Farinelli
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- Unknown Senesino: Francesco Bernardi's Vocal Profile and Dramatic Portrayal, 1700-1740 Randall Scotting Submitted in Fulfilmen
- Lisecka, M.: “Offence to the Eye”: Farinelli As an Actor on Opera Stage
- Sacred Music in Évora from the Eighteenth Century: Cataloguing and Digitisation
- Giovanni Battista Pergolesi (1710-1736) STABAT Mater, P.77 1 I
- Confronting the Baroque Body of the Castrato Author(S): Roger Freitas Freitas Source: the Journal of Musicology, Vol
- 'I Have a Very Special Love for Handel'
- Communication Through the Language of Voice “Aria Da Capo” Characteristics and Vocal Interpretative Potential in the Eighteenth - Century
- The Castrato and His Wife Free Ebook
- Farinelli's Venetian Debut in 1728-1729
- Farinelli and Burney Write Music History
- EMR 12386 Stabat Mater WB
- Luigi Marchesi: Life and Voice
- Orlando Amore
- Farinelli's Impact on Opera in 18Th Century Spain
- BKS Berry Berry