邊幾點). Dir. Tsai Ming-liang. Perf. Lee Kang- sheng, Chen Shiang-chyi, and Lu Yi-ching. Home Green Films, 2001. DVD. Index

A Anderson, John, 24 abjection, 135, 176, 201 androgyny, 144 aboriginal, 5, 14, 84, 100, 109, 115, anthropological place, 11, 90, 106, 177, 182 107 absurdist, 197, 224, 225, 227 antihero, 178 activism, 130 Anti-Japanese sentiment, 92 actual, 9, 45–47, 49, 51, 62, 66, 70, Anti-Japanese War, 114 75, 105, 108, 110, 128, 136, anxiety, 43, 49, 87, 106, 131, 143 217, 218, 222 any-space-whatevers, 10, 44, 66, 70, adolescence, 46, 206 77, 78, 218, 222, 227 aesthetic, 1, 3, 9, 15, 21–23, 35, 39, Anzaldua, Gloria, 153 43, 45, 87, 116, 139, 190, 210 Appadurai, Arjun, 116 aesthetic of unease, 14 apparatuses, 12, 50, 113, 115, 126, aesthetics of violence, 13, 220 135, 155 affect, 10, 44, 50, 70, 73, 77, 78, 100, Asian, 3, 28, 68, 92, 95, 99, 153, 192 112, 126, 138, 139, 150 Augé, Marc, 11, 90, 148 affection-image, 10, 73, 77, 78 auteur flm, 2, 3, 22, 85 alienation effect, 24, 34 autonomy, 93 Allen, Woody, 30 à-venir, 71, 77 alter ego, 33, 75, 182 alternative home spaces, 227 alternative modernity, 1, 7, 112 B amateur, 82, 98 Babanalidu, 14, 182, 183 ambivalence, 4, 8, 11, 28, 86, 89, 91, Babuscio, Jack, 53 131, 139, 155 banalities, 2, 85 Analects, 24 Banana Paradise, 2, 85

© The Editor(s) (if applicable) and The Author(s) 2019 267 I. I. Chang, Taiwan Cinema, Memory, and Modernity, https://doi.org/10.1007/978-981-13-3567-9 268 Index

Beautiful Duckling, 84 Cape No. 7, 4, 5, 10, 11, 81, 82, 84, Bei-dao, 69, 70 87, 88, 90, 91, 97, 98, 102, Berlin Wall, 94 107–110, 112, 118 Berry, Chris, 7, 14, 64, 170, 175, 176 capitalism, 1, 6–8, 12, 14, 19–21, 28, The Best of Times, 13, 14, 161, 162, 29, 33, 36, 92, 94, 197, 205, 211 169, 170, 172, 173, 175 capitalism-centered, 111 Bih, Herng-dar, 118 Case, Sue-Ellen, 133 bildungsroman, 189 the categories of life, 44 bishojo, 12, 132, 134–136, 138, 155 cathexes, 147 black humor, 199, 221 ceremonial body, 9, 43, 47–51, 64, blackout, 29, 167–169, 175 65, 72, 77 blind, 22, 25, 36, 162–165, 169, 198, Chang, Chien-wei, 88 204, 210 Chang, Ching-ru, 107 Bloom, Michelle E., 66, 67 Chang, Hsiao-hung, 48, 66, 69, 154, 400 Blows, 48, 66, 67 218, 219 body, 9, 10, 23, 34, 35, 44, 47–51, Chang, Ivy I-chu, 22, 47, 68, 74, 114, 53, 55, 59, 62–64, 67, 71, 72, 115, 141 74–77, 131–136, 173, 196, 201, Chang, Tso-chi, 161–163, 167, 169, 217–220, 222, 226, 227 170, 178 borderland, 10, 82, 83, 90, 153 Chang, Wei-fang, 206, 208 , 2, 85, 86 Chang, You-chi, 170 BOT, 11, 90, 110, 111 Chao, Antonia Yen-ning, 127, 129, boundary, 61, 63, 85, 103, 115, 116, 141, 154 135, 150, 202 Chao, Daniel Ting-huei, 144 bourgeoisie drama, 35 Chao, His-yen, 142 Boys for Beauty, 140 Chen, Chen-ying, 31 , 162, 189 Chen, Chi-yen, 107 Brecht, Bertolt, 45 Cheng, Chao-you, 109 A brighter Summer Day, 2, 30 Cheng, Ryan Ping-hung, 162, 163, Bruised Eye, 67, 68 167, 169, 183 Buena Vista, 87 Chen, I-chung, 91 Bungeishunjū, 95 Chen, Kuan-Hsing, 92, 93 butch, 141 Chen, Li, 87 butch/femme, 127, 129, 133 Chen, Mickey, 140 Butler, Judith, 50, 134, 136, 139 Chen, Robert Ru-shou, 2, 3, 84, 85 Chen, Shui-bian, 88 Chen, Tzung-yi, 5, 82, 83 C Chiang, Hui-chen, 5, 84 cacophony, 114 Chiang, Kai-shek, 51, 114 calamities, 43, 48, 69 Chiao Tung University, 31, 55, 149 camp aesthetics, 50, 53 Chien, Chia-hsin, 130 , 74, 197, 198, 202 Chien, Ching-hang, 142 Index 269

