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Benito Pérez Galdós
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Modern Languages and Literatures, Department Spanish Language and Literature of January 2004 Benito Pérez Galdós Harriet Stevens Turner University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/modlangspanish Part of the Modern Languages Commons Turner, Harriet Stevens, "Benito Pérez Galdós" (2004). Spanish Language and Literature. 11. https://digitalcommons.unl.edu/modlangspanish/11 This Article is brought to you for free and open access by the Modern Languages and Literatures, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Spanish Language and Literature by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. 27 Benito Pkrez Galdos HARRIETS. TURNER The term "Realism," whether applied to painting, philosophy, literature, or even to what today is called "the real reality TV," always implies a fundamental duality. There is, on the one hand, the perception of a world of things that simply exists - "inanimate, spatially extended, and subject to quantifiable forces" - and, on the other, there is the mind - "the seat of thought, understanding, sensation, and imagination."' The mind-body dualism of Descartes (1596-1650) and the inventions and discoveries of Galileo (1564-1642) had shaped for Western civilization the scientific worldview. This view delineated three basic intellectual positions vis-a-vis the relationship between -
Madrid Galdosiano Concilia Realidad Y Ficción, Realis- Mo Y Mito, Crónica Urbana Y Poesía Profunda
Cub. Galdos 30/5/08 08:16 Página 1 Biblioteca Madrileña de Bolsillo GUÍAS CULTURALES Benito Pérez Galdós (1843-1920) ha sido el gran Guía del escritor de Madrid. Él elevó la realidad de la ciudad, a la que llegó muy joven desde su Canarias nativa, Madrid a la condición de espacio mítico, que tiene hoy un lugar asegurado en la mejor novela europea. Como galdosiano el Londres de Dickens o el París de Balzac, autores con los que se empareja el gran novelista español, el Miguel García-Posada Madrid galdosiano concilia realidad y ficción, realis- mo y mito, crónica urbana y poesía profunda. Esta obra propone un recorrido muy preciso por 2ª edición algunos de los caminos y lugares preferentes del Madrid que concibió el más grande de nuestros novelistas después de Cervantes. Enlazando vida y literatura, esta Guía didáctica pretende introducir al escolar y al lector interesado o visitante de nuestra ciudad en un Madrid fabuloso, pero que guarda aún huellas del cercano ayer. Como complemento se incluyen mapas del Madrid de don Benito, se plan- tean propuestas didácticas y se indican rutas para rehacer la topografía galdosiana. GUÍAS CULTURALES Miguel García-Posada es Doctor en Filología Hispánica por la Universidad Autónoma de Madrid. Ha publicado más de una treintena de libros de crítica literaria, así como cerca de dos mil artículos en la prensa ordinaria y especializada, cuenta en su haber con varios títulos de creación, y ha dedicado varias obras a la didáctica de la literatura, entre ellas la Guía del Madrid barojiano, galdosiano del Madrid Guía publicada en esta misma colección. -
On First Understanding Plato's Republic
The European Journal of International Law Vol. 22 no. 4 © EJIL 2011; all rights reserved .......................................................................................... On First Understanding Plato’s Republic Philip Allott* Downloaded from A book can change a mind, but only if that mind is ready to be changed. The mind of a particular child formed, up to the age of reason, in a time of war, is liable to be ready to ask questions of a particular kind about the human condition – still more so, when, at http://ejil.oxfordjournals.org/ the age of eight, that child sees, on the front-page of the newspaper, images of Belsen and Hiroshima, images that would never be forgotten. In the 1940s it was still pos- sible to believe in childish innocence. Now even small children know too much about the worst that human beings can do. Beyond the age of reason, social influences interact with the particular character of our own mind and our own personal experience to form an ever-evolving idea, an ever-denser idea, of the human condition, forcing us to live our lives in an uncomfort- able reconciling of our own private worldview and the worldview imposed on us by by Robert Sedgwick on February 1, 2012 society. Books intrude into that process of self-evolving in a unique way. The private activity of other minds reaches far into our own mind through the very private activity of reading. Philosophy is an active presence in our minds, even in the minds of those who have never read a single sentence in a single book of philosophy. -
Idealism and Pragmatism in the Rhetoric of John Boehner
