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Advanced Schenkerian Analysis: Perspectives on Phrase Rhythm, Motive, and Form by David Beach
Further Considerations of the Continuous ^5 with an Introduction and Explanation of Schenker's Five Interruption Models
Yale University Department of Music
To Be Or Not to Be: Schenker's Versus Schenkerian Attitudes Towards
Schenker's Theory of Music As Ethics
Schenkerian Analysis for the Beginner Benjamin K
Composition, Perception, and Schenkerian Theory David Temperley
The Death and Resurrection of Function
ANNOTATED GRAD GUIDE 19-20 Draft3
The Affective Role of Melodic Ascent and Other Linear Devices in Selected Song Verses of Irving Berlin
Prolongation of Seventh Chords in Tonal Music, by Yosef Goldenberg
A Wagnerian Ursatz; Or, Was Wagner a Background Composer After All?
Schenker's Conception of Musical Structure Author(S): Allen Forte Source: Journal of Music Theory , Apr., 1959, Vol
Schenker's Counterpoint
Schenker's Theory, Schenkerian Theory: Pure Unity Or Constructive Conflict?
Until Recently, Researchers Who Have Dealt Formally with Tonal Hierarchy (Prolongation) Have Considered Only Models in Which
Schenker's Leading Linear Progressions
ANALYSIS of TONAL MUSIC: a Schenkerian Approach THIRD EDITION
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Music Composition Pedagogy- a History, Philosophy and Guide
Disciplining Knowledge in Music Theory: Abstraction and the Recovery of Dialectics
Composition Reconsidered
Philosophical Encounters with Music Theory by Bryan J. Parkh
Becoming Heinrich Schenker: Music Theory and Ideology Cambridge University Press, 2014: Xx+275 Pp
Rothstein's Paradox and Neumeyer's Fallacies
Schenker's Versus Schenkerian Attitudes Towards Sequences
How to Build a Development Section: a Schenkerian Perspective
A Diminished-Seventh Bassbrechung: Tonal Ambiguity and the Prolongation of Function in Edward Elgar’S String Quartet, 1St Movement
Smooth Voice-Leading Systems for Atonal Music
Musical Algorithms and Fundamental Structures
Prolongation in Post-Tonal Music: a Survey of Analytical
The Place of Schenkerian Analysis in Undergraduate and Graduate Curricula David Gagne
The Fundamental Unity in Brahm's Horn Trio, Op. 40
Redalyc.Schenkerian Analysis and Popular Music
Chapter 3 Semitone-Related Keys II
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Prolegomena to a General Description of Motivic Relationships in Tonal Music
Schenker's Leading Linear Progressions
Schenker's Organicism Revisited 3