Children Trilogy, 189 Cronos, 9, 43, 45, 47, 48, 50, 62, 63, Chinese Culture Renaissance 75, 77 Movement, 114 cross-dressing, 141, 143, 194 Chinese nationhood, 85 cross-ethnic narrative, 162 Chiu, Ruo-lung, 106 cross-strait, 1, 14, 15, 25, 27, 197, Chou, Zero, 1, 12, 125, 126, 129, 198 134, 139, 140, 143, 148–150, Crystal Boys, 154 153, 155 crystal image, 45, 46, 48–51, 65, 67 Chow, Stephen Hsing-chi, 4, 81 crystalline circuit, 43 Chung, Mong-hong, 1, 3, 14, 189, crystalline seed, 45, 64 196–198 cultural artifacts, 11, 89, 90, 110 Chu, Wei-cheng, 154 cultural envy, 7, 118 cinema-body-thought, 44 cultural gap, 89 cinema of body, 43–45 cultural inheritance, 7, 111, 119 the cinema of the body, 9 cultural problem, 24, 28 city flm, 8, 21 cultural revolution, 114, 117 City of Sadness, 2–4, 83, 85, 86, 162, cultural transference, 11, 90 211 custom, 171, 178 cityspace, 9, 23, 34, 35, 74 civil war, 6, 14, 92, 112 close-ups, 15, 36, 58, 61, 73, 75, D 76, 103, 144, 167, 168, 170, Darkness and Light, 13, 161–163, 169 172, 183, 190, 199, 206, 212, decadence, 13, 14, 179, 186 215–217, 221 dechronologization, 9, 77 coexistence, 43, 46, 48, 49, 66, 67, decolonization, 92 74, 77 deep focus, 2, 3, 29, 85, 171 Colonial Eye, 97, 99 déjà-la, 10, 49, 78 colonial legacy, 4, 5, 7, 84 Deleuze, Gilles, 9, 43–47, 64, 72, 73, colonial reminiscence, 10–12, 113, 218, 227 115, 116, 119 Delhomme, Benoît, 65 colonizing modernity, 112 dematerialize, 173 comedy, 23, 25, 30, 84, 86, 87, 200, denaturalize, 136 226 deontological, 135, 139 coming-of-age, 30, 185 desire, 7, 10, 12, 13, 15, 16, 21, 43, commodity, 93 49–51, 53, 55, 59, 62, 68, 76, communist, 6, 114 77, 91, 96, 99, 100, 111, 117, A Confucian Confusion, 8, 19, 23, 26, 119, 125, 126, 128, 130–133, 27, 30 135, 136, 138, 141–144, Confucius, 24, 26, 114 146–155, 193, 202 crane shot, 143, 183, 185 detachment, 15, 34, 192, 204, 215, crisscrossing, 21, 50, 183 222 270 Index deterritorialization, 9, 66, 73, 77, 219, durée, 9, 10, 22, 43, 47, 48, 65, 69, 227 71, 77, 78, 170, 172 Diajiaolou, 170 , 201 dichotomy, 8, 136, 143 Dust In The Wind, 2, 85 didacticism, 22, 23, 26, 30 dynamism, 13, 22, 23, 35, 161 diegesis, 2, 14, 35, 75, 85, 126, 162, dysfunction, 191, 216 166, 177, 179 diegetical, 29, 71 differ, 84 E différance, 195 Eat, 45 difference, 24, 33, 38, 46, 64, 97, Edward Yong, 1–3, 8, 19, 22, 27, 30, 100, 113, 117, 118, 131, 134, 38, 83, 85, 190, 197, 211 139, 218 ego, 26, 147, 181 Ding, Naifei, 129 ego-libido, 147, 181 disidentifcation, 50, 134 Eight and Two Quarters, 226 disjuncture, 2, 6–8, 20, 115, 176 emancipatory imagination, 11, 116 displacement, 