Idealism and Pragmatism in the Rhetoric of John Boehner: A Weaverian Analysis of Congressional Discourse Presented to the Faculty Liberty University School of Communication Studies In Partial Fulfillment of the Requirements for the Master of Arts in Communication Studies by Cody Ryan Hawley June 2014 Hawley 1 Thesis Committee William L. Mullen, Ph.D., Chair Date Faith E. Mullen, Ph.D. Date Cecil V. Kramer, D.Min. Date Hawley 2 Copyright © 2014 Cody Ryan Hawley All Rights Reserved Hawley 3 To Chuck and Kathy Hawley, My beloved parents, Responsible for All I am, And all I hope to be Hawley 4 Acknowledgements This Thesis represents the cumulative effort of countless individuals, many of whom may never know the debt to them I owe. Although I cannot name all, I wish to voice my appreciation for a few. First, Dr. William Mullen is the most any one could ever ask for in a Chair. His advice was always timely and wise, his encouragement genuine. In my life he has played countless roles–as instructor, advisor, rhetorical confidant, golf partner and friend. His influence has strengthened my resolve to attain knowledge and my commitment for a higher standard in education. There is no other one individual who has more prepared me for success in my future doctoral studies. I wish also to thank Dr. Faith Mullen and Dr. Cecil Kramer for their eagerness to serve as readers. Dr. Faith’s concern for her students is unparalleled, and I have not known a teacher more willing to go above and beyond to meet their needs. -
ABSTRACT Augustinian Auden: the Influence of Augustine of Hippo on W. H. Auden Stephen J. Schuler, Ph.D. Mentor: Richard Rankin
ABSTRACT Augustinian Auden: The Influence of Augustine of Hippo on W. H. Auden Stephen J. Schuler, Ph.D. Mentor: Richard Rankin Russell, Ph.D. It is widely acknowledged that W. H. Auden became a Christian in about 1940, but relatively little critical attention has been paid to Auden‟s theology, much less to the particular theological sources of Auden‟s faith. Auden read widely in theology, and one of his earliest and most important theological influences on his poetry and prose is Saint Augustine of Hippo. This dissertation explains the Augustinian origin of several crucial but often misunderstood features of Auden‟s work. They are, briefly, the nature of evil as privation of good; the affirmation of all existence, and especially the physical world and the human body, as intrinsically good; the difficult aspiration to the fusion of eros and agape in the concept of Christian charity; and the status of poetry as subject to both aesthetic and moral criteria. Auden had already been attracted to similar ideas in Lawrence, Blake, Freud, and Marx, but those thinkers‟ common insistence on the importance of physical existence took on new significance with Auden‟s acceptance of the Incarnation as an historical reality. For both Auden and Augustine, the Incarnation was proof that the physical world is redeemable. Auden recognized that if neither the physical world nor the human body are intrinsically evil, then the physical desires of the body, such as eros, the self-interested survival instinct, cannot in themselves be intrinsically evil. The conflict between eros and agape, or altruistic love, is not a Manichean struggle of darkness against light, but a struggle for appropriate placement in a hierarchy of values, and Auden derived several ideas about Christian charity from Augustine. -
THE FUNCTION of the CHILD in NOVELS by GALDÓS by Michael
REALIST STRATEGIES: THE FUNCTION OF THE CHILD IN NOVELS BY GALDÓS by Michael Adam Carroll BA, College of the Holy Cross, 2007 MA, University of Colorado at Boulder, 2010 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Spanish and Portuguese 2014 This thesis entitled: Realist Strategies: The Function of the Child in Novels by Galdós written by Michael Adam Carroll has been approved for the Department of Spanish and Portuguese ____________________________ Dr. Ricardo Landeira ____________________________ Dr. Javier Krauel Date______________ The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. iii Carroll, Michael Adam (Ph.D., Spanish Literature, Department of Spanish and Portuguese) Realist Strategies: The Function of the Child in Novels by Galdós Thesis directed by Professor Ricardo Landeira This dissertation explores the function of the child in the Novelas españolas contemporáneas (1881-97) by Benito Pérez Galdós, Spain’s foremost nineteenth-century author. Children play a central role in the genre of realism, from Charles Dickens, to Emily Brönte, and Henry James. Galdós follows in this tradition, but sets his work apart by placing the child at the margin of the stories he tells, rather than as protagonists. While critics have tended to view these marginalized children as either verifications of social issues contemporary to the novelist or as symbols that underscore themes, this dissertation analyzes children by considering how they socially affect adults and how characters perceive them. -
