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Fortunata y Jacinta
Benito Pérez Galdós
Madrid Galdosiano Concilia Realidad Y Ficción, Realis- Mo Y Mito, Crónica Urbana Y Poesía Profunda
THE FUNCTION of the CHILD in NOVELS by GALDÓS by Michael
Obedience, Subversion and Autonomy in Tristana's Intertexts
Mario Camus Lee "Fortunata Y Jacinta", De Benito Pérez Galdós
Galdós As Disablitity Observer: the Mendicant and Militant Leg- and Foot-Afflicted” Vernon A
Galdosian Novels Adapted in Film and Television: 1970-1998
Tristana Y Su Interminable Final: Un No Decir Diciendo
Jos,E Ramon Sanchez
Introduction
Gald6s'. Use of Yellow in Character Delineation
Galdós's Historian Dreams About History Vernon A. Chamberlin
Lame Characters and the Devil in "Fortunata Y Jacinta", "Miau"
Guilt in Selected Novelas Conteporaneas of Benito Perez Galdos
Space and Place in Alejandro Galindo's 1950 Film Adaptation of Benito Pérez Galdós's Doña Perfecta
Fortuna Ta Y Jacinta Vernon A
Fortunata Y Jacinta Segun Televisión Española: La Lectura
Benito Pérez Galdós Nacido En Las Palmas De Gran Canaria El 10 De Mayo De 1843 Y Fallecido En Madrid El 4 De Enero De 1920
Top View
Sketches from the Galley Proofs of Benito Pérez Galdós’S Fortunata Y Jacinta Michael Schnepf
Fictional Matters: Death, Emotion and Representation in Nineteenth- Century Spain