10, 44, 55, 59, 61, 100, Emperor Huang, 113 107, 191, 199, 223, 226 entertainment, 37, 82, 116 disposability, 7, 20 erotic, 128, 131, 135, 138, 144, 149, dissolves, 64, 162, 167, 169, 170 153 dissonance, 218, 219 everyday banality, 14, 22, 47, 48, 51 diversity, 30, 119, 140, 141 everyday body, 9, 43, 44, 47–51, 53, Doctor, 14, 15, 189–193, 196, 206, 63–67, 69, 77, 163, 172 207 everyday life, 11, 22, 32, 86, 90, 117, documentary, 13, 15, 48, 88, 140, 148–151, 178 162, 171, 176, 190, 192, 193, excess, 58 195, 196, 206 exhibitionism, 139, 144 double, 45, 49, 50, 56, 62, 64, 65, 68, 70, 74, 76, 114, 131, 140, 179, 196, 202, 204, 222 F double-gendered, 143 fading in, 29, 64, 71 double tablet, 152, 153 fading out, 29, 33, 64, 168, 169 Douglas, Mary, 201 false narrative, 10, 43, 46, 47, 50, 64, drag, 12, 13, 51, 53, 76, 140–145, 65, 73, 75, 77, 78 147–156 falsifying narration, 46 Dragonfy Ya-Ju, 109, 110 fantasy, 10, 13, 49–51, 53, 62, 63, dream, 14, 38, 45, 49, 51, 53, 70, 75, 131, 134, 145, 146, 148, 149, 76, 82, 86, 87, 176, 183, 193, 155, 161, 163, 167–170, 172, 207, 212, 213, 216, 221–223, 173, 175, 176, 183, 185, 224 225–227 fantasy space, 167 duality, 202, 212, 219 feeling thing, 73 Fellini, Federico, 30, 46, 226 Index 271 female perspective, 13, 161, 163 gaze-desire circuit, 58, 59, 62 femininity, 12, 53, 135, 147, 155 gender reversal, 98 Feminism, 139 gender roleplay, 192 femme, 12, 133 genre, 10, 51, 55, 77, 84, 162, 169, fertility, 76 176, 178, 189, 224 fetish, 7, 8, 11, 59, 89, 90, 100, 105, genuine, 10, 12, 26, 49, 55, 59, 111, 106, 111, 112, 118, 131, 132, 129, 209, 222 136 gest, 45 flm noir, 224, 225 ghost, 9, 63, 64, 90, 91, 129, 131, Films about Body, 140 133, 149, 153, 202, 212, 218 flm-within-the-flm, 10, 49, 55, 77, Giddens, Anthony, 6, 20 145 Gillain, Anne, 67 fn-de-siêcle, 8, 20 global fow, 6, 7, 21 fashback, 101, 204 globalization, 2, 6, 7, 19, 20, 89, 92– foat, 102, 140, 144, 148, 150, 95, 97–99, 106, 111, 115–117, 152–154, 212 170, 190, 198 fow, 4, 7, 8, 20–22, 30, 84, 89, 97, glocalization, 1, 7, 11, 15, 99, 100, 99, 103, 105 105, 116, 118, 119 Foucault, Michel, 149 GLQ, 138 fourth-century B.C. ideology, 24 Goethe, Johann Wolfgang von, 91, The Fourth Portrait, 189, 191, 206, 101 208, 211 Gopinath, Gayatri, 155 fragmented images, 15, 190 grassroot imagination, 7, 10–12, 16, framed perception, 10, 22, 59, 61, 62, 92, 111, 116–119 77, 168 Guishan Island, 173 frame-within-the-frame, 8, 15, 22, 23, 35, 39, 190, 208 Frontera, 153 H , 201 Hades, 127, 149, 153 futile, 10, 50, 55, 76, 197, 205 Hakka, 87–89, 115, 162, 170, 173 Hall, Stuart, 97, 99, 117 Han-centered, 151, 179, 182 G hand-held shots, 15, 143, 190, 208 gang flm, 169, 173, 178 handicappe, 165 gangster, 1, 13, 29, 75, 161–163, 165, Han dynasty, 114 166, 172, 174, 175, 178, 179 Happy Rice, 96 gang trilogy, 161, 176, 185 hari, 95 gay representation, 126, 140–144, hara-kiri, 183 150, 155 Harvey, David, 7, 20, 89, 105, 106 gaze/gazed, 8, 12, 15, 58, 61, 76, Hasumi, Shigehiko, 27 108, 126, 