Obedience, Subversion and Autonomy in Tristana's Intertexts
OBEDIENCE, SUBVERSION AND AUTONOMY IN T RI STANA'S INTERTEXTS Thomas Franz Beginning with the famous review published by Emilia Pardo Bazán, critics have tended to see in Galdós’s Tristona (1892) a potentially great novel that fails to deliver on the apparent expectations raised by its first chapters. Since the present study subscribes in part to this viewpoint and offers a way to justify the very things that earlier critics had attacked, it is necessary to rehearse at the outset the principal faults that these readers have found. Such a procedure may eventually allow us to turn the alleged defects into merits and to show that Galdós’s achievement and vision were radically different from what many readers up till now have assumed. For Pardo Bazán and many additional evaluators, Tristano's defect is that it soon turns away from the theme o f a woman’s quest for independence to concentrate on a trivial love affair and ultimately derails on a deus ex machina in which the sudden amputation o f a leg drives off both the goal o f independence and the m otif of self-discovery (Pardo Bazán 49-53). Leopoldo Alas, writing as “Clarín,” disagreed, faulting the novel for what he termed the uninteresting, dreamy nature of its heroine, who lacked sufficient will to realize her ambitions (Engler 95-96). Casalduero objected to Galdós’s manipulation of the plot, especially the leg infection that suddenly befalls Tristana (106). There would appear to be a sound theoretical basis for such an opinion, since Galdós originally meant the decrepit and increasingly dysfunctional Don Lope to be the victim o f the amputation (Sinnigen 55-56), which makes far more sense given the obvious castration symbolism of the act (57). -
COLERIDGE, PHILOSOPHY and RELIGION Aids to Re¯Ection and the Mirror of the Spirit
COLERIDGE, PHILOSOPHY AND RELIGION Aids to Re¯ection and the Mirror of the Spirit DOUGLAS HEDLEY University of Cambridge published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge CB22RU, UK www.cup.cam.ac.uk 40 West 20th Street, New York, NY 10011±4211, USA www.cup.org 10 Stamford Road, Oakleigh, Melbourne 3166, Australia Ruiz de AlarcoÂn 13, 28014 Madrid, Spain # Cambridge University Press 2000 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2000 Printed in the United Kingdom at the University Press, Cambridge Typeface 11/12.5pt Baskerville [CE] A catalogue record for this book is available from the British Library isbn 0 521 77035 1 Hardback Contents Acknowledgements page ix List of abbreviations xi Notes on the text xiii Prologue: explaining Coleridge's explanation 1 1 The true philosopher is the lover of God 18 A spiritual philosophy 21 The revival of natural theology 29 Platonism 33 The Platonic Trinity 36 German Idealism and the Platonic Tradition 40 Paley, Locke and Socinianism 45 Priestley, Unitarianism and Platonic idealism 49 Identity and difference: henology or ontology? 59 Supreme being and self-consciousness 65 `iamwhoiam'75 2 Inner word: re¯ection as meditation 88 Aphorism 89 Meditation and awakening: -
Mario Camus Lee "Fortunata Y Jacinta", De Benito Pérez Galdós
Mario Camus lee Fortunata y Jacinta, de Benito Pérez Galdós José Manuel González Herrán Universidade de Santiago de Compostela I El 7 de mayo de 1980 se estrenaba en TVE la serie Fortunata y Jacinta, un anti- guo proyecto cuyas más lejanas raíces vienen de una iniciativa que dos cadenas de televisión, una francesa y otra suiza, habían propuesto a la española en 1976. Al año siguiente, esta contrata a Mario Camus, con el propósito de iniciar el ro- daje en 1978; pero, tras superar complejas dificultades y sufrir varias interrup- ciones, se demorará hasta la primavera de 1979,1 para concluir a finales de ese mismo año, cinco meses antes de su puesta en antena. En otros trabajos (González Herrán, 2017, 2018, 2020b) me he ocupado de algunos aspectos de esa versión filmada, comparándola con la novela homónima de Pérez Galdós. Hoy vuelvo a ello, pero centrándome más en su guion: de ahí el sentido del título de este artículo, que también podía haber sido: “Mario Camus escribe Fortunata y Jacinta”, pues pretendo mostrar cómo el director santanderi- no ha leído y reescrito —no solo audiovisualmente, sino en sentido literal— la novela galdosiana de 1887. De ahí que, sin soslayar del todo el texto de esta, ni su versión filmada, me centraré en la fase intermedia en ese proceso —el guion—, que hasta ahora nadie ha atendido; entre otras razones por la muy poderosa de que no había noticia de él. Fue el propio Mario Camus quien me informó de la existencia de un original mecanografiado, regalado a su amigo Pedro Schlueter, musicólogo y galdosista (cfr. -
