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Euphorion (playwright)
The Conditions of Dramatic Production to the Death of Aeschylus Hammond, N G L Greek, Roman and Byzantine Studies; Winter 1972; 13, 4; Proquest Pg
The Shadow of Aristophanes: Hellenistic Poetry’S Reception of Comic Poetics*
Defining Tragedy
Fifth-Century Athenian History and Tragedy
Wandering Poets and the Dissemination of Greek Tragedy in the Fifth
Greek Tragedy
A Companion to Greek Tragedy
Katabasis and the Serpent in Aristophanes' Frogs, As Dionysus Is
The Function of the Deus Ex Machina in Euripidean Drama
Euripides' Medea in Context. in A. Pociña Pérez, A. López, C. Morais
Choruses for Dionysus: Studies in the History of Dithyramb and Tragedy by Matthew C. Wellenbach B.A., Williams College, 2009
Brainy Quote ~ Aeschylus 018
THE SUDA's LIFE of SOPHOCLES (SIGMA 815): TRANSLATION and COMMENTARY with SOURCES Wm. Blake Tyrrell (Michigan State Universit
Myth-Making in Aristophanes Innovation and Evolution in Attic Comedy
A Theatre at UBC Companion Guide
Politics and the Lost Euripidean Philoctetes
Greek Satyr Play CALIFORNIA CLASSICAL STUDIES
The Aeschylean Chorus
Top View
Libraries in the Ancient World
Chong-Gossard, K.O., 'On Teaching Euripides' Medea'
A Commentary on the Fragments of Fourth-Century Tragedy Thomas Sims
Democratizing Dionysus: the Origins Controversy and the Dual Evolution of Tragedy and Civism
Women on the Edge: Four Plays by Euripides