132–134, 136, 143, haunted, 127, 174, 175, 217, 223 145–147, 155, 179, 190, 204 haunted-ness, 176 272 Index haunted realism, 7, 14, 170, 175, 176 hybridization, 8, 13, 21, 139, 155 Healthy Realism, 84, 85 hyperbolic, 10, 12, 29, 49, 53, 77, Heidenroeslein, 11, 90, 91, 101–103 135, 138, 145, 155 Hengchun, 10, 11, 82, 88, 90, 96, 97, hyperbolic realism, 64 105, 107–113 hero, 178, 210 heterochronics, 150 I heterosexual, 12, 13, 50, 51, 53, 125, Ibrahim, Anwar, 68 128–130, 133–136, 139, 142, identifcation, 8, 12, 16, 50, 105, 144–146, 148, 150–152, 154, 106, 111–113, 117, 119, 126, 155 133–135, 147, 165, 167, 180, heterosexual matrix, 10, 134, 136 181 heterosexual representation, 12, 53, identity, 7, 8, 13, 20, 85, 86, 92, 106, 126, 155 115, 116, 135, 138, 139, 155, heterosexual temporality, 50, 63 181, 192, 197, 201, 217 heterotopia, 149, 150 I Don’t Want to Sleep Alone, 9, 10, high angle shot, 185 43, 78 historical, 2, 5, 7, 11, 14, 69, 85, 86, image, 7, 8, 20, 22, 26, 36, 45, 47, 89–92, 100, 101, 103, 105–107, 51, 62, 66, 67, 71, 96, 105, 106, 111–115, 117, 177, 191 109, 111, 115, 116, 129, 131, historical violence, 191 132, 134–136, 143, 152–154, Hobsbawn, Eric J., 113 169, 173, 219, 223 Ho, Hwei-wen, 93, 95 imagery, 9, 13, 15, 22, 23, 26, 33–35, Hole, 43, 49 48–50, 58, 66, 70, 77, 172, 173, Hollywood, 1, 2, 4, 5, 81, 84, 86, 169 178–180, 182, 185, 190, 199, homeland, 172, 173, 182 201, 204, 218, 227 homophobia, 13, 135, 154, 155 imaginary, 9, 53, 55, 63, 65, 66, 92, homosexual, 125, 129, 134, 139, 142, 113, 114, 218, 227 153 the imaginary/symbolic, 10, 13, 46, Honda Shiro, 99 58, 66, 70, 131, 135, 149, 151, Hong Kong, 4, 14, 28, 29, 37, 127, 154, 155, 218, 222 129, 201 imitation, 136 Hou, Hsiao-hsien, 2, 3, 34, 83, 85, impersonation, 53, 141, 194 162, 176, 189, 210, 211 implosion, 9, 36, 37 Hsin-tien, 170 incongruity, 22, 26, 53, 178 Hsin-yi District, 170 independence, 14, 87, 113, 114, 119, Hsu, Chie-lin, 90, 91 183 Huang, Yi-mei, 196–198, 224 industrialization, 93 Huang, Ying-fen, 4, 83 In Our Times, 2, 85 Hung, Yue-ching, 19 instantaneity, 7, 20 Huwei, 107 inter-Asia, 129 hybrid, 14, 51, 153, 176, 183 internal colonization, 92 Index 273 internalize, 13, 151, 155 Lee, Ang, 4, 81 intertextuality, 9, 66, 67, 78, 105– Lee, Hsiu-chuan, 34 107, 111, 118 Lee, Jo-yun, 68 intimacy, 10, 26, 49, 55, 59, 140, Lee, Ming-Tsung, 94 149, 152–155 Lee, Tain-dow, 93, 95 inversion, 217 Lee, Teng-hui, 115 invisible, 8, 23, 35, 39, 129 Lee, Vivian, 53, 61 Island Etude, 96 Legislative Yuan, 94 isomorphism, 201 Leigh, Alphonse Youth, 30 Iwabuchi, Koichi, 92, 95, 99 lesbian, 12, 13, 50, 64, 125–136, 138, 139, 141, 149, 153, 155 Liao, Hsue-hsien, 107 J libidinal cathexes, 147, 181 Jameson, Frederick, 28, 97 libido, 125, 133, 147, 148 Japanese, 4, 5, 8, 10–12, 14, 31, 32, Li, Chi-she, 68 38, 49, 55, 82, 84–88, 90–103, the lifting of martial law, 87 106, 111–115, 119, 127, 134, Li, Hsing, 84, 85 177, 182, 193, 219, 220 Li, Jerome Chen-ya, 30 Japanophilia trend, 10, 11, 94, 96 liminality, 149, 168, 212, 227 jianghu, 13, 161 liminal space, 167, 218, 222, 227 Jones, Kristin Marriott, 65, 66 Lim, Kien-ket, 68 Lin, Chi-ming, 162, 173 Lin, Wan-yi, 88 K Lin, Wen-chi, 21, 30, 217 Kaohsiung, 109, 112 Liou, Liang-ya, 130 Keelung, 11, 13, 90, 102, 106, 112, Li, Ruo-yun, 68 149, 161, 163, 164, 168, 185 Li, Ta-yi, 4, 84 Kenting, 11, 90, 96, 111 Little Cheung, 201 The Kings of Hades Governing Ten Liu, Jen-peng, 129 Palaces, 152 Liu, Kung-chun, 170, 173 Korea, 86 localization, 89, 93, 98 Kristeva, Julia, 201 long shot, 29, 75, 143, 166, 167, 185, , 4, 81 210, 211 Kuomingtang (KMT), 6, 20, 88, 91, long take, 2, 3, 85 92, 94, 112–115, 172 Love Song of Soul Transcendence, 153 low angle shot, 171, 179, 183 L lower rank, 162 Lan, Tsu-wei, 86, 87, 101 Lu, Feii, 162, 167 Lanyu, 177, 182, 185 Lumpur Kuala, 10, 49, 69, 78 layer, 34, 45, 66, 70, 218, 222, 227 Luo, Eric Ching-yao, 142 Léaud, Jean-pierre, 48 lust, 4, 20, 29, 55, 58, 76 274 Index

Lu, Xun, 30 memories, 2, 5, 11, 12, 14–16, 22, 45, 46, 74, 86, 89, 90, 92, 96, 103, 105, 111, 117, 119, 125–127, M 131, 132, 149, 190, 192, 195, macabre, 161, 173, 175, 194 204, 221, 223 Made in Taiwan, 5, 6, 84, 217 Mencius, 114 Madman’s Diary, 30 merging, 202 Magic Flute, 50, 69, 71, 72, 74 meta-narrative, 105, 113 Mahjong, 8, 19–21, 28, 30, 83, 190 metonymy, 9, 23, 28, 29, 34, 50, 63, Mainlanders, 86, 91, 92, 114, 115, 77 162, 165, 170, 172, 205 Metro Rapid Transit (MRT), 19, 22, mainland veteran village, 170 28, 29 Malaysia, 49, 67, 69 microcosm, 48, 170, 197 male bonding, 13, 161, 163, 176 micro-histories, 117 male sociality, 163 micro movement, 71 Mandarin, 74, 85, 87, 170 mirror image, 31–33, 215 Mandarin-speaking movement, 114 mise-en-scène, 4, 59, 83, 189, 208 manhood, 13, 161, 172, 193, 207 mobile, 148, 149, 154 margin, 13, 83, 149, 161, 162 mobility, 22, 23, 35, 135, 148 marginality, 117 modernity, 1, 2, 4, 6, 7, 11, 12, 14, Martial Law, 6–8, 19, 94, 110, 114, 20, 90, 97, 111, 175, 176 162 modernization, 2, 3, 6–8, 15, 20, 21, Marxism, 114 85, 89, 92, 93, 95, 97, 98, 109, masculine, 129, 130, 144, 147, 151, 112, 119 193, 207 monopolization, 109–111 masculinity, 129, 130, 147, 172 Mon, Ya-feng, 177, 178 masquerade, 12, 49, 125, 126, 135, mourning, 12, 13, 125, 126, 131, 145, 146, 151, 155 132, 135, 139, 140, 145, 147, 2/28 Massacre, 115 149–151, 155, 156, 181, 182, materialize, 134, 150, 217 192 maternal, 165 movement, 2, 5, 12, 44, 45, 47, 48, mediated-body, 10, 77 64, 65, 82, 85, 92, 112, 114, medium close-up, 29, 166, 173, 174 115, 129–131, 135, 140–143, medium shot, 29, 76, 143, 166, 167, 167, 194, 212 174, 179, 202 movement-image, 43, 44 melancholia, 12, 125, 126, 131, 139, Mozart, 10, 50, 69–73, 75, 101 140, 147, 155, 181 mukokuseki/no nationality, 99 melancholic, 127, 139, 147, 180, 181 multi-ethnic, 13, 74, 161, 170, melancholy, 51, 147, 179, 180 176–178, 185 melodrama, 8, 22, 126 multifaceted, 70, 198, 227 multilayered image, 66, 218 Index 275 multi-lingual, 74, 170 147, 149, 155, 169, 172, 