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Felice Anerio
Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600
Missa Papae Marcelli: a Comparative Analysis of the Kyrie and Gloria Movements of Giovanni Pierluigi Da Palestrina and An
J\Ihq [Aj0j{6^~- Major Professor X
What Can the Organ Partitura to Tomã¡S Luis De Victoriaâ•Žs Missae
Tomás Luis De Victoria's Role in the Development of a Roman Polychoral Idiom in the 1570S and Early 1580S
The Journal of the Viola Da Gamba Society
TOC 0235 CD Booklet.Indd
Published Editions and Anthologies of the 19Th Century: Music of the Renaissance Or Renaissance Music?
Carlo Milanuzzi's Quarto Scherzo and the Climate of Venetian Popular
Daniele V. Filippi: Quale Roma Al Nord? L'immagine Musicale Di Roma Nel Primo Seicento a Partire Dal Caso Di Giovanni Frances
Studies on the Reception of Italian Music in Central-Eastern Europe in the 16Th and 17Th Century
Layout 1 (Page 1)
Sistine Chapel
SPEAKING in TONES: PLAINCHANT, MONODY, and the EVOCATION of ANTIQUITY in EARLY MODERN ITALY by BARBARA DIANNE SWANSON Submit
Church Reform and Devotional Music in Sixteenth-Century Rome: the Influence of Lay Confraternities
THE LIFE of GIOVANNI MARIA NANINO in 1545', the Council of Trent Began Its Work
What Can the Organ Partitura to Tomás Luis De Victoria's Missae
I. a Humanist John Merbecke
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Mintel, Richard and Judith Archive of Recordings
7214103.PDF (10.02Mb)