Philosophy), P.G.Govt
Dr. Desh Raj Sirswal, Assistant Professor (Philosophy), P.G.Govt. College for Girls, Sector-11, Chandigarh http://drsirswal.webs.com The word “Idealism” ought not to suggest ‘ideas’ as if idealism were some sort of reformist movement or exclusively ethical system.The word idealism is derived from the Greek word ‘idea’ which simply means something seen. Plato used this word in his philosophy as a technical term for ‘universals’ opposite word to particulars. Here we will study idealism with its forms. In philosophy, idealism is the group of philosophies which assert that reality, or reality as we can know it, is fundamentally mental, mentally constructed, or otherwise immaterial. Epistemologically, idealism manifests as a skepticism about the possibility of knowing any mind-independent thing In modern philosophy the word idealism is used to describe the view that reality is of the nature of ideas, that mind or self is the fundamental reality. It means that external world cannot exist independently without mind. Here is two types of idealism Objective Idealism Subjective Idealism Objective idealism asserts that the reality of experiencing combines and transcends the realities of the object experienced and of the mind of the observer. Proponents include Thomas Hill Green, Josiah Royce, Benedetto Croce and Charles Sanders Peirce. Absolute idealism is G. W. F. Hegel's account of how existence is comprehensible as an all-inclusive whole. Hegel called his philosophy "absolute" idealism in contrast to the "subjective idealism" of Berkeley and the "transcendental idealism" of Kant and Fichte, which were not based on a critique of the finite and a dialectical philosophy of history as Hegel's idealism was. -
Galdós As Disablitity Observer: the Mendicant and Militant Leg- and Foot-Afflicted” Vernon A
VOL. 7, NUM. 2 SUMMER/VERANO 2010 “Galdós as Disablitity Observer: The Mendicant and Militant Leg- and Foot-Afflicted” Vernon A. Chamberlin Like his European contemporaries and his Spanish predecessors during the Romantic movement in Spain, Galdós described and utilized many lame and crippled characters in his works.1 Some aspects of this creativity have been studied. First, we have the case of the eponymous protagonist in Tristana, which has attracted critical attention since the time of the novel’s publication in 1891.2 Also, with the publication in 1975 of Concha-Ruth Morell’s letters to Don Benito—which makes clear that she is the prototype for the protagonist—critical interest has taken a new turn; and, an attempt has been made to answer the question of why Galdós should choose to amputate the leg of the character, who is clearly a stand-in for his beautiful young mistress.3 Most recently, attention has been called to the relationship between certain lame characters and the devil—one of whose hallmarks is lameness—in Fortunata y Jacinta, Miau, and Ángel Guerra.4 However, there remains yet to be studied other lame and crippled characters who appear throughout Galdós’s fiction, from the first of his novels to the very last of his Episodios nacionales. The aim of the present essay is to show the breadth and accuracy of Galdós’s observation, as well as the role of these remaining foot- and leg-afflicted in the works, ranging from minor costumbrista types to the protagonist of an entire series of the Episodios nacionales. -
Augustine's Confessiones: the Battle Between Two Conversions
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 11-12-2018 Augustine's Confessiones: The Battle between Two Conversions Robert Hunter Craig University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the Philosophy of Science Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Scholar Commons Citation Craig, Robert Hunter, "Augustine's Confessiones: The Battle between Two Conversions" (2018). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/8109 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Augustine’s Confessiones: The Battle between Two Conversions by Robert Hunter Craig A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Philosophy with a concentration in Philosophy and Religion College of Arts and Sciences University of South Florida Co-Major Professor: Thomas Williams, Ph.D. Co-Major Professor: Michael DeJonge, Ph.D. William Goodwin, Ph.D. Alexander Levine, Ph.D. Date of Approval: November 2, 2018 Keywords: Autopsychographical, Theo-Ratiocination, Conversion, Consciousness, Pedagogic-Apologetic Copyright © 2018, Robert Hunter Craig DEDICATED TO: God To my wife Terry Lee Craig To my professor and pastor James F. Strange PREFACE I can recall reading the Confessiones of Augustine in 1988 for the first time when I was a sophomore at Stetson University in my Introduction to Philosophy class.