180, multiple colonization, 11, 14, 183 181, 191, 194, 199, 221 multiple modernities, 7, 176 objection, 55 Mulvey, Laura, 136 object-libido, 147, 181 musical, 10, 49–51, 53, 72, 77, 86 oblique angle shot, 167 Ode to Formosa, 112 Oedipus, 226 N off-screen sound, 22, 30, 32, 36, 169 Nanfang’ao, 13, 161, 177, 179, 185 A One and a Two, 8, 19, 30, 190 narcissism, 12, 138, 144, 145, 155 opsigns, 10, 44, 62, 70, 77 narcissistic, 138, 144–147, 180, 181 original equipment manufacturing national allegory, 28, 29, 68, 91, 97, (OEM), 6, 20 98, 113, 114 Orphan of Asia, 91 nationalist boundary, 12, 115 Our Neighbor, 84 national narrative, 113, 115–117 Ou, Su-ying, 102 near-placelessness, 66 out-of-feld, 44, 45 Nestle, Joan, 133 overlap, 23, 33, 50, 67, 179 new colonization, 92 overlapping, 9, 10, 23, 33, 34, 44, 48, new ethnicity, 117 49, 55, 58, 61, 77, 173, 204, 211 NHK, 95 over-the-shoulder shot, 103, 167, 215 Nietzsche, Freidrich Wihelm, 46 Oyster Girl, 84 No Exit, 196, 197 non-desire, 49, 72 nondiegetic, 26, 178, 179, 199 P non-diegetical, 71, 103 Pai, Hsien-Yung, 154 non-linear, 2, 43, 150 Paiwan, 100, 110 non-mainstream, 82 paradoxical commonplace, 65 Non-no, 94 parallelism, 31 non-place, 11, 90, 148 Paris, 9, 48–50, 62–67 non-professional actor, 43, 44, 47, 48, Parking, 14, 15, 189–191, 196, 197, 67, 77, 162, 172 202, 204, 212, 223 non-subject, 125, 133, 135, 139 parody, 2, 8, 10, 12, 25, 32, 37, 51, nostalgia, 8, 11, 89–92, 95, 96, 100, 53, 63, 77, 85, 138, 145, 146, 101, 106, 162 155 Nowell‐Smith, Geoffrey, 21 Parry, Amie, 133 pathological, 125 patriarchal, 12–14, 48, 131, 135, 137, O 150–153, 155, 165, 166, 176 object, 10–12, 15, 21, 45, 55, 58, 61, patriarchy, 136, 165, 176, 181 73, 100, 105, 106, 114, 125– patricide, 14, 177, 181–183, 226 127, 131, 132, 135–140, 142, performativity, 12–14, 126, 134, 138, 150, 155, 176 276 Index phallocentric, 134, 135 queer performativity, 10, 12, 50, 53, phallus, 51, 131 77, 126, 137–139, 145, 151, 155 Ping Ke, 87 place-based, 6, 11, 16, 20, 44, 109, 112, 116, 119 R place-based transnational spheres, 12, Rapfogel, Jared, 53 115 reaction shot, 168, 169, 174 pleasure, 136, 140, 154, 194 realist, 14, 29, 167, 169, 170, 175, plebeian memory, 103 176, 183, 185, 224 poetic realism, 169, 170 Rebels of the Neon God, River, 4, 47, poetics, 14, 129, 179 48, 83 point-of-view shot, 35, 38, 58, 164, reconceptualization, 198 167, 169, 174, 199, 225 reconstruction, 97, 195 points of present, 43, 46, 47, 49, 75, redemption, 14, 27, 30, 161, 163, 77 179, 192, 195, 222 political ideology, 119 rediscovering Hengchun, 111, 112 porn, 10, 49–51, 55, 56, 59, 62, 132, rediscovery, 117 136, 137 religious, 14, 31, 63, 70, 114, 179, pornography, 126, 127, 132, 133, 136 222, 227 post-colonial, 98, 99 religious practice, 7, 14, 172, 175, postmodern, 7–9, 11, 20, 69, 89, 97, 176, 179 105, 106 Renaissance, 9, 50, 92, 95, 114 postmodern opera house, 69, 70 replicate, 36, 206, 209 post-modern simulacrum, 7, 11, 105, retard, 162, 163, 172 118 reticence, 129 Post-Taiwan New Cinema, 5, 162 return from the fringe, 15, 191 POV, 180 revealer, 15, 43, 45, 48, 72, 172 PTT, 82 reverse-shot, 199 publicity, 87, 107 Rich, Adrienne Cecile, 133 Pudu Jail, 69 Robertson, Roland, 99 Pu-fen, 130 romance, 10, 29, 31, 37, 84, 86, 90, 96, 100, 103, 115, 118, 126, 128, 218 Q ruin, 10, 49, 68–71, 73, 77, 78, 127, quasi documentary, 162 179, 180 queen, 12, 13, 53, 140–145, 147–155 queer, 10, 12, 13, 44, 49–51, 53, 63, 68, 70, 73, 76–78, 125, 126, S 129, 130, 134, 135, 140, 141, sadism, 181 145, 146, 148–156, 176, 194 samurai, 183, 193, 206 queer act, 152 screens, 8–10, 25, 29, 33, 35–37, 70, 132, 168, 169, 175 Index 277 secular modernity, 1, 7, 14, 170, 175, space, 6, 9, 11, 13–15, 20, 22, 24, 176 32–34, 47, 61, 65, 66, 71, 73, Sedgwick, Eve Kosofsky, 137–139, 89, 90, 94, 97, 99, 102, 105, 145 107, 108, 114, 117, 125, 139, Seediq Bale, 82, 86 140, 148–150, 153–155, 163, self-refexivity, 26, 64, 68 164, 168–171, 176, 178, 186, sensory-motor link, 44, 62 191, 192, 196, 202, 205, 209, sentiments, 95, 100, 109, 116 218 seppuku, 194 spatial layout, 8, 13, 22, 167 shaman, 125, 140, 149, 151, 152 spatial manipulation, 23 the Shaman Governing Three Spheres, spatial pattern, 61 151 spectacle, 12, 14, 49, 58, 143, 155, shame, 12, 13, 21, 125–128, 130, 178 131, 137–140, 145, 151, 152, Spider Lilies, 12, 13, 126–128, 131, 155 132, 134, 155 shamisen, 112, 113 Splendid Float, 12, 13, 126, 139, 140, sheets of past, 43, 46, 48, 49, 66, 67, 142–155 74, 77 stereotype, 53, 116, 130, 178, 193, Shen, Shiao-ying, 30 205 shifting perspective, 15, 190 stigmatize, 130, 140, 141, 154 shot-reverse-shot, 13, 15, 26, 64, subculture, 63, 126, 131, 140, 141 167–170, 173, 174, 190, 199 subject, 13, 14, 58, 61, 87, 91, 117, Shu, Kuo-chi, 117, 118 125, 126, 128, 137–140, 145, simulacra, 9, 11, 36, 37, 90, 111 147, 155, 180, 181, 195 simulacrum, 34, 37, 105–109 sub-station, 92, 95, 97 simulation, 35, 36 substitutions, 10, 49, 59, 77 Singapore, 163, 164 Subversion, 139 Sing, Song-young, 48, 70, 71, 162, A Summer at Grandpa’s, 2, 85, 189 164, 169, 170 Sung, Yao-kuang, 109 Smith, Anthony D., 113 Sun, Rui-sui, 112, 113 soft power, 98, 99 Sun, Yet-sun, 114 sonsigns, 10, 62, 77 superstitious, 114 Soul, 13–15, 173, 177, 179, 189–191, suppressed memories, 212 218, 219, 223–227 symbolic, 38, 105, 107–109, 112, soul consoling ritual, 152 139, 150, 152, 153, 201, 227 soul invoking ritual, 151 Soul of a Demon, 161, 170, 176, 182, 183 T “Soul Transcending Song”, 153 tablet, 152 soundscape, 74 taboo, 114, 115, 128, 131, 132, 146, soundtrack, 103 149–151, 153, 183, 195 Soviet Union, 94 Taichung, 106, 107 Taipei Trilogy, 8, 19–23 278 Index

Taiwan, 1–8, 10–15, 19, 20, 24, Tomlinson, John, 11, 90 25, 28, 29, 31, 32, 37, 51, 69, topological transformation, 46 81–87, 89–97, 99, 101, 102, T-Po, 127, 130 108–110, 112–115, 119, 127, transform, 10, 13, 78, 138, 149, 152, 128, 130, 134, 135, 140–143, 155, 169, 176 148, 153, 154, 161–163, 170, transformer sub-station, 92, 95, 97 172, 176–179, 181–183, 185, transgender, 129, 141–143 189, 192, 194, 197, 198, 205, transgress, 150 210, 211, 217 transnational landscape, 8, 12, 115 Taiwan Cinema, 1, 2, 4, 7, 15, 21, 83 transnational social sphere, 2, 11, 12, Taiwanese, 1–5, 7, 8, 10–14, 25, 15, 16, 116, 119 27–29, 32, 81–96, 98, 101, 110, transvestite, 50, 140–143, 145, 148, 112–116, 118, 130, 134, 140, 151 148–150, 155, 165, 170, 171, trauma, 2, 13, 85, 86, 115, 126, 127, 177, 182, 183, 198, 205 130, 155, 174, 180, 196, 226 Taiwanese grassroots imagination, 81 traumatized, 161 Taiwanese-Japanese reconciliation, 91 trespass, 15, 190, 202 Taiwanese-Japanese romance, 91 trilogy, 22, 48, 161, 186, 189 Taiwaneseness, 8, 12, 111, 113 Truffaut, François, 3, 9, 48, 66, 77 Taiwanese New Wave Cinema, 85 Tsai, Ming-liang, 1, 3, 4, 9, 43, 55, Taiwanese representation, 109 69, 74, 83 Taiwan Post-New Wave Cinema, 83 Tsai, Tzung-hsien, 108 Taiwan’s Miracle, 6, 20 Tsunoyama, Sakae, 92, 95, 99 Tang dynasty, 114 Tungzhi, 12, 140–142 Taoist, 13, 140, 142, 144, 149–152, TV video puppet show, 153 155 Tzeng, Hung-wen, 109 tattoo, 126–128, 131, 132, 137, 205 Tzou, Nien-tzu, 110 technology, 6, 29, 32, 35, 36, 38, 93 Tendencies, 135 Teng, Shu-fen, 30 U The Terrorizers, 3, 30, 85 ultra-sonic scanner, 35 tilt, 183 Umass Zingrur, 110 tilt point-of-view shot, 166 uncanny/haunted, 191 time-image, 2, 9, 43–46, 48, 62–64, underpriviledge, 210 66, 67 un espace quelconque, 44, 218 time-space compression, 1, 2, 7, 20, unhomeliness, 191, 204 21, 89, 105–107 unifcation, 28, 87, 91, 113, 119 A Time to Live, A Time to Die, 2, 85, unreliable narrative, 15, 190 162, 189 urbanization, 6, 20 tiredness, 45, 47, 51 urban satire, 9, 24, 27 T-lesbian, 129, 130, 132 utopia, 106, 148, 150 tolerance, 28, 86, 118, 129 Index 279

V Wei, Cheng-tong, 114 veteran, 162, 165, 170–173 Wei, Te-sheng, 1, 4, 5, 10, 11, 81–84, violence, 7, 14, 21, 22, 29, 35, 36, 68, 86, 89, 101, 106, 107 116, 162, 168, 177–180, 185, Wen King, 114 205, 209, 215, 224, 225, 227 What Time Is It There, 9, 43, 62, 77 violent, 7, 14, 161, 166, 176, 178, , 114, 115 179, 198 “The Wild Rose”, 11, 90, 91, violent disjuncture, 170, 173, 176 101–103 virtual, 9, 10, 36, 45, 47, 48, 51, 55, Wong, Edmond, 24, 28 61, 66, 70, 73, 75, 77, 78, 107, Wood, Robin, 75 132, 135, 136, 195, 218, 222 word of mouth, 87 virtuality, 75, 227 Wu, Isabelle Pei-tsz, 32, 34 visible, 23, 39, 61, 142, 190 Wu King, 114 visual parallelism, 10, 32, 56, 166 Wu, Nien-jen, 2 visual similarity, 38 WWII, 112 Vive L’Amour, 48, 49, 64 voiceover, 13, 14, 36, 37, 161, 173, 178, 179, 182 X voyeuristic, 43, 49, 58, 59, 62, 126, Ximending, 31, 32, 94 128, 133–136 vulgar aesthetics, 15, 200 Y Yang, You-chang, 108 W Ye, Yung-chien, 108 Wang, Chi-hung, 154 Yi-yi, 190 Wang, Ching-ling, 151 yueqin, 89, 98, 101 Wang, Fu-chang, 114 Yu-fen, 127, 129 Wang, Hong-kuo, 88 Yung, Chi-chung, 68 Wang, Tung, 2, 85 Wang, Wan-jui, 162 Wan-Nien, 94 Z Warhol, Andy, 45 zongzi, 171 Wayward Cloud, 9, 10, 43, 48–51, 53, zoom, 2, 85 